This article relies largely or entirely on a single source .(October 2024) |
Dante's Inferno: Abandon All Hope | |
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Directed by | Boris Acosta |
Based on | Inferno by Dante Alighieri |
Produced by | Boris Acosta |
Starring | Vittorio Matteucci Vincent Spano Armand Mastroianni Jenn Gotzon Lalo Cibelli Nia Peeples Diane Salinger Martin Kove Jsu Garcia Stella Stevens |
Narrated by | Jeff Conaway |
Cinematography | Angelo Acosta |
Edited by | Angelo Acosta |
Music by | Aldo De Tata |
Production companies | Gotimna Productions, LLC |
Distributed by | Gotimna Productions, LLC |
Release date |
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Running time | 42 minutes |
Country | United States |
Languages | English Italian |
Dante's Inferno: Abandon All Hope is a 2010 black and white film produced and directed by Boris Acosta. The story is based on the first part of Dante Alighieri's Divine Comedy - Inferno .
This film is a narrative journey from Dante's own hand, through the worst of the afterlife, Inferno. It is a chronological descent to the deepest of Hell, circle by circle to the exit into Purgatory. It features most of Gustave Dore's lithograph illustrations and some excerpts of the 1911 feature film "L'Inferno".
The Divine Comedy is an Italian narrative poem by Dante Alighieri, begun c. 1308 and completed around 1321, shortly before the author's death. It is widely considered the pre-eminent work in Italian literature and one of the greatest works of Western literature. The poem's imaginative vision of the afterlife is representative of the medieval worldview as it existed in the Western Church by the 14th century. It helped establish the Tuscan language, in which it is written, as the standardized Italian language. It is divided into three parts: Inferno, Purgatorio, and Paradiso.
Purgatorio is the second part of Dante's Divine Comedy, following the Inferno and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil—except for the last four cantos, at which point Beatrice takes over as Dante's guide. Allegorically, Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem posits the theory that all sins arise from love—either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things.
In Dante Alighieri's Inferno, part of the Divine Comedy, Malebolge or Fraud is the eighth circle of Hell. It is a large, funnel-shaped cavern, itself divided into ten concentric circular trenches or ditches, each called a bolgia. Long causeway bridges run from the outer circumference of Malebolge to its center, pictured as spokes on a wheel. At the center of Malebolge is the ninth and final circle of hell, known as Cocytus.
Francesca da Rimini or Francesca da Polenta was an Italian medieval noblewoman of Ravenna, who was murdered by her husband, Giovanni Malatesta, upon his discovery of her affair with his brother, Paolo Malatesta. She was a contemporary of Dante Alighieri, who portrayed her as a character in the Divine Comedy.
The Gates of Hell is a monumental bronze sculptural group work by French artist Auguste Rodin that depicts a scene from the Inferno, the first section of Dante Alighieri's Divine Comedy. It stands at 6 metres high, 4 metres wide and 1 metre deep (19.7×13.1×3.3 ft) and contains 180 figures.
Jimbo's Inferno is a 2006 graphic novel created by Gary Panter and published by Fantagraphics Books.
Filippo Argenti or Filippo Argente, a politician and a citizen of Florence, was a member of the Cavicciuoli branch of the aristocratic family of Adimari, according to Boccaccio. Filippo's children were Giovanni Argente and Salvatore Argente. Salvatore later travelled to Spain and established himself in Barcelona and his descendants in Valencia, where his grandson Salvatore was established in the small village of Navarres and changed the spelling of his surname to Argente. The Adimari family were part of the Black Guelph political faction.
Iacopo Rusticucci was a Guelph politician and accomplished orator who lived and worked in Florence, Italy in the 13th century. Rusticucci is realized historically primarily in relation to the Adimari family, who wielded much power and prestige in thirteenth-century Florence, and to whom it is thought Rusticucci was a close companion, representative, and perhaps lawyer. Despite his association with men born into high political and social rank, Rusticucci was not born into nobility, and nothing is known of his ancestors or predecessors. The exact dates of his birth and death are unknown.
The Divine Comedy has been a source of inspiration for artists, musicians, and authors since its appearance in the late 13th and early 14th centuries. Works are included here if they have been described by scholars as relating substantially in their structure or content to the Divine Comedy.
In Dante's Inferno, Satan is portrayed as a giant demon, frozen up to the waist in ice at the center of Hell. Satan has three faces and a pair of bat-like wings affixed under each chin. As Satan beats his wings, he creates a cold wind that continues to freeze the ice surrounding him and the other sinners in the Ninth Circle. The winds he creates are felt throughout the other circles of Hell. In his three mouths, he chews on Judas Iscariot, Marcus Junius Brutus and Gaius Cassius Longinus. Scholars consider Satan to be "a once splendid being from whom all personality has now drained away". Satan, also known as Lucifer, was formerly the Angel of Light and once tried to usurp the power of God. As punishment, God banished Satan out of Heaven to an eternity in Hell as the ultimate sinner. Dante illustrates a less powerful Satan than most standard depictions; he is slobbering, wordless, and receives the same punishments in Hell as the rest of the sinners. In the text, Dante vividly illustrates Satan's grotesque physical attributes.
Dante's Inferno is a 2010 action-adventure game developed by Visceral Games and published by Electronic Arts. The game was released for PlayStation 3, Xbox 360 and PlayStation Portable in February 2010. The PlayStation Portable version was developed by Artificial Mind and Movement.
Inferno is the first part of Italian writer Dante Alighieri's 14th-century narrative poem The Divine Comedy. It is followed by Purgatorio and Paradiso. The Inferno describes the journey of a fictionalised version of Dante himself through Hell, guided by the ancient Roman poet Virgil. In the poem, Hell is depicted as nine concentric circles of torment located within the Earth; it is the "realm [...] of those who have rejected spiritual values by yielding to bestial appetites or violence, or by perverting their human intellect to fraud or malice against their fellowmen". As an allegory, the Divine Comedy represents the journey of the soul toward God, with the Inferno describing the recognition and rejection of sin.
Paradiso is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.
Dante's Hell Animated is a 2013 American animated short film produced and directed by Boris Acosta.
Botticelli Inferno is a 2016 Italian-German documentary film directed by Ralph Loop. The film is part of the project Great Art Cinema and analyses one of the most mysterious works of Sandro Botticelli, the Map of Hell in the Divine Comedy Illustrated by Botticelli in the Vatican Library. The map was originally part of an illustrated manuscript of Dante's Divine Comedy, featuring artwork by Botticcelli.
The Divine Comedy Illustrated by Botticelli is a manuscript of the Divine Comedy by Dante, illustrated by 92 full-page pictures by Sandro Botticelli that are considered masterpieces and amongst the best works of the Renaissance painter. The images are mostly not taken beyond silverpoint drawings, many worked over in ink, but four pages are fully coloured. The manuscript eventually disappeared and most of it was rediscovered in the late nineteenth century, having been detected in the collection of the Duke of Hamilton by Gustav Friedrich Waagen, with a few other pages being found in the Vatican Library. Botticelli had earlier produced drawings, now lost, to be turned into engravings for a printed edition, although only the first nineteen of the hundred cantos were illustrated.
Beatrice d’Este was an Italian noblewoman, now primarily known for Dante Alighieri's allusion to her in Purgatorio, the second canticle of the Divine Comedy. Through her first marriage to Nino Visconti, she was judge (giudichessa) of Gallura, and through her second marriage to Galeazzo I Visconti, following Nino’s death, lady of Milan.
The first circle of hell is depicted in Dante Alighieri's 14th-century poem Inferno, the first part of the Divine Comedy. Inferno tells the story of Dante's journey through a vision of hell ordered into nine circles corresponding to classifications of sin. The first circle is Limbo, the space reserved for those souls who died before baptism and for those who hail from non-Christian cultures. They live eternally in a castle set on a verdant landscape, but forever removed from heaven.
The second circle of hell is depicted in Dante Alighieri's 14th-century poem Inferno, the first part of the Divine Comedy. Inferno tells the story of Dante's journey through a vision of the Christian hell ordered into nine circles corresponding to classifications of sin; the second circle represents the sin of lust, where the lustful are punished by being buffeted within an endless tempest.
The third circle of hell is depicted in Dante Alighieri's Inferno, the first part of the 14th-century poem Divine Comedy. Inferno tells the story of Dante's journey through a vision of the Christian hell ordered into nine circles corresponding to classifications of sin; the third circle represents the sin of gluttony, where the souls of the gluttonous are punished in a realm of icy mud.