Clemente de Torres is the stage name of Clemente de Torvisco y Escobar (23 November 1662 - 1730), was a Spanish Baroque painter of Genoese origin.
De Torres started painting about 1680, and trained with Juan de Valdés Leal, inheriting his style, but the number of works that can be attributed to him is low. A few tables and six apostles painted on the pillars of the Dominican Church of San Pablo in Seville, which corroborates his being a disciple of Juan de Valdés Leal. De Torres visited the Court of Madrid in 1724 and established a friendship with Antonio Palomino, the official painter of the Court, to which he devoted a complimentary poem. He returned to Cádiz, where he continued to paint until his death in 1730.
Diego Rodríguez de Silva y Velázquez was a Spanish painter, the leading artist in the court of King Philip IV of Spain and Portugal, and of the Spanish Golden Age. He was an individualistic artist of the Baroque period. He began to paint in a precise tenebrist style, later developing a freer manner characterized by bold brushwork. In addition to numerous renditions of scenes of historical and cultural significance, he painted scores of portraits of the Spanish royal family and commoners, culminating in his masterpiece Las Meninas (1656).
Acislo Antonio Palomino de Castro y Velasco was a Spanish painter of the Baroque period, and a writer on art, author of El Museo pictórico y escala óptica, which contains a large amount of important biographical material on Spanish artists.
Alonso Sánchez Coello was an Iberian portrait painter of the Spanish and Portuguese Renaissance. He is mainly known for his portrait paintings executed in a style which combines the objectivity of the Flemish tradition with the sensuality of Venetian painting. He was court painter to Philip II.
Juan de Valdés Leal was a Spanish painter and etcher of the Baroque era.
Juan Carreño de Miranda was a Spanish painter of the Baroque period.
Juan Pantoja de La Cruz was a Spanish painter, one of the best representatives of the Spanish school of court painters. He worked for Philip II and Philip III. The Museo del Prado contains examples of his severe portraiture style.
Juan van der Hamen y (Gómez de) León was a Spanish painter, a master of still life paintings, also called bodegones. Prolific and versatile, he painted allegories, landscapes, and large-scale works for churches and convents. Today he is remembered mostly for his still lifes, a genre he popularized in 1620s Madrid.
Events from the year 1661 in art.
Bernardo Germán de Llórente was a Spanish painter of the late-Baroque period. He was active in Seville where he was one of the followers of Murillo and made a name with his devotional paintings of the Virgin Mary. He also painted portraits and still lifes with trompe-l'œil effects.
Lucas de Valdés Carasquilla was a Spanish painter and engraver of the Baroque period, active in Seville.
Pedro de Camprobín Passano was a Spanish Baroque painter who specialized in still-lifes; primarily flowers.
Antonio de Pereda y Salgado was a Spanish Baroque-era painter, best known for his still lifes.
Juan del Castillo was a Spanish Baroque painter. Many of his paintings became famous during his time due to his pupil, Bartolomé Esteban Murillo.
Darío Antonio Suro García-Godoy was a Dominican painter, art critic, and diplomat from La Vega, Dominican Republic, remembered as one of the most influential Dominican artists from the 20th century. Suro’s paintings encompassed a wide range of styles from the impressionist mood of his early paintings, to the neo-realism of his maturity, and finally to the abstraction of his later works. Together with his contemporaries Yoryi Morel, Jaime Colson, and Celeste Woss y Gil, he is known as one of the progenitors of modernist art in the Dominican Republic.
Matias de Arteaga, also Matías de Arteaga y Alfaro, was a Spanish painter and engraver.
Salvador Sánchez Barbudo was a Spanish painter, active mainly in Rome, Italy.
The Hospital de los Venerables of Seville, Spain, is a baroque 17th-century building which served as a residence for priests. It currently houses the Velázquez Center, dedicated to the famous painter Diego Velázquez. It is located in the Plaza de los Venerables, in the center of the Barrio de Santa Cruz and close to the Murillo Gardens, the Seville Cathedral and Alcázar.
Luisa Rafaela de Valdés Morales, known as Luisa de Morales and Maria Luisa Morales, was a Spanish painter and engraver, and daughter and disciple of Juan de Valdés Leal. The current (2022) exhibition of her father's work at the Museo de Bellas Artes in Seville shows her completing some of his sculptures by adding finely painted details of clothing etc. Several of her small drawings of Seville can also be seen.
Juan Gálvez was a Spanish artist who served as court painter for King Ferdinand VII and Director of the Real Academia de Bellas Artes de San Fernando.