Cool it Carol! | |
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Directed by | Pete Walker |
Written by | Murray Smith |
Produced by | Pete Walker |
Starring | Robin Askwith Janet Lynn |
Cinematography | Peter Jessop |
Edited by | Tristam Cones |
Music by | Cyril Ornadel |
Production company | Pete Walker Film Productions |
Distributed by | Miracle Films (UK) |
Release dates |
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Running time | 101 min. |
Country | UK |
Language | English |
Cool it Carol! (U.S. title: Dirtiest Girl I Ever Met [1] ; also known as Oh Carol) is a 1970 British sex comedy-drama film directed and produced by Pete Walker, starring Robin Askwith and Janet Lynn. [2] It was written by Murray Smilth.
Young couple Joe and Carol leave the sticks behind and journey to Swinging London in search of fame and fortune. Joe fails to find employment in the big city, but Carol rapidly becomes a model. As the naïve couple begin to enjoy the London night life they are drawn ever deeper into the sleazy but lucrative world of pornography and prostitution, with Joe acting as Carol's manager/pimp. Eventually it all becomes too much for them, and they return home to their former conventional lives.
According to the opening credits, "this story is true but actual names and places are fictitious"; the film being apparently inspired by a tabloid article the director read in the News of the World . [3] [4]
The film was shot on location in the villages of Northiam and Bodiam, Sussex and throughout London, England.[ citation needed ]
The Monthly Film Bulletin wrote: "Despite an occasional flash of pubic hair, Cool it Carol! is entirely anaphrodisiac. This is perhaps largely intentional, most of the sex scenes being treated with distancing irony. While the film doesn't stand up to criticism, it is beguilingly good-humoured, and the throwaway, laconic dialogue certainly has its moments. Peter Walker is not very good at constructing smoothly flowing sequences and the images tend to stand in isolation, though this can sometimes be a positive gain, as in some of the location shots. The film is quintessentially English, unconcerned and pragmatic, taking modelling, prostitution and blue movies in its bland stride. Its rather attractive underlying attitudes are summed up by Carol's father, who asks as she waits to go to London, "Is your maidenhead intact?" She replies that it isn't, whereupon he says she can go and gives her twenty pounds. Pragmatism." [5]
Kine Weekly wrote: "This crude and salacious production has been carefully geared to appeal fo a certain predictable minority. The film is supposed to be based on a real-life story. But never, surely, has Shropshire given birth to two such naive creatures as Carol and Joe. And never has success come so rapidly, nor been so casually rejected, as in this sleazy fairy-tale. The plot is, in fact, quite absurd; the script is very low-level stuff and the acting is only so-so, despite appearances from several well-known personal ities, including Jess Conrad, Pete Murray and Stubby Kaye. Janet Lynn is a pretty little thing with a trim little body which the film is never tired of displaying. Her Carol is an indefatigable love-maker who manages to look sweet and cool even after five clients in a row. Robert Askwith brings clumsy charm to the role of her boyfriend Joe. Director and producer Peter Walker has put all his energies into the staging of the sex sequences, some of which are very titillating and most of which depend on heavy breathing or a voyeurs approach. Points of appeal: Sex." [6]
DVD Drive-in wrote: "it’s no great film by any means, but it’s an enjoyable time capsule romp worth checking out." [7]
Cinedelica wrote: "compared to a movie like Smashing Time [1967], Cool It Carol! is probably the more realistic portrayal of the swinging London dream. But we're still in the land of the exploitation flick, so don't expect Ken Loach-like realism." [8]
Pablo Kjolseth writes at TCM.com: "in reflecting on scenes that stood out as memorable, my vote goes for the disturbing and eerie tight shots (seen more than once) of old men licking their dry lips with lusty tongues at the sight of nude, young women. These brief moments introduce an ominous, unpredictable, claustrophobic and icky energy into an otherwise languid story. An early indication, perhaps, that Walker's talents would be best served in a different genre." [4]
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Procuring, pimping, or pandering is the facilitation or provision of a prostitute or other sex worker in the arrangement of a sex act with a customer. A procurer, colloquially called a pimp or a madam or a brothel keeper, is an agent for prostitutes who collects part of their earnings. The procurer may receive this money in return for advertising services, physical protection, or for providing and possibly monopolizing a location where the prostitute may solicit clients. Like prostitution, the legality of certain actions of a madam or a pimp vary from one region to the next.
Prostitution in Singapore in itself is not illegal, but various prostitution-related activities are criminalized. This includes public solicitation, living on the earnings of a prostitute and maintaining a brothel. In practice, police unofficially tolerate and monitor a limited number of brothels. Prostitutes in such establishments are required to undergo periodic health checks and must carry a health card.
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The sex industry consists of businesses that either directly or indirectly provide sex-related products and services or adult entertainment. The industry includes activities involving direct provision of sex-related services, such as prostitution, strip clubs, host and hostess clubs and sex-related pastimes, such as pornography, sex-oriented men's magazines, women's magazines, sex movies, sex toys and fetish or BDSM paraphernalia. Sex channels for television and pre-paid sex movies for video on demand, are part of the sex industry, as are adult movie theaters, sex shops, peep shows, and strip clubs. The sex industry employs millions of people worldwide, mainly women. These range from the sex worker, also called adult service provider (ASP), who provides sexual services, to a multitude of support personnel.
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