Danza (ballet)

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Danza was a modern dance solo choreographed and danced by Martha Graham to music by Darius Milhaud. It premiered on March 3, 1929, at the Booth Theatre in New York City. [1]

Martha Graham American dancer and choreographer

Martha Graham was an American modern dancer and choreographer. Her style, the Graham technique, reshaped American dance and is still taught worldwide.

Darius Milhaud French composer and teacher

Darius Milhaud was a French composer, conductor, and teacher. He was a member of Les Six—also known as The Group of Six—and one of the most prolific composers of the 20th century. His compositions are influenced by jazz and Brazilian music and make extensive use of polytonality. Milhaud is considered one of the key modernist composers.

Booth Theatre New-York theatre

The Booth Theatre is a Broadway theatre located at 222 West 45th Street in midtown-Manhattan, New York City.

As with much of Graham's early choreography, little else is known about Danza. The New York Times' critic interpreted the work as "a fantasia on peasant themes, sometimes Spanish, sometimes Italian, sometimes Balkan in suggestion. Its interest lies in its impression of dance movement where there is actually only the barest skeleton of such movement." [2]

<i>The New York Times</i> Daily broadsheet newspaper based in New York City

The New York Times is an American newspaper based in New York City with worldwide influence and readership. Founded in 1851, the paper has won 125 Pulitzer Prizes, more than any other newspaper. The Times is ranked 17th in the world by circulation and 2nd in the U.S.

The all-solo program included two other new pieces, Resurrection and Adolescence, and eight previously performed works: Dance, Immigrant, Valses Sentimentales, Four Insincerities , Tanagra, Two Variations from Sonatina, Fragilite and Fragments. Louis Horst accompanied Graham on piano. [3]

Resurrection is a modern dance solo created by Martha Graham to music by Tibor Harsányi. The piece premiered on March 3, 1929, at the Booth Theatre in New York City. On June 2, 1930, Graham performed another work, Unbalanced, that also used Harsányi's music. Unbalanced does not appear in most Graham chronologies, so it is speculated the two pieces were the same. To confuse things further, a dance critic of the time wrote that Resurrection had previously been titled The Avenger.

Insincerities, also known as Four Insincerities, is a solo modern dance work created by Martha Graham. The piece consists of four sections: Petulance, Remorse, Politeness and Vivacity performed to music by Serge Prokofiev. It premiered on January 20, 1929, at the Booth Theatre in New York City. Louis Horst accompanied Graham on piano.

Louis Horst was a choreographer, composer, and pianist. He helped to define the principles of modern dance choreographic technique, most notably the matching of choreography to pre-existing musical structure and the use of contemporary music for dance scores.

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Heretic is a modern dance work by Martha Graham performed to Tetus Breton, an old folk tune from Brittany. Louis Horst, Graham's musical director, recommended the song, part of the collection Chansons de la Fleur de Lys as arranged by Charles De Sivry. The dance premiered with the title Heretic at New York's Booth Theatre on April 14, 1929. In a previous program announcement, the work was called A Faith. Graham presented the piece with her company; the performance marked the debut of her concert ensemble. Heretic is staged for 13 female performers, 12 dressed in black tube-like garments and one in a long white dress. Dancers for the premiere were: Graham, as the woman in white, Kitty Reese, Louise Creston, Irene Emery, Ethel Rudy, Lillian Ray, Hortense Bunsick, Sylvia Wasserstrom, Mary Rivoire, Ruth White, Lillian Shapero, Virginia Briton, Sylvia Rosenstein, Evelyn Sabin, Betty Macdonald and Rosina Savelli.

Dolorosa is a modern dance solo choreographed by Martha Graham to music by Heitor Villa-Lobos. The work premiered on February 2, 1931, at New York's Craig Theatre. Dolorosa sometimes appeared in program notes with the subtitle from Primitive Cycle or from Primitive Cycle-Dance of Sorrow II.

Figure of a Saint was a modern dance solo choreographed by Martha Graham to the music of George Frideric Handel. The work premiered on January 24, 1929 at The Bennett School in Millbrook, New York. The all solo program also included: Valse Noble, Maid with the Flaxen Hair, Fragilite, In a Boat, Insincerities, Tanagra , Scherzo Waltz, Deux Valses Sentimentales, Prelude and La Cancion. Louis Horst accompanied Graham on piano.

Novelette is a solo modern dance work choreographed by Martha Graham to an existing piece of music, Op. 99, No. 9 from Robert Schumann's Bunte Blätter, also known as Colored Leaves. The ninth movement from the piano solo, also titled Novelette, is a three-minute long piece in B-minor. The ballet premiered on April 18, 1926 at New York's 48 Street Theater in the first independent concert presented by Graham.

Praeludium, also called Praeludium , was a modern dance solo choreographed by Martha Graham to music by Paul Nordoff. The piece was sometimes subtitled Dance of Greeting. It premiered on February 10, 1935, at the Guild Theatre in New York City. Graham created the original costumes. Edythe Gilfond redesigned them in 1938. In the same year Graham made Praeludium, she choreographed another solo, Formal Dance, to music by David Diamond. It was renamed Praeludium .

Bacchanale was an ensemble work created by Martha Graham to music by Wallingford Riegger. It premiered on February 2, 1931, at the Craig Theatre in New York City. The work was danced by Martha Graham and Group, the forerunner of the Martha Graham Dance Company.

Deep Song, a solo modern dance by Martha Graham, premiered on December 19, 1937, at the Guild Theatre in New York City. Performed to music by Henry Cowell, the piece was the second work created by Graham in response to the Spanish Civil War. The first, Immediate Tragedy, was introduced in 1937.

Horizons was a modern dance work choreographed by Martha Graham to music by Louis Horst with a set designed by Alexander Calder. It premiered on February 23, 1936, at the Guild Theatre in New York City. Horizons was divided into four parts, two ensemble dances and two solos: Migration: New Trails (ensemble), Dominion: Sanctified Power (solo), Building Motif: Homesteading (solo) and Dance of Rejoycing (ensemble). The ballet was performed by Martha Graham and Group, the predecessor of the Martha Graham Dance Company.

Vision of the Apocalypse was a modern dance created by Martha Graham to music by Hermann Reutter. It premiered on April 14, 1929, at the Booth Theatre in New York City. The occasion marked the debut of Martha Graham and Group, Graham's new concert ensemble and the predecessor to the Martha Graham Dance Company. Vision of the Apocalypse was the first piece Graham choreographed for a large group.

Moment Rustica was a Martha Graham ballet performed to the music of Francis Poulenc. It premiered on April 14, 1929 at the Booth Theater in New York City. The performance marked the debut of Graham's concert ensemble, Martha Graham and Group, the predecessor of the Martha Graham Dance Company.

Adolescence was an early modern dance solo choreographed by Martha Graham to music by Paul Hindemith. It premiered on March 2, 1929, at the Booth Theatre in New York City.

Chronicle is a modern dance work choreographed by Martha Graham to music by Wallingford Riegger. It premiered on December 20, 1936, at the Guild Theatre in New York City. The set was designed by Isamu Noguchi. Riegger's music was scored for piano, wind instruments and percussion; Noguchi's set was made up primarily of curtains, platforms and stairs. The original production was danced by Martha Graham and Group, the forerunner of the Martha Graham Dance Company. According to the program notes, the dance is based upon "the advent and consequences of war" and concerned itself with the "contemporary situation", referring to the impending conflict in Europe.

Course was a modern dance work choreographed by Martha Graham to music by George Antheil. The piece sometimes appeared on programs as Course: One in Red; Three in Green; Two in Blue; Two in Red. It premiered on February 10, 1935, at the Guild Theatre in New York City. The ballet was performed by Martha Graham and Group, the forerunner to the Martha Graham Dance Company.

Fragilité was a modern dance solo choreographed by Martha Graham to music by Alexander Scriabin. The piece was originally part of Five Poems, a ballet divided into five solo sections: Fragilité, Lugubre, Poeme ailé, Danse Languide and Désir. Each of the sections appears in various programs as individual solos. Five Poems premiered on October 16, 1927, at the Little Theatre in New York City.

Revolt, initially called Danse, was a modern dance solo choreographed by Martha Graham to music by Arthur Honegger. It premiered with the original title on October 16, 1927, at the Little Theatre in New York City. By February 1928 it appeared in programs as Revolt.

Scherza was a modern dance solo choreographed by Martha Graham to music by Robert Schumann. It premiered on December 10, 1927 at a special performance for the Cornell Dramatic Club. The program was billed as the Adolph Bolm Dance Recital. In addition to Graham and Bohm, the performance featured Ruth Page, Vera Mirova, Bernice Holmes and Marcia Preble. Graham appeared in two solo works, Scherza and Tanagra.

American Lyric was a modern dance work choreographed by Martha Graham to music of Alex North with costumes by Edythe Gilfond. The piece premiered on December 26, 1937, at the Guild Theatre in New York City. The ballet was subtitled Dance of Assembly. In some programs, the work also included the statement, "This dance has as its theme the basic American right—freedom of assembly."

Opening Dance was a modern dance solo choreographed by Martha Graham to music by Norman Lloyd. It premiered on July 30, 1937, at the Bennington School of the Dance in Bennington, Vermont.

References

  1. ↑ "Danza (Ballet choreographed by Martha Graham)". Performing Arts Encyclopedia, Library of Congress. Retrieved 8 February 2016.
  2. ↑ "Martha Graham's Recital". The New York Times. March 4, 1929. Retrieved 8 February 2016.
  3. ↑ "Martha Graham, Booth Theatre, March 3, 1929 (concert program". Performing Arts Encyclopedia, Library of Congress. Retrieved 8 February 2016.
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