The Bluetones are an English indie rock band, formed in Hounslow, Greater London, in 1993. The band's members are Mark Morriss on vocals, Adam Devlin on guitar, Mark's brother Scott Morriss on bass guitar, and Eds Chesters on drums. A fifth member, Richard Payne, came on board between 1998 and 2002. The band was originally named "The Bottlegarden".
"Pretty Fly (For a White Guy)" is a song by American rock band the Offspring. It is the fourth track from the band's fifth studio album, Americana (1998), and was released as its first single in November 1998. The song peaked at number 53 on the US Billboard Hot 100, number five on the Billboard Mainstream Rock Tracks chart, and number three on the Billboard Modern Rock Tracks chart. It was successful internationally, reaching number one in 10 countries, including Australia, where it stayed at number one for six weeks and was certified quadruple platinum.
"Learn to Fly" is a song by American rock band Foo Fighters. It was released as the lead single from their third studio album There Is Nothing Left to Lose (1999) in October 1999. It was the band's first song to enter the Billboard Hot 100, as well as their second-highest charting song on the Hot 100, peaking at number 19. It also peaked within the top 40 in Australia, Canada, Hungary, the Netherlands, New Zealand, Poland and the United Kingdom. The song's music video won Best Short Form Video award at the 43rd Grammy Awards in 2001.
"Growing on Me" is a song by British rock band the Darkness from their 2003 debut album, Permission to Land. It was released as the second single on 16 June 2003, peaking at number 11 on the UK Singles Chart. It also charted at number 42 and 46 in Ireland and Australia, respectively.
"Mint Car" is a song by English rock band the Cure, released as the second single from their tenth studio album Wild Mood Swings in June 1996. It reached the top 20 in Finland and Iceland and peaked at number 31 on the UK Singles Chart.
Expecting to Fly is the debut studio album by the Bluetones. It was released on 12 February 1996, knocking Oasis's (What's the Story) Morning Glory? off the number-one spot in the UK Albums Chart for a week. The album is certified Platinum by the BPI. Its singles were "Bluetonic", "Slight Return" and "Cut Some Rug".
"What I Am" is a song written by Edie Brickell and Kenny Withrow and recorded by Edie Brickell & New Bohemians for their debut album, Shooting Rubberbands at the Stars (1988). The song is highlighted by a guitar solo that notably features an envelope filter. It peaked at number seven on the US Billboard Hot 100, topped the Canadian RPM 100 Singles chart, and became a top-20 hit in Australia and New Zealand. "What I Am" was ranked number 23 on VH1's list of the "100 Greatest One-Hit Wonders of the 80s".
"Home" is a song from American musician Sheryl Crow's 1996 self-titled album. Written and produced by Crow, the folk ballad was released as the final single from the album on October 6, 1997, and was later included on her greatest hits album The Very Best of Sheryl Crow (2003). "Home" was released commercially only in Europe. It became Crow's ninth top-40 hit in both Canada and the United Kingdom, peaking at numbers 40 and 25, respectively. A black-and-white music video directed by Samuel Bayer was made for the song.
"Hard to Make a Stand" is the third single from Sheryl Crow's self-titled second album (1996). It was released by A&M as a single only in Europe, Canada, Japan, and South Africa. The track caused controversy in the US due to its references to abortion. The music video for the song, directed by Matthew Amos, is taken from a live performance in London. A live performance of this song is featured on Sheryl Crow's 2006 concert DVD: Wildflower Tour, Live from New York.
"Everyday Is a Winding Road" is the second single from American singer and songwriter Sheryl Crow's 1996 eponymous album. Neil Finn, lead singer of Crowded House, provides backing vocals. Paul Hester, another member of Crowded House, was the inspiration for the song. The single was issued in the United Kingdom in November 1996 and was released in the United States the following year.
"The Day We Caught the Train" is a song by British rock band Ocean Colour Scene. The song was released on 3 June 1996 as the third single from their second studio album, Moseley Shoals (1996), and reached number four on the UK Singles Chart, achieving platinum status for sales and streams exceeding 600,000. The single was also released as an acoustic alternative on a second CD, with additional B-sides, one of which "Justine" is a re-recording and had originally appeared on their self-titled debut album, plus Travellers Tune which was on their second album Marchin' Already.
"Stereotypes" is a song by English alternative rock band Blur and is the opening track to their fourth studio album, The Great Escape (1995). It was released on 12 February 1996 as the third single from that album, charting at number seven on the UK Singles Chart. It also charted in Australia, peaking at number 95 on the ARIA Singles Chart in June 1996. The accompanying UK B-sides—"The Man Who Left Himself", "Tame" and "Ludwig"—demonstrated a dramatic change in style for Blur, being stark and raw, foreshadowing the stylistic shift that would realize itself on their eponymous follow-up album.
"Love Is Only a Feeling" is a song by British rock band the Darkness, released as the fifth and final single from their 2003 debut studio album, Permission to Land. The power ballad peaked at number five on the UK Singles Chart.
"Travellers Tune" is a song by English rock band Ocean Colour Scene. American soul singer P. P. Arnold provides additional vocals on the track. The song was released on 25 August 1997 as the second single from the band's third studio album, Marchin' Already (1997), and reached number five on the UK Singles Chart.
"Better Day" is a song by English rock band Ocean Colour Scene. The song was released as the third single from their third studio album, Marchin' Already, on 10 November 1997 and reached number nine on the UK Singles Chart.
"Slight Return" is a song by English indie rock band the Bluetones, released as their first single in February 1995, in blue vinyl, limited to 2000 copies. The song is named after the subtitle for "Voodoo Child " by Jimi Hendrix. It was then re-released on 22 January 1996, as the second single from their 1996 debut album, Expecting to Fly. It was originally issued with "The Fountainhead" as the B-side. "Slight Return" peaked at number two on the UK Singles Chart and is the band's highest-placing single. Bluetones frontman Mark Morriss said that the title of the song was initially a nickname, but as he was not good with naming songs, it eventually became the official title.
"Marblehead Johnson" is a song by English indie rock band the Bluetones, released as a standalone single in 1996. It peaked at number seven on the UK Singles Chart in late September 1996. It was also included on the band's 2006 compilation, A Rough Outline: The Singles & B-Sides 95 – 03. The song was written as a tribute to Bill Hicks.
"Out of Tears" is a song by English rock band the Rolling Stones featured on their 1994 album, Voodoo Lounge. It was released as the album's third single. The song was moderately successful, reaching the top 40 in several countries, including Canada, where it peaked at No. 3 on the RPM 100 Hit Tracks chart for six consecutive weeks.
"Tattva" is a song by British psychedelic rock band Kula Shaker, released as the band's debut single. It was first released in the United Kingdom in 1996 as "Tattva ", then re-issued on 24 June 1996 as a re-recording from their debut album, K (1996), with a different sleeve and track listing. The re-recording reached number four on the UK Singles Chart, number 11 on the Canadian RPM Alternative 30 chart, and number 10 on the US Billboard Modern Rock Tracks chart. In Melody Maker, critic Neil Kulkarni declared "Tattva" and follow-up release "Grateful When You're Dead" to be "the two worst singles of '96".
"Metropolis" is a song by Australian alternative rock band the Church. It was released as the lead single from their sixth album, Gold Afternoon Fix (1990), and the songwriting credits were given to all four members of the band. The song topped the US Billboard Modern Rock Tracks chart and reached number 19 in Australia. A music video directed by David Hogan and produced by Chris O'Brien was made for the song.
