Madonna Louise Ciccone is an American singer, songwriter, and actress. Nicknamed the "Queen of Pop", she has been recognized for her continual reinvention and versatility in music production, songwriting and visual presentation. Madonna's works, which incorporate social, political, sexual, and religious themes, have generated both controversy and critical acclaim. A prominent cultural figure spanning both the 20th and 21st centuries, she remains one of the most "well-documented figures of the modern age", with a broad array of scholarly reviews, literature, and art works about her, as well as an academic mini subdiscipline devoted to her called Madonna studies.
You Can Dance is the first remix album by American singer and songwriter Madonna. It was released on November 17, 1987, by Sire Records. The album contains remixes of tracks from her first three studio albums—Madonna (1983), Like a Virgin (1984) and True Blue (1986)—and a new track, "Spotlight". In the 1980s, remixing was still a new concept. The mixes on You Can Dance exhibited a number of typical mixing techniques. Instrumental passages were lengthened to increase the time for dancing and vocal phrases were repeated and subjected to multiple echoes. The album cover denoted Madonna's continuous fascination with Hispanic culture.
Confessions on a Dance Floor is the tenth studio album by American singer and songwriter Madonna. It was released on November 9, 2005, by Warner Bros. Records. A complete departure from her previous studio album American Life (2003), the album includes influences of 1970s disco and 1980s electropop, as well as 2000s club music. Initially, she began working with Mirwais Ahmadzaï for the album but later felt that their collaboration was not going in the direction she desired. Madonna took her collaboration with Stuart Price who was overseeing her documentary I'm Going to Tell You a Secret. The album was mainly recorded at Price's home-studio where Madonna spent most of her time during the recordings.
"Nothing Really Matters" is a song by American singer Madonna for her seventh studio album, Ray of Light (1998). It was written by Madonna and Patrick Leonard, and was produced by the singer with William Orbit and Marius De Vries. The song was released as the sixth and final single from the album on February 9, 1999, by Maverick Records and Warner Bros. Records. An electronic dance track on which Madonna experiments with different musical genres, "Nothing Really Matters" includes ambient music and electronic noise frequencies that were added by De Vries. Lyrically, the recording delves on the singer's first daughter Lourdes Leon, having also themes of selfishness, affection, and motherhood.
"Spotlight" is a song by American singer Madonna from her first remix album You Can Dance (1987). It was released as a single in Japan on April 25, 1988 by Sire Records and Warner-Pioneer Japan. Initially rejected during her True Blue album recording sessions, the song was written by Madonna, Stephen Bray and Curtis Hudson who had presented the original to the singer. The song was remixed by John "Jellybean" Benitez.
"Lucky Star" is a song by American singer Madonna from her self-titled debut studio album (1983). Produced by Reggie Lucas, it was written by Madonna with the intention that her friend Mark Kamins would play it in his sets at Danceteria, where he was the resident DJ. In 1982, Madonna was signed on by Sire Records for the release of two 12" singles; after the success of first single "Everybody", the label approved the recording of an album, and the singer decided to work with Lucas. However, problems between Madonna and the producer arose and he ended up leaving the project; she then called John "Jellybean" Benitez, her boyfriend at the time, to work on the remaining songs.
"Holiday" is a song by American singer Madonna from her self-titled debut album (1983). It was written by Curtis Hudson and Lisa Stevens-Crowder for their own musical act Pure Energy, and produced by John "Jellybean" Benitez. Hudson came up with the lyrics of the song while watching negative news on television, and together with Stevens-Crowder worked on the music. They recorded a demo, which was turned down by their label Prism Records. Afterwards, Benitez pitched the track and offered it to several artists, including former The Supremes singer Mary Wilson, but it was rejected. Around the same time, Benitez was working with Madonna on her album; after realizing they needed a song for the project, Benitez thought of "Holiday" and approached Hudson and Stevens-Crowder.
"Into the Groove" is a song recorded by American singer Madonna, and featured on the 1985 film Desperately Seeking Susan. Written and produced by both Madonna and Stephen Bray, the main inspiration behind the song was the dance floor; the singer wrote it while watching a Latin American man to whom she was attracted. Its instrumentation features synthesizers and drum machines, with Madonna's voice being double tracked on the chorus. Sexual innuendos and undertones are present throughout the lyrics, which are written as an invitation to dance with the singer. Originally written for her friend Mark Kamins, Madonna later decided to use it on the film, as one of the scenes needed a dance song. It was later added to the 1985 international re-issue of her second studio album, Like a Virgin (1984), and remixed for her compilations You Can Dance (1987), The Immaculate Collection (1990), and Finally Enough Love: 50 Number Ones (2022).
"Fever" is a song written by Eddie Cooley and Otis Blackwell, who used the pseudonym "John Davenport". It was originally recorded by American R&B singer Little Willie John for his debut album, Fever (1956), and released as a single in April of the same year. The song topped the Billboard R&B Best Sellers in the US and peaked at number 24 on the Billboard pop chart. It was received positively by music critics and included on several lists of the best songs when it was released.
"Hung Up" is a song by American singer Madonna from her tenth studio album Confessions on a Dance Floor (2005). Initially used in a number of television advertisements and serials, the song was released as the album's lead single on October 18, 2005. Written and produced by Madonna in collaboration with Stuart Price, "Hung Up" prominently features a sample from the instrumental introduction to ABBA's single "Gimme! Gimme! Gimme! ", for which Madonna personally sought permission from its songwriters, Benny Andersson and Björn Ulvaeus. This is one of the few times Andersson and Ulvaeus have given permission to sample one of their songs, following "Rumble in the Jungle" by the Fugees and "Fly With Me" by 98 Degrees.
"Sorry" is a song by American singer Madonna from her tenth studio album, Confessions on a Dance Floor (2005). The song was written and produced by both Madonna and Stuart Price. It was released to hot adult contemporary radio stations in the United States as the second single from the album on February 6, 2006, by Warner Bros. Records. The song was later included on Madonna's compilation album, Celebration (2009). One of the first tracks developed for the album, it is a dance-pop and disco song, and lyrically talks about personal empowerment and self-sufficiency. For the single release, remixers such as Pet Shop Boys, Green Velvet, and Paul Oakenfold were enlisted to conceive remixes for the song.
"Human Nature" is a song by American singer Madonna for her sixth studio album Bedtime Stories (1994). It was written as an answer song to her critics, who had panned her provocative image of the previous two years and Madonna's release of sexually explicit works. Written and produced by Madonna and Dave Hall, "Human Nature" includes a looping sample from Main Source's 1994 track "What You Need", therefore its writers Shawn McKenzie, Kevin McKenzie and Michael Deering are also credited. The track was released on June 6, 1995, by Maverick Records as the fourth and final single from Bedtime Stories.
"Get Together" is a song by American singer Madonna from her tenth studio album, Confessions on a Dance Floor (2005). The song was written and produced by both Madonna and Stuart Price, with additional writing by Anders Bagge and Peer Åström. It was released in the United States as the third single from the album on May 30, 2006, by Warner Bros. Records. The decision was spurred by the fact that the song was the third most downloaded song from the album, following its previous singles. The song was also released to coincide with the start of Madonna's Confessions Tour. It is a disco-influenced electropop, trance and techno song which lyrically talks about the possibility of finding love on the dancefloor.
"Dov'è l'amore" is a song recorded by American singer Cher for her twenty-second studio album, Believe (1998). It was written by Mark Taylor and Paul Barry, and produced by Taylor and Brian Rawling, and released as the fourth single from the album on October 25, 1999, by Warner Bros. Records, and WEA. The song is a Latin-influenced track with Spanish guitar over dance beats. In the song, Cher mixes English with Italian lyrics as she sings: "Dov'è l'amore /dov'è l'amore /I cannot tell you of my love/ here is my story".
Hard Candy is the eleventh studio album by American singer and songwriter Madonna. Released by Warner Bros. Records on April 19, 2008, it was her last album for the company after a 25-year history. Madonna began working on Hard Candy in early 2007, and collaborated with Justin Timberlake, Timbaland, the Neptunes, and Nate "Danja" Hills to produce a dance-pop album incorporating hip hop, electropop, disco, electro, funk, and R&B.
"4 Minutes" is a song by American singer-songwriter Madonna from her eleventh studio album Hard Candy (2008), featuring vocals by fellow American singer-songwriter Justin Timberlake and American producer Timbaland. It was released as the lead single from the album on March 17, 2008, by Warner Bros. Records. It marked the first time in Madonna's 25-year career that another artist was featured in a single. According to Madonna, the song is about saving the environment and "having a good time while we are doing it". She also cited the song as the inspiration for the documentary I Am Because We Are (2008).
"Not Myself Tonight" is a song by American singer Christina Aguilera for her sixth studio album Bionic (2010). It was released by RCA Records as the lead single from the album on April 2, 2010. Produced by Jamal Jones a.k.a. Polow da Don and co-written in collaboration with Greg Curtis, Ester Dean and Jason Perry, "Not Myself Tonight" is an electropop, electro-R&B and dance-pop song, which explores Aguilera's adoption of different personas on the dance floor.
"Bitch I'm Madonna" is a song by American singer Madonna from her thirteenth studio album, Rebel Heart (2015), featuring guest vocals from rapper Nicki Minaj. The artists co-wrote the song with MoZella, Toby Gad, Ariel Rechtshaid, Diplo, and Sophie. It was released as the third single from the album by Interscope Records on June 15, 2015, along with a number of remixes commissioned. Produced by Madonna and Diplo, it is an EDM song with lyrics about Madonna having continuous fun because she is Madonna.
"I Don't Search I Find" is a song by American singer Madonna from her fourteenth studio album, Madame X (2019). The track was written and produced by Madonna, alongside Mirwais Ahmadzaï. It was released to Italian contemporary hit radio by Interscope Records as the fourth single from the album on May 22, 2020. Two EPs containing several remixes had previously been released to accompany the song. It is an EDM and house influenced track that takes inspiration from Madonna's previous works, including "Vogue" (1990), Erotica (1992) and Confessions on a Dance Floor (2005).
Finally Enough Love: 50 Number Ones is a remix album by American singer Madonna, released through Warner Records. Its abridged 16-track edition, simply titled Finally Enough Love, had a pre-release on streaming services on June 24, 2022, while the full 50-track edition and all physical formats were released on August 19, 2022. The album marks Madonna achieving a record 50 number ones on the US Billboard Dance Club Songs chart, the most number ones of any artist on any single Billboard chart. The title derives from the lyrics of her 50th number one, "I Don't Search I Find". It is also the first release in a multi-year reissue campaign with Warner, commemorating the 40th anniversary of Madonna's recording career.
