William Abbot or Abbott was an English actor, and a theatrical manager, both in England and the United States.
William Charles Macready was an English stage actor.
Charles Kemble was a Welsh-born English actor of a prominent theatre family.
The story of Damon and Pythias is a legend in Greek historic writings illustrating the Pythagorean ideal of friendship. Pythias is accused of and charged with plotting against the tyrannical Dionysius I of Syracuse. Pythias requests of Dionysius to be allowed to settle his affairs. Dionysius agrees, on the condition that Pythias' friend, Damon, be held hostage and, should Pythias not return, be executed in his stead. When Pythias returns, Dionysius, amazed by the love and trust in their friendship, frees them both.
Richard Lalor Sheil, Irish politician, writer and orator, was born at Drumdowney, Slieverue, County Kilkenny, Ireland. The family was temporarily domiciled at Drumdowney while their new mansion at Bellevue, near Waterford, was under construction.
The Werburgh Street Theatre, also the Saint Werbrugh Street Theatre or the New Theatre, was a seventeenth-century theatre in Dublin, Ireland. Scholars and historians of the subject generally identify it as the "first custom-built theatre in the city," "the only pre-Restoration playhouse outside London," and the first Dublin theatre.
Events from the year 1821 in Ireland.
The Constant Couple is a 1699 play by the Irish writer George Farquhar. It is part of the Restoration comedy tradition, and is often described as a sentimental comedy. It marked the first major success of Farquhar's career. A series of comic misunderstandings are triggered when three rivals vie for the hand of the wealthy heiress Lady Lurewell.
Sir Harry Wildair is a 1701 comic play by the Irish writer George Farquhar. It is a sequel to the 1699 hit The Constant Couple, portraying the further adventures of the most popular character from the earlier play.
Hibernia Freed is a 1722 tragedy by the writer William Phillips. It is set during the ninth century during the Viking Invasion of Ireland. It was part of a growing Anglo-Irish interest in traditional Irish history, and part of a tendency to switch tragedy from Ancient Rome or Greece to more native settings.
Love is an 1839 play by the Irish writer James Sheridan Knowles. It premiered at the Theatre Royal, Covent Garden on 4 November 1839 with a cast that included Charles Selby as Prince Frederick, James Vining as Sir Rupert, Alfred Wigan as Sir Conrad, William Payne as Stephen, Ellen Tree as Countess, Emma Brougham as Empress and Lucia Elizabeth Vestris as Catherine. Knowles was paid six hundred pounds for the work by the management of Covent Garden. Mary Shelley praised the play for its "inspiring situations founded on sentiment and passion". It went on to enjoy success in the United States where it became part of the repertoire, being performed at the Broadway Theatre in New York many times in the 1850s. It was celebrated by abolitionists who cheered its anti-slavery theme of a serf falling in love with a countess despite her father's disapproval and the threat of execution.
The Touchstone is an 1817 comedy play by the British writer James Kenney. It premiered at the Theatre Royal, Drury Lane in London on 3 May 1817. The original cast included Charles Holland as Finesse, James William Wallack as Garnish, John Pritt Harley as Paragon, William Dowton as Probe, William Oxberry as Croply, Frances Maria Kelly as Dinah Croply, Sarah Harlowe as Mrs. Fairweather and Frances Alsop as Miss Becky. It's Irish debut was at Dublin's Crow Street Theatre on 16 February 1818.
The Conquest of Taranto is an 1817 musical drama written by William Dimond with music composed by Michael Kelly. It appeared at the Theatre Royal, Covent Garden on 15 April 1817. The original cast featured Junius Brutus Booth as Rinaldo, William Macready as Valencia, Charles Mayne Young as Aben Hamet, Daniel Egerton as Gonzales, Sarah Booth as Oriana and Kitty Stephens as Rosalind. Macready was reportedly dissatisfied with his role, coveting that of Rinaldo, and unsuccessfully offered thirty pounds the Covent Garden manager Thomas Harris to release him during rehearsals. The first Dublin performance was at the Crow Street Theatre on 5 August 1817. It also appeared at the Federal Street Theatre in Boston and other American venues.
Gisippus is an 1842 tragedy by the Irish writer Gerald Griffin. It premiered at the Theatre Royal, Drury Lane in London on 23 February 1842. It was staged posthumously as Griffin had died from typhus in 1840, and was likely written before 1838. The original cast included William Macready as Gisippus, James Robertson Anderson as Titus Quintus Fulvius, Edward Elton as Pheax, George Bennett as Lycias, Charles Selby as Macro and Helena Faucit as Sophronia. Its opening resembles William Shakespeare's Julius Caesar, but with the setting switched from Rome to Athens. The play was a popular success. It went on to appear in New York at the Park Theatre in 1847 and Broadway Theatre in 1848.
Charles Connor was an Irish stage actor of the early nineteenth century. Educated at Trinity College Dublin, he was active in Dublin at the Crow Street Theatre during the early stages of his career. He also featured at the Theatre Royal, Bath. He appeared as part of the Theatre Royal, Covent Garden company from 1816 to 1826, where he was considered the resident stage Irishman. His death from apoplexy in St James's Park on 7 October 1826 opened the way for a fresh actor Tyrone Power to take over his parts. The Gentleman's Magazine particularly remembered him for his performances as Sir Lucius O'Trigger in Richard Brinsley Sheridan's The Rivals.
Evadne is an 1819 historical tragedy by the Irish writer Richard Lalor Sheil. It premiered at the Theatre Royal, Covent Garden in London on 10 February 1819. The original cast included Elizabeth O'Neill as Evadne,William Macready as Ludovico, William Abbot as the King of Naples, Charles Mayne Young as Colonna, Charles Kemble as Vicentio, Charles Connor as Spalatro and Harriet Faucit as Olivia. Sheil dedicated the published play to his fellow Irish writer Thomas Moore.
The Apostate is an 1817 tragedy by the Irish writer Richard Lalor Sheil. It premiered at the Theatre Royal, Covent Garden on 3 May 1817. The original cast included William Macready as Pescara, Charles Kemble as Hemeya, Charles Mayne Young as Malec, Thomas Comer as Hamy, Charles Murray as Alvarez, Daniel Egerton as Gomez and Elizabeth O'Neill as Florinda. The prologue was spoken by Charles Connor. It was loosely inspired by a 17th century work by the Spanish playwright Pedro Calderón de la Barca. The play was a success, but reviewers generally attributed this to O'Neill's acting rather than Sheil's writing.
Bellamira is an 1818 historical tragedy by the Irish writer Richard Lalor Sheil. It premiered at the Theatre Royal, Covent Garden in London on 22 April 1818. The original cast included Elizabeth O'Neill as Bellamira, William Macready as Amurath, Charles Kemble as Manfredi, Charles Mayne Young as Montalto, Daniel Terry as Salerno, Charles Connor as Kaled, and Thomas Comer as Gonzaga. Sheil dedicated the play to the Whig politician Lord Holland.
Adelaide is an 1814 tragedy by the Irish writer Richard Lalor Sheil. It premiered at the Crow Street Theatre in Dublin on 19 February 1814. The Dublin cast included Elizabeth O'Neill in the title role and Charles Connor as Count Luneburg. On 23 May 1816 it appeared for the first time in London's West End at the Theatre Royal, Covent Garden. The first London cast featured Elizabeth O'Neill reprising her Dublin role as Adelaide, Charles Mayne Young as Count St. Evermont, Charles Kemble as Count Lunenburg, William Abbot as Albert, Charles Murray as Godfrey, Daniel Egerton as Colbert, Sarah Egerton as Madame St. Evermont and Maria Foote as Julia. It takes place in Germany amidst emigres who have fled from the French Revolution.
Conscience; or, The Bridal Night is an 1821 tragedy by the Irish writer James Haynes. It premiered at the Theatre Royal, Drury Lane in London on 21 February 1821. The original cast included Sarah West as Elmira, John Powell as Duke of Venice, John Cooper as Arsenio, James William Wallack as Lorenzo. It was acted five times on its original run. It then appeared at the Anthony Street Theatre in New York in May 1821. Haynes dedicated the play to James Perry. John Genest considered the play's language better than its plot.
