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David Goode (born 1971) is a British organist and composer.
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David Goode (born 1971) is a British organist and composer.
Goode was a chorister at St Paul's Cathedral, briefly attended Wells Cathedral School, was then a music scholar at Eton College and then organ scholar at King's College, Cambridge 1991–94. [1] While there, he studied the organ with David Sanger and Jacques van Oortmerssen. From 1996–2001, he was sub-organist at Christ Church, Oxford. He won major prizes at the 1997 St. Alban's Interpretation Competition and at the 1998 Calgary Competition. From 2003 to 2005, he was the organist-in-residence at First Congregational Church in Los Angeles California. He was Organist at Eton College from 2005-2022.
Peter John Hurford OBE was a British organist and composer.
The Choir of King's College, Cambridge is an English Anglican choir. It was created by King Henry VI, who founded King's College, Cambridge, in 1441, to provide daily singing in his Chapel, which remains the main task of the choir to this day.
David John Briggs is an English organist and composer.
David John Sanger was a British concert organist, professor and president of the Royal College of Organists.
Wolfgang Friedrich Rübsam is a German-American organist, pianist, composer and pedagogue.
Max Kenworthy has performed recitals throughout the United Kingdom, Australia and New Zealand and has undertaken recordings, broadcasts and tours in pipe organ, piano and conducting.
The Choir of St George's Chapel at Windsor Castle exists to sing services in St George's Chapel at Windsor Castle.
Timothy Byram-Wigfield, born 15 September 1963, is an English organist and conductor.
Jeremy Daniell Filsell is an English pianist, organist and composer who currently serves as director of music at Saint Thomas Church, New York City.
The Choir of St John's College, Cambridge is part of the English cathedral tradition, having been founded to sing the daily liturgy in the College Chapel, though it is set apart from other English choirs of this tradition by the frequent inclusion of Continental works in its repertoire and its emphasis on polyphonic interpretations. Alongside the choir of King's College, Cambridge, it is one of the two most famous collegiate choirs in Cambridge, having had over 90 recordings published. The choir consists of fifteen Choral Scholars and twenty Choristers and Probationers, all of whom are members of St John's College, many of whom have proceeded to become distinguished musicians.
Andrew Mark Nethsingha, FRCO, ARCM is an English choral conductor and organist, the son of the late Lucian Nethsingha, also a cathedral organist. He was appointed Organist and Master of the Choristers at Westminster Abbey in London in 2023, having previous held similar positions at St John's College, Cambridge, Gloucester Cathedral and Truro Cathedral.
Robert Quinney is Director of the Choir of New College, Oxford, and was formerly Sub-Organist at Westminster Abbey and Director of Music at Peterborough Cathedral. In addition to his work at New College, he has a freelance career as soloist, ensemble player, and writer on music. From October 2009 till 2014 he was Director of Oundle for Organists, whose residential courses provide inspiring tuition for young organists.
James Vivian FRCO is Organist & Director of Music at St George's Chapel, Windsor. In this role, he has been responsible for providing music at many Royal occasions including three Royal Weddings and the funerals of Prince Philip, Duke of Edinburgh, and Queen Elizabeth II. In 2022, he directed the music for King Charles III's first Christmas King's Speech.
Sarah Baldock is an English organist and choral conductor, formerly the Organist and Master of the Choristers of Chichester Cathedral. She is notable as one of the earliest women to be appointed to the senior music post at a Church of England cathedral. She was married to counter-tenor David Hurley. Baldock has become known as a popular soloist in the UK and abroad.
Gabriel Dessauer is a German cantor, concert organist, and academic teacher. After studies with Diethard Hellmann and Franz Lehrndorfer, he was responsible for the church music at St. Bonifatius, Wiesbaden from 1981 to 2021, conducting the Chor von St. Bonifatius until 2018. Besides normal church services, he conducted them in regular masses with soloists and orchestra for Christmas and Easter and a yearly concert. In 1995 he prepared the choir for a memorial concert commemorating the 50th anniversary of the end of World War II, performing Britten's War Requiem with choirs from countries involved in the war, and concerts in Wiesbaden and Macon, Georgia. Programs of choral concerts included Hermann Suter's Le Laudi in 1998, the German premiere of Rutter's Mass of the Children in 2004, and the world premiere of Colin Mawby's Bonifatiusmess in 2012 which he had commissioned for the choir's 150th anniversary. The concert of 2008, Vivaldi's Gloria and Haydn's Nelson Mass, was also performed at San Paolo dentro le Mura in Rome.
Joseph Nolan is an English-born Australian organist and conductor.
Charles Harrison has been Organist and Master of the Choristers of Chichester Cathedral since September 2014, succeeding Sarah Baldock. He has also held musical posts at Southwell Minster, Carlisle and Lincoln Cathedral.
Martin Schmeding is a German church musician, concert organist and academic teacher, who has made recordings of the complete organ works by composers such as Brahms, Mendelssohn, Franz Schmidt, Max Reger and Tilo Medek.
Francesca Massey is the former Organist and Director of Music at Rochester Cathedral, a position she held from September 2019 to August 2022, when she was succeeded by Adrian Bawtree. Previously she was Sub-Organist at Durham Cathedral from 2011. In addition to being a professional Church/Concert Organist, Massey is actively engaged as a Choral Conductor, Pianist, Organ and Music Teacher both privately and on behalf of Durham University, Oundle for Organists and the RSCM.
Introduction, Passacaglia and Fugue in E minor, Op. 127, is an extended composition for organ by Max Reger, composed in 1913 and dedicated to Karl Straube who played the premiere in Breslau on 24 September. It was published in November that year in Berlin by Bote & Bock.
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