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Betty Balfour was an English screen actress, popular during the silent era, and known as the "British Mary Pickford" and "Britain's Queen of Happiness". She was best known to audiences for her Squibs series of films.
Louis Mercanton was a Swiss film director, screenwriter and actor.
Cinders is a 1926 British silent comedy film directed by Louis Mercanton and starring Betty Balfour, Fred Wright and André Roanne. A servant in a London boarding house loses her job and accompanies one of the lodgers to his newly acquired casino on the French Riviera.
The Nipper is a 1930 British musical film directed by Louis Mercanton and starring Betty Balfour, John Stuart, and Anne Grey. It is also known by the alternative title The Brat.
Venus (French:Vénus) is a 1929 French sound drama film directed by Louis Mercanton, and starring Constance Talmadge, André Roanne, and Jean Murat. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. It is based on a story by Jean Vignaud. An English version was distributed by United Artists in the United States.
Monte Carlo is a 1925 French silent drama film directed by Louis Mercanton and starring Carlyle Blackwell, Betty Balfour and Rachel Devirys. The film is based on the novel Prodigals of Monte Carlo by E. Phillips Oppenheim. The casting of Blackwell and Balfour in leading roles was intended to give the film appeal in the British market.
Jean Mercanton was a French film actor. Mercanton began his career as a child actor, making his film debut in the year of his birth.
The Tiger Akbar is a 1951 West German thriller film directed by Harry Piel and starring Piel, Friedl Hardt and Hilde Hildebrand.
Monsieur Albert is a 1932 French comedy film directed by Karl Anton and starring Noël-Noël, Betty Stockfeld and Marcel Barencey. It was produced by the French subsidiary of Paramount Pictures at the Joinville Studios in Paris.
Hurrah! I Live! is a 1928 German silent comedy film directed by Wilhelm Thiele and starring Nicolas Koline, Max Gülstorff, and Alexej Bondireff. It was adapted from the play Der mutige Seefahrer by Georg Kaiser.
The Last Summer is a 1954 West German drama film directed by Harald Braun and starring Hardy Krüger, Liselotte Pulver and Mathias Wieman. It was shot at the Bavaria Studios in Munich. The film's sets were designed by the art directors Kurt Herlth and Robert Herlth.
The Maid at the Palace is a 1927 French silent film directed by Louis Mercanton and starring Betty Balfour, Lucy Sibley and Irene Tripod.
The Passenger is a 1928 French silent film directed by Jacques de Baroncelli and starring Jean Mercanton, Charles Vanel and Michèle Verly.
The Blue Straw Hat is a 1949 West German period comedy film directed by Viktor Tourjansky and starring Margot Hielscher, Karl Schönböck and Mady Rahl. It was shot at the Bavaria Studios in Munich and on location in the city's Nymphenburg Palace Park. The film's sets were designed by the art director Max Mellin and Max Seefelder. It is based on the play of the same title by Friedrich Michael.
Nicolas Koline (1878–1973) was a Russian stage and film actor. He established himself in Russia as a stage performer with the Moscow Art Theatre. He emigrated from Russia after the October Revolution of 1917 and came to France with La Chauve-Souris cabaret run by Nikita Balieff. In Paris he then joined Joseph Ermolieff's film company at Montreuil. He appeared in numerous French and German films during his career, initially often as a leading player during the silent era and later in supporting roles.
The Call of the Blood is a 1906 dramatic romance novel by the British writer Robert Hichens.
After Midnight is a 1938 French-German drama film directed by Carl Hoffmann and starring Gina Falckenberg, Peter Voß and René Deltgen. It was shot as a German-language version of the French film Nights of Princes, produced as a co-production between the French subsidiary of Tobis Film and the producer Joseph N. Ermolieff. Such multiple-language versions were common during the decade. Both films were based on the 1927 novel Nights of Princes by Joseph Kessel.
The Phantom Carriage or The Phantom Wagon is a 1939 French drama film directed by Julien Duvivier and starring Pierre Fresnay, Marie Bell and Micheline Francey. It is based on the novel Thy Soul Shall Bear Witness! by Selma Lagerlöf, which had previously been adapted into the 1921 Swedish silent film The Phantom Carriage by Victor Sjöström.
Prodigals of Monte Carlo is a 1926 romance novel by the British writer E. Phillips Oppenheim. It marked a departure from the usual style for Oppenheim who was better known for his thriller, mystery and adventure novels.
Muche is a 1927 French silent comedy drama film directed by Robert Péguy and starring Nicolas Koline, Elmire Vautier and Madeleine Guitty. The film's sets were designed by the art director Alexandre Lochakoff. Location shooting took place in Biarritz.
References
- ↑ Goble p.311
