Colour co-site sampling

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Chip, taken with a standard one-chip camera (left) and taken with a colour co-site sampling camera. Comparison standard vs Co-site scanning.png
Chip, taken with a standard one-chip camera (left) and taken with a colour co-site sampling camera.

Colour co-site sampling is a system of photographic colour sensing, wherein 4, 16 or 36 images are collected from the sensor and merged to form a single image. Each subsequent image physically moves the sensor by exactly one pixel, in order to collect R, G and B data for each pixel, known as microscanning. This is a viable alternative to the typical Bayer filter array of pixels which returns a lower quality images with interpolated pixel colours.

Contents

Operation

Several images are captured and combined to a sharp resulting image. After the acquisition of each image a piezo mechanism moves the sensor by precisely the distance of one pixel and delivers the complete colour information for each detail and with the same sharpness in all three colour channels.

Microscanning is essential for the method. 4 (2×2), 16 (4×4) or 36 (6×6) shots can be used for improved colour reproduction.

During the acquisition, the sensor is moved by the distance of one pixel. Thus every pixel is scanned at least once in all three colours. Co-Site sampling 2.png
During the acquisition, the sensor is moved by the distance of one pixel. Thus every pixel is scanned at least once in all three colours.

Comparison to Bayer filter

The colour CCD is moved to 2x2 positions, sampling the colour information of the corresponding pixel at each location of the sensor. 2x2 co-site sampling.jpg
The colour CCD is moved to 2×2 positions, sampling the colour information of the corresponding pixel at each location of the sensor.

With standard digital cameras, colour images are acquired with only one sensor (see CCD and CMOS sensor). Each pixel of the sensor is sensitive to just one of the three basic colours. For each single pixel on the CCD only one third of the required information is provided and two thirds are missing, as at least three monochrome pixels would be necessary for one colour pixel. As only one image is acquired, the missing colour information is determined by the interpolation. In current cameras sophisticated interpolation algorithms are used to reconstruct the colour information (see filter mosaics, interpolation, and aliasing), so the reduction in the "colour" resolution can turn out to be better than the expected one third. Because of the interpolation, however, unwanted side-effect artifacts, such as colour Moire patterns or false coloured edges, can occur.

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