Clue J & His Blues Blasters

Last updated

Clue J & His Blues Blasters
Origin Kingston, Jamaica
Genres R&B, calypso, ska
Years activelate 1950searly1960s
LabelsWorldisc, Studio One
Associated acts The Skatalites
Past membersCluett Johnson
Ernest Ranglin
Emmanuel "Rico" Rodriguez
Roland Alphonso
Theophilus Beckford
Aubrey Adams
Arkland "Drumbago" Parks
Ken Williams
Herman Sang
Keith Stoddart
Lloyd Mason
Monty Alexander

Clue J & His Blues Blasters were a Jamaican band of the late 1950s and early 1960s led by Cluett Johnson, who were one of the first bands to play ska. Several of the band's members went on to join The Skatalites.

History

Formed in the late 1950s, the band was led by double bassist Cluett Johnson (aka Clue J), [1] and other members included Ernest Ranglin (guitar), Emmanuel "Rico" Rodriguez (trombone), Roland Alphonso (tenor saxophone), Theophilus Beckford (piano), Aubrey Adams (piano/organ), and Arkland "Drumbago" Parks (drums). [2] The band was the first to make records in Jamaica, their earliest releases being calypso or R&B, such as "Shuflling Jug", and were promoted on producer Clement "Coxsone" Dodd's Downbeat sound system and released on his Worldisc label. [2] Johnson is sometimes credited with creating the term "ska", after telling Ranglin to "play it like ska, ska, ska", but this is disputed. [2] Most of the band members went on to greater fame in bands such as The Skatalites. [2] Johnson relocated to Montego Bay where he performed at a hotel until his death. [3]

Related Research Articles

Ska is a music genre that originated in Jamaica in the late 1950s and was the precursor to rocksteady and reggae. It combined elements of Caribbean mento and calypso with American jazz and rhythm and blues. Ska is characterized by a walking bass line accented with rhythms on the off beat. It was developed in Jamaica in the 1960s when Stranger Cole, Prince Buster, Clement "Coxsone" Dodd, and Duke Reid formed sound systems to play American rhythm and blues and then began recording their own songs. In the early 1960s, ska was the dominant music genre of Jamaica and was popular with British mods and with many skinheads.

Rocksteady is a music genre that originated in Jamaica around 1966. A successor of ska and a precursor to reggae, rocksteady was the dominant style of music in Jamaica for nearly two years, performed by many of the artists who helped establish reggae, including harmony groups such as The Techniques, The Paragons, The Heptones and The Gaylads; soulful singers such as Alton Ellis, Delroy Wilson, Bob Andy, Ken Boothe and Phyllis Dillon; musicians such as Jackie Mittoo, Lynn Taitt and Tommy McCook. The term rocksteady comes from a popular (slower) dance style mentioned in the Alton Ellis song 'Rocksteady' that matched the new sound. Some rocksteady songs became hits outside Jamaica, as with ska, helping to secure the international base reggae music has today.

Studio One is one of Jamaica's most renowned record labels and recording studios; it has been described as the Motown of Jamaica. The record label was involved with most of the major music movements in Jamaica during the 1960s and 1970s, including ska, rocksteady, reggae, dub and dancehall.

Ernest Ranglin Jamaican guitarist and composer

Ernest Ranglin is a Jamaican guitarist and composer who established his career while working as a session guitarist and music director for various Jamaican record labels including Studio One and Island Records. Ranglin played guitar on many early ska recordings and helped create the rhythmic guitar style that defined the form. Ranglin has worked with Theophilus Beckford, Jimmy Cliff, Monty Alexander, Prince Buster, the Skatalites, Bob Marley and the Eric Deans Orchestra. He is noted for a chordal and rhythmic approach that blends jazz, mento and reggae with percussive guitar solos incorporating rhythm 'n' blues and jazz inflections.

Laurel Aitken

Lorenzo "Laurel" Aitken was an influential Caribbean singer and one of the pioneers of Jamaican ska music. He is often referred to as the "Godfather of Ska".

Monty Alexander Jamaican pianist

Montgomery Bernard "Monty" Alexander is a Jamaican jazz pianist. His playing has a Caribbean influence and bright swinging feeling, with a strong vocabulary of bebop jazz and blues rooted melodies. He was influenced by Louis Armstrong, Duke Ellington, Nat King Cole, Oscar Peterson, and Frank Sinatra. Alexander also sings and plays the melodica. He is known for his surprising musical twists, bright rhythmic sense, and intense dramatic musical climaxes. Monty's recording career has covered many of the well known American songbook standards, jazz standards, pop hits, and Jamaican songs from his original homeland. Alexander has resided in New York City for many years and performs frequently throughout the world at jazz festivals and clubs.

Lester Sterling

Lester Sterling OD, also known as Lester "Ska" Sterling or Mr. Versatile, is a Jamaican trumpet and saxophone player.

Roland Alphonso OD or Rolando Alphonsoa.k.a. "The Chief Musician" was a Jamaican tenor saxophonist, and one of the founding members of the Skatalites.

Ska jazz is a music genre derived by fusing the melodic content of jazz with the rhythmic and harmonic content of early Jamaican Music introduced by the "Fathers of Ska" in the late 1950s. The ska-jazz movement began during the 1990s in New York and London, where pioneering avant-garde jazz and reggae musicians pushed the boundaries of reggae music. They were combining traditions with modern tendencies, using the reggae beat along with high improvisation and jazz harmonies, primarily by horns and percussion.

The Skatalites are a ska band from Jamaica. They played initially between 1963 and 1965, and recorded many of their best known songs in the period, including "Guns of Navarone." They also played on records by Prince Buster and backed many other Jamaican artists who recorded during that period, including Bob Marley & The Wailers, on their first single Simmer Down. They reformed in 1983 and have played together ever since.

Joseph Abraham Gordon, better known as Lord Tanamo, was a Jamaican-Canadian singer and songwriter best known for his mento and ska work.

Cedric Brooks

Cedric "Im" Brooks was a Jamaican saxophonist and flautist known for his solo recordings and as a member of The Mystic Revelation of Rastafari, The Sound Dimensions, Divine Light, The Light of Saba, and The Skatalites.

John Arlington "Dizzy" Moore OD was a Jamaican trumpet player and founding member of pioneering Jamaican ska and reggae act The Skatalites.

Ken Lack was a Jamaican ska, rocksteady and reggae record producer active in the latter half of the 1960s, who also ran the Caltone and JonTom record labels.

Jerome "Jah Jerry" Haynes OD was a Jamaican guitarist and former member of The Skatalites.

Theophilus Beckford was a Jamaican pianist and one of the pioneers of Jamaican popular music during the transition from rhythm 'n' blues to Jamaican ska.

Gladstone Anderson, also known by his nickname "Gladdy", was a Jamaican pianist, keyboard player, and singer, who played a major part in the island's musical history, playing a key role in defining the ska sound and the rocksteady beat, and playing on hundreds of recordings as a session musician, a solo artist, and as leader of Gladdy's All Stars, featuring bassist Jackie Jackson, drummer Winston Grennan, guitarist Hux Brown, and keyboardist Winston Wright. As Harry J All Stars the band had a massive hit in Jamaica and United Kingdom with the instrumental song "The Liquidator" 1969.

Val Bennett was a Jamaican tenor saxophonist and jazz and roots reggae musician who began his career in the 1940s. He made a number of releases on the Island Records and Crab Records labels.

Aubrey Wellington Adams was a Jamaican pianist and keyboard player who was one of the top bandleaders in Jamaica in the 1950s, and led the Dewdroppers as well as playing with Clue J & His Blues Blasters.

The ska stroke up or ska upstroke, skank or bang, is a guitar strumming technique that is used mostly in the performance of ska, rocksteady, and reggae music. It is derived from a form of rhythm and blues arrangement called the shuffle, a popular style in Jamaican blues parties of the 1940s, 1950s and 1960s.

References

  1. Barrow, Steve & Dalton, Peter (2004) The Rough Guide to Reggae, 3rd edn., Rough Guides, ISBN   1-84353-329-4, p. 24
  2. 1 2 3 4 Larkin, Colin (1998) The Virgin Encyclopedia of Reggae, Virgin Books, ISBN   0-7535-0242-9, p. 63
  3. Wilson, Claude (2000) "Where are they now?", Jamaica Gleaner , 3 September 2000, retrieved 6 September 2009