Creation of the world may refer to:
Creationism is the religious belief that nature, and aspects such as the universe, Earth, life, and humans, originated with supernatural acts of divine creation. In its broadest sense, creationism includes a continuum of religious views, which vary in their acceptance or rejection of scientific explanations such as evolution that describe the origin and development of natural phenomena.
Creation or The Creation may refer to:
A creation myth or cosmogonic myth is a type of cosmogony, a symbolic narrative of how the world began and how people first came to inhabit it. While in popular usage the term myth often refers to false or fanciful stories, members of cultures often ascribe varying degrees of truth to their creation myths. In the society in which it is told, a creation myth is usually regarded as conveying profound truths – metaphorically, symbolically, historically, or literally. They are commonly, although not always, considered cosmogonical myths – that is, they describe the ordering of the cosmos from a state of chaos or amorphousness.
Origin(s) or The Origin may refer to:
Cosmogony is any model concerning the origin of the cosmos or the universe.
A creator deity or creator god is a deity responsible for the creation of the Earth, world, and universe in human religion and mythology. In monotheism, the single God is often also the creator. A number of monolatristic traditions separate a secondary creator from a primary transcendent being, identified as a primary creator.
The Bushongo are an ethnic group from the Congo River and surrounding areas. The creator god in Bushongo religion is called Bumba. Other names for him include M'Bombo and M'Bomba. He is said to have originally existed alone in darkness, in a universe consisting of nothing but primordial water. M'Bombo was said to appear like a gigantic man in form and white in colour. The creation took place when he vomited the sun, moon, animals and then humanity.
Religious cosmology is an explanation of the origin, evolution, and eventual fate of the universe from a religious perspective. This may include beliefs on origin in the form of a creation myth, subsequent evolution, current organizational form and nature, and eventual fate or destiny. There are various traditions in religion or religious mythology asserting how and why everything is the way it is and the significance of it all. Religious cosmologies describe the spatial lay-out of the universe in terms of the world in which people typically dwell as well as other dimensions, such as the seven dimensions of religion; these are ritual, experiential and emotional, narrative and mythical, doctrinal, ethical, social, and material.
The Genesis creation narrative is the creation myth of both Judaism and Christianity. The narrative is made up of two stories, roughly equivalent to the first two chapters of the Book of Genesis. In the first, Elohim creates the heavens and the Earth in six days, then rests on, blesses, and sanctifies the seventh. In the second story God creates Adam, the first man, from dust and places him in the Garden of Eden. There he is given dominion over the animals. Eve, the first woman, is created from Adam's rib as his companion.
Islamic mythology is the body of myths associated with Islam and the Quran. Islam is a religion that is more concerned with social order and law than with religious ritual or myths. The primary focus of Islam is the practical and rational practice and application of the Islamic law. Despite this focus, Islamic myths do still exist. The Oxford Companion to World Mythology identifies a number of traditional narratives as "Islamic myths". These include a creation myth and a vision of afterlife, which Islam shares with the other Abrahamic religions, as well as the distinctively Islamic story of the Kaaba.
Myth is a folklore genre consisting of narratives that play a fundamental role in society. Subsets include:
Worldbuilding is the process of constructing an imaginary world or setting, sometimes associated with a fictional universe. Developing the world with coherent qualities such as a history, geography, culture and ecology is a key task for many science fiction or fantasy writers. Worldbuilding often involves the creation of geography, a backstory, flora, fauna, inhabitants, technology and often if writing speculative fiction, different peoples. This may include social customs as well as invented languages for the world.
Chinese creation myths are symbolic narratives about the origins of the universe, earth, and life. Myths in China vary from culture to culture. In Chinese mythology, the term "cosmogonic myth" or "origin myth" is more accurate than "creation myth", since very few stories involve a creator deity or divine will. Chinese creation myths fundamentally differ from monotheistic traditions with one authorized version, such as the Judeo-Christian Genesis creation narrative: Chinese classics record numerous and contradictory origin myths. Traditionally, the world was created on Chinese New Year and the animals, people, and many deities were created during its 15 days.
The mythology of the Ohlone (Costanoan) Native American people of Northern California include creation myths as well as other ancient narratives that contain elements of their spiritual and philosophical belief systems, and their conception of the world order. Their myths describe supernatural anthropomorphic beings with the names of regional birds and animals, notably the eagle, the Coyote who is humanity's ancestor and a trickster spirit, and a hummingbird.
Egyptian mythology is the collection of myths from ancient Egypt, which describe the actions of the Egyptian gods as a means of understanding the world around them. The beliefs that these myths express are an important part of ancient Egyptian religion. Myths appear frequently in Egyptian writings and art, particularly in short stories and in religious material such as hymns, ritual texts, funerary texts, and temple decoration. These sources rarely contain a complete account of a myth and often describe only brief fragments.
A cosmic ocean, primordial waters, or celestial river is a mythological motif that represents the world or cosmos enveloped by a vast primordial ocean. Found in many cultures and civilizations, the cosmic ocean exists before the creation of the Earth. From the primordial waters the Earth and the entire cosmos arose. The cosmic ocean represents or embodies chaos. The concept of a watery chaos also underlies the widespread motif of the worldwide flood that took place in early times. The emergence of earth from water and the curbing of the global flood or underground waters are usually presented as a factor in cosmic ordering.
The Ainu historically have their own language and a rich repertoire of oral literature. The stories are particularly delivered through the genre of Kamui Yukar, which are long narratives of heroic exploits involving spiritual beings such as animals, plants, and natural phenomena. As result of assimilation, most of the Ainu people are Japanese speakers and do not speak the Ainu language. The literature now exists in forms of written texts which have been fixed but still remain to be many versions of the same tales. The Ainu creation myths are the traditional creation accounts of the Ainu peoples of Japan. These myths reflect the Ainu worldview that attributes subjectivity and agency to nonhuman entities, considering them as conscious beings with the ability to communicate and interact with humans. Although Ainu mythology has characteristics in common with the Japanese, whom they have interacted with for since the early 19th century, their creation myth remains their own.
The Serer creation myth is the traditional creation myth of the Serer people of Senegal, the Gambia and Mauritania. Many Serers who adhere to the tenets of the Serer religion believe these narratives to be sacred. Some aspects of Serer religious and Ndut traditions are included in the narratives contained herein but are not limited to them.
Korean creation narratives are Korean shamanic narratives which recount the mythological beginnings of the universe. They are grouped into two categories: the eight narratives of mainland Korea, which were transcribed by scholars between the 1920s and 1980s, and the Cheonji-wang bon-puri narrative of southern Jeju Island, which exists in multiple versions and continues to be sung in its ritual context today. The mainland narratives themselves are subdivided into four northern and three eastern varieties, along with one from west-central Korea.
The Slavic creation myth is a cosmogonic myth in Slavic mythology that explains how the world was created, who created it, and what principles guide it. This myth, in its Christianized form, survived until the nineteenth and twentieth century in various parts of the Slavdom in chronicles or folklore. In the Slavic mythology there are three versions of this myth: the first version is the so-called earth-diver myth, which intertwines two main motifs: the dualistic motif – the cooperation of God and the Devil is required to create the world, and the oceanic motif – the pre-existence water, where the seed of the Earth comes from; the second version speaks about the origin of the universe and the world from the Cosmic Egg and the World Tree; the third one about creation from a dismemberment of a primordial being.