Matthias was, according to the Acts of the Apostles, chosen by God through the apostles to replace Judas Iscariot following the latter's betrayal of Jesus and his subsequent death. His calling as an apostle is unique, in that his appointment was not made personally by Jesus, who had already ascended into heaven, and it was also made before the descent of the Holy Spirit upon the early Church.
Luca Signorelli was an Italian Renaissance painter from Cortona, in Tuscany, who was noted in particular for his ability as a draftsman and his use of foreshortening. His massive frescos of the Last Judgment (1499–1503) in Orvieto Cathedral are considered his masterpiece.
Federico Barocci was an Italian Renaissance painter and printmaker. His original name was Federico Fiori, and he was nicknamed Il Baroccio. His work was highly esteemed and influential, and foreshadows the Baroque of Rubens. He is generally considered the greatest and the most individual painter of his time in central Italy.
Justus van Gent or Joos van Wassenhove was an Early Netherlandish painter, perhaps from Ghent, who after training and working in Flanders later moved to Italy where he worked for Federico da Montefeltro, duke of Urbino, and was known as Giusto da Guanto, or in modern Italian Giusto di Gand etc. The artist is known for his religious compositions executed in the early Netherlandish idiom and a series of portraits of famous men, which show the influence of early Italian Renaissance painting.
Events from the year 1597 in art.
Van Gent is a Dutch toponymic surname indicating an origin in the city Ghent, East Flanders. A variant spelling is Van Ghent. People with this name include:
The Signorelli parapraxis represents the first and best known example of a parapraxis and its analysis in Freud's The Psychopathology of Everyday Life. The parapraxis centers on a word-finding problem and the production of substitutes. Freud could not recall the name (Signorelli) of the painter of the Orvieto frescos and produced as substitutes the names of two painters Botticelli and Boltraffio. Freud's analysis shows what associative processes had linked Signorelli to Botticelli and Boltraffio. The analysis has been criticised by linguists and others.
The Musée Bonnat-Helleu is an art museum in Bayonne, Nouvelle-Aquitaine, France. The museum was created in 1901 when Bayonne-born painter Léon Bonnat gave his extensive personal collections of art – notably an exceptional drawing collection – as well as many of his paintings to the City of Bayonne. Subsequent donors enriched the collections of the Bonnat Museum with major gifts in 1936, 1989, 1997 and 2010, making its holdings one of the largest collections of art in southern France.
The Diocesan Museum in Cortona is an art museum in Cortona, Tuscany, Italy. Located on the former site of the local Church of Gesù, it houses works of art by artists such as Fra Angelico, Pietro Lorenzetti, Bartolomeo della Gatta, Luca Signorelli and Sassetta. The oldest item in the museum is a marble Roman sarcophagus, depicting depicts the battle of Dionysus.
Saint Bavo's Cathedral, also known as Sint-Baafs Cathedral, is a cathedral of the Catholic Church in Ghent, Belgium. The 89-meter-tall Gothic building is the seat of the Diocese of Ghent and is named for Saint Bavo of Ghent. It contains the well-known Ghent Altarpiece.
The Last Supper of Jesus and the Twelve Apostles has been a popular subject in Christian art, often as part of a cycle showing the Life of Christ. Depictions of the Last Supper in Christian art date back to early Christianity and can be seen in the Catacombs of Rome.
The Portrait of Federico da Montefeltro and His Son Guidobaldo is a painting dating from c. 1475 and housed in the Galleria nazionale delle Marche in Urbino, Italy. There is no consensus on the attribution of the authorship of the painting. The Flemish painter Justus van Gent and the Spanish painter Pedro Berruguete are the main contenders for the honour as both painters are believed to have been working in Urbino at the time the painting was made. The painting is part of a series of 28 portrait paintings of 'uomini famosi' made for the study of Duke of Urbino Federico da Montefeltro.
The Communion of the Apostles is a painting by Italian Renaissance artist Luca Signorelli, dating from around 1512. It is now in the Diocesan Museum of Cortona, Tuscany, Italy.
Justus was the fourth Archbishop of Canterbury. The given name may also refer to:
Portrait of a Man may refer to:
The Communion of the Apostles, or Institution of the Eucharist is a painting of the Last Supper by Federico Barocci located at Santa Maria sopra Minerva in Rome. It was commissioned for the family chapel of Pope Clement VIII Aldobrandini and completed between 1603 and 1608.
Cagli Cathedral is a Roman Catholic cathedral in the town of Cagli, in the province of Pesaro and Urbino, region of Marche, Italy, dedicated to the Assumption of the Virgin Mary. It was formerly the episcopal seat of the Diocese of Cagli; since 1986 it has been a co-cathedral in the Diocese of Fano-Fossombrone-Cagli-Pergola. It was granted the status of a minor basilica in 1982.
The Miracle of the Desecrated Host is a six-panel tempera-on-panel predella by Paolo Uccello, painted between 1467 and 1469 for the Confraternity of the Corpus Domini and their oratory in the Corpus Domini church in Urbino. The predella was completed before van Wassenhove's work and Uccello received his last payment on 17 October 1469 and the rules made by folio 38r.
The Institution of the Eucharist or Communion of the Apostles is a 1472–1474 tempera on panel painting by Justus van Gent. Commissioned as an altarpiece, it post-dates its 1460s predella, The Miracle of the Desecrated Host by Paolo Uccello. Both Institution and Miracle are now in the Galleria nazionale delle Marche in Urbino.
