Hard Core Logo is a 1996 Canadian mockumentary adapted by Noel S. Baker from the novel of the same name by author Michael Turner. The film was directed by Bruce McDonald and illustrates the self-destruction of punk rock. Released in 1996, the film documents a once-popular punk band, Hard Core Logo, comprising lead singer Joe Dick, fame-tempted guitarist Billy Tallent, schizophrenic bass player John Oxenberger, and drummer Pipefitter. Julian Richings plays Bucky Haight, Dick's idol. Several notable punk musicians, including Art Bergmann, Joey Shithead and Joey Ramone, play themselves in cameos. Canadian television personality Terry David Mulligan also has a cameo, playing a fictionalized version of himself.
Millennium is a 1989 science fiction drama film directed by Michael Anderson and starring Kris Kristofferson, Cheryl Ladd, Robert Joy, Brent Carver, Al Waxman and Daniel J. Travanti.
The Diodes are a Canadian punk rock band formed in 1976 in Toronto. They released five albums: Diodes (1977), Released (1979), Action-Reaction (1980), Survivors (1982), and Time/Damage Live 1978 (2010). They were one of the first Canadian bands to embrace this style of music and helped to foster the original core Punk scene in Toronto.
Last Summer is a 1969 teen drama film directed by Frank Perry and written by his then-wife Eleanor Perry, based on the 1968 novel of the same name by Evan Hunter. It stars Barbara Hershey, Richard Thomas, Bruce Davison, and Catherine Burns. The film follows the exploits of four teenagers during a summer vacation on Fire Island, New York.
Jon Moritsugu is an American cult-underground filmmaker and musician. His movies are satiric, protopunk deconstructions of popular genres and formats with scabrous and pointedly garish results. The New York Times describes them as "funny, anarchic, provocative and exhilarating". Influenced by the nihilism of Jean-Luc Godard and Guy Debord, Moritsugu's films are often defined by their "lo-fi" aesthetic and were initially shot on 16mm film for a gritty, visceral quality. He states that he often "pay(s) less attention to narrative flow and storyline and put(s) more emphasis on sight, sound and spectacle" to create a movie that is "like a live punk/hardcore show." The works themselves are often absurdist comedies that feature actress, co-writer, stylist, and wife, Amy Davis. Perhaps best known for his cult film Mod Fuck Explosion, Moritsugu's films have been screened at Sundance, Cannes, Berlin, Toronto, Rotterdam, Venice, USA Film Festival, New York Underground, Chicago Underground, MoMA, Guggenheim, Whitney and numerous other festivals and museums. In 2001 he received the Moving Image award from Creative Capital.
"Saturday Night Special" is a song by American rock band Lynyrd Skynyrd. It is the opening track on their album Nuthin' Fancy. The song addresses fatal tragedies involving guns.
Who Killed Bambi? was to be the first film featuring the punk rock band the Sex Pistols, and was due to be released in 1978. Russ Meyer and then Jonathan Kaplan were due to direct from a script by Roger Ebert and Pistols' manager Malcolm McLaren.
Donald Everett Shebib was a Canadian film and television director. Shebib was a central figure in the development of English Canadian cinema who made several short documentaries for the National Film Board of Canada and CBC Television in the 1960s before turning to feature films, beginning with the influential Goin' Down the Road (1970) and what many call his masterpiece, Between Friends (1973). He soon became frustrated by the bureaucratic process of film funding in Canada and chronic problems with distribution as well as a string of box office disappointments. After Heartaches (1981), he made fewer films for theatrical release and worked more in television.
Jonathan Culp is a Canadian underground filmmaker, musician, media artist and writer. They are best known for the features Grilled Cheese Sandwich and Taking Shelter, and for their work in the genre of found footage collage.
Ross McLaren was a Canadian artist, filmmaker, and educator based in New York City.
Peter Vronsky is a Canadian author, filmmaker, and investigative historian. He holds a PhD in criminal justice history and espionage in international relations from the University of Toronto. He is the author of the bestseller true crime histories Serial Killers: The Method and Madness of Monsters (2004), Female Serial Killers: How and Why Women Become Monsters and Sons of Cain: A History of Serial Killers From the Stone Age to the Present (2018), a New York Times Editors' Choice, and most recently American Serial Killers: The Epidemic Years 1950–2000 (2021), a history exploring the epidemic surge of serial killers in the second half of the 20th century. He is the director of several feature films, including Bad Company (1980) and Mondo Moscow (1992). Vronsky is the creator of a body of formal video and electronic artworks and new media. He has also worked professionally in the motion picture and television industry as a producer and cinematographer in the field of documentary production and news broadcasting with CNN, CTV, CBC, RAI and other global television networks in North America and overseas. Vronsky's 2011 book, Ridgeway: The American Fenian Invasion and the 1866 Battle That Made Canada, is the definitive history of Canada's first modern battle – the Battle of Ridgeway fought against Irish American Fenian insurgents who invaded across the border from the United States on the eve of Canadian Confederation shortly after the American Civil War. He currently lectures at Toronto Metropolitan University's History Department in the history of international relations, terrorism, espionage, American Civil War, and the Third Reich. He consults as an investigative criminal historian to a number of law enforcement cold case homicide units including the NYPD, New York State Police, and Bergen County Prosecutor's Office New Jersey.
Toby Ross is an American film director who made straight and gay pornographic films in the 1970s and 1980s and later on went to produce nonsexual and cult films with a strong sense of comedic flare. Many film aficionados consider Ross the only missing link between adult films and commercial independent films, as Ross calls it The Antarctica of the film business. He was born in Landsberg am Lech, Germany, to a Jewish mother and a Catholic father. At the age of eight, his mother having remarried an Austrian Jew, he moved with his mother and stepfather to Israel. He served two years in the Israeli army. After studies in Los Angeles, attracted by stories of the freedom in San Francisco, he moved there in the 1970s.
Starship Invasions is a 1977 Canadian science fiction film directed, produced and written by Ed Hunt and filmed in Toronto, Ontario. It was re-released in the United Kingdom as Project Genocide.
The Millennium Film Workshop is a non-profit media arts center located in New York City. It is dedicated to the exhibition, study, and practice of avant-garde and experimental cinema. It was also where the St. Mark's Poetry Project began. Ken Jacobs stated in 2013 that he chose the name Millennium "...because it would have to be that to actually give out equipment, education, space to work in, etc. for free. Dictionary definition: 'A hoped for period of joy, serenity, prosperity and justice.' "
Ariel Maria Dougherty is an American independent film maker, feminist media advocate and activist. She is best known as the co-founder of non-profit media arts organization Women Make Movies. In recent years she has written extensively about the intersections of women's rights and media justice and the need for increased support for both.
The Toronto New Wave refers to a loose-knit group of filmmakers from Toronto who came of age during the 1980s and early 1990s.
The Centre for Experimental Art and Communication (CEAC) was a Canadian artist-run centre that developed out of the Kensington Arts Association (KAA) [1973-1978] in 1976 as a multimedia space that provided an important venue for experimental and avant-garde art in Toronto, Ontario and beyond. CEAC was the first ever multi-media centre owned and operated by an artist-run centre in Toronto and the largest non-institutional art space during its time. The centre engaged with artists, musicians, and activists from across North America through organized exhibitions, in addition to hosting video production facilities, workshops, screening, and performance series'. CEAC encouraged artist-to-artist communication and provided a platform for Canadian artists to expand their knowledge through international tours. The centre was also home to the radical art magazine Art Communication Edition, later renamed STRIKE. Despite its success as an artist-run centre from 1976 through to 1978, CEAC was disbanded in the summer of 1978 following scandal and the withdrawal of government funding from the Ontario Arts Council
The Fighting Men is a 1977 Canadian survival television film directed by Donald Shebib, produced by John Trent, and written by Tony Sheer, later released in theatres.
Metal Messiah is a Canadian rock opera musical science fiction film, directed by Tibor Takács and released in 1977. An adaptation of Stephen Zoller's theatrical stage musical, the film centres on a space alien who comes to earth to save humanity from destroying itself with the decadence of rock music, but must battle an evil concert promoter who wants to continue to profit from society's hedonism, and coopts the Messiah to perform as a rock star before attempting to destroy him.
