David William ParkFSA (born 23 May 1952) [1] is a professor at the Courtauld Institute of Art, University of London, where he is Director of the Conservation of Wall Painting Department. Park is a graduate of Manchester University and Corpus Christi College, Cambridge University and has been a Fellow of the Society of Antiquaries of London since 1986. [2] [3]
The Society of Antiquaries of London (SAL) is a learned society of historians and archaeologists in the United Kingdom. It was founded in 1707, received its royal charter in 1751 and is a registered charity. It is based at Burlington House in Piccadilly, a building owned by the UK government.
Philip Boughton Chatwin was an architect in Birmingham, England.
Harry Lawrence Bradfer-Lawrence was an antiquarian with a particular interest in Norfolk and Yorkshire, England.
Dr Pamela Tudor-Craig, Lady Wedgwood FSA was a British medieval art historian.
Warwick James Rodwell is an archaeologist, architectural historian and academic. He was lately visiting professor in the Department of Archaeology, University of Reading, and is Consultant Archaeologist to Westminster Abbey, where he is also a member of the College of St Peter in Westminster. He is the author of many books and articles, including the standard textbook on church archaeology. He is a Fellow of the Society of Antiquaries of London, the Society of Antiquaries of Scotland and the Royal Historical Society.
Scottish renaissance painted ceilings are decorated ceilings in Scottish houses and castles built between 1540 and 1640. This is a distinctive national style, though there is common ground with similar work elsewhere, especially in France, Spain and Scandinavia. An example in England, at Wickham, Hampshire, was recorded in 1974. There are records of over 100 examples, and a much smaller number of painted ceilings survive in-situ today. Some salvaged painted beams and boards are stored by Historic Environment Scotland. The paintings at Crathes Castle, dating from 1597 and 1602 are probably the best known.
David Hersh Solkin, FBA is the Walter H. Annenberg Professor of the History of Art at the Courtauld Institute, which he joined in 1986. In 2007, Solkin became the institute's first dean and deputy director. Solkin is an expert in the art of J. M. W. Turner.
Jonathan James Graham Alexander, FBA, known in print as J. J. G. Alexander, is a medievalist and expert on manuscripts, "one of the most profound and wide-ranging of all historians of illuminated manuscripts".
Lindy M. Grant is professor emerita of medieval history at the University of Reading, an honorary research fellow of the Courtauld Institute of Art, and a former president of the British Archaeological Association. Grant is a specialist in Capetian France and its neighbours in the 11th to 13th centuries.
Thomas Alexander "Sandy" Heslop,, publishing as T. A. Heslop, is a British academic who specialises in the art and architecture of medieval England. He is Professor of Visual Arts at the University of East Anglia (UEA). He was Slade Professor of Fine Art at the University of Cambridge for the 1997/1998 academic year.
Lindsay Allason-Jones, is a British archaeologist and museum professional specialising in Roman material culture, Hadrian's Wall, Roman Britain, and the presence and role of women in the Roman Empire. She is currently a visiting fellow at Newcastle University.
Charlotte Bolland is senior curator for sixteenth century collections at the National Portrait Gallery, London.
Amanda Simpson FSA, is a British medievalist, author, editor, librarian and art historian. Photographs attributed to her appear in the collection of the Conway Library at the Courtauld Institute of Art, where she worked as Conway Librarian in the 1970s while completing her studies. She completed her PhD at the Courtauld Institute in 1978 on the subject of 14th-century English and Bohemian painting. She became a Fellow of the Society of Antiquaries of London on 5 May 1990.
Jane Geddes is a British art historian and academic, specialising in Scottish architecture, British Medieval manuscripts, Pictish sculpture and Medieval decorative ironwork. She is Emeritus Professor of Art History, University of Aberdeen.
Francis P. Kelly is a British architectural historian and formerly an inspector for English Heritage and Historic England, working in the south west of England. He has contributed to a number of publications on medieval buildings, and his extensive slide collection is held by Historic England. He is a member of the British Archaeological Association.
Charles William Justin Hanbury-Tracy was a British scholar and heritage consultant on the history and development of medieval British and European continental church furniture. He published under the name of Charles Tracy.
Richard Marks, is a British art historian. He has held a number of curating and academic posts in art history in the United Kingdom and researched and written extensively on medieval religious images in a variety of media, including stained glass and illuminated manuscripts.
David Crampton Winfield MBE was a British conservator and Byzantinist who specialised in wall paintings. The first part of his career was spent abroad, mainly in Turkey and Cyprus, and he was awarded an MBE in 1974 for his conservation work in Cyprus. In his obituary in The Times, David Winfield was described as “an investigative archaeological explorer cast in the mould of the great 19th-century scholar-travellers”.
Colum Hourihane is an Irish-born art historian, iconographer, and editor formerly of Princeton University, specializing in medieval art and iconographic studies. From 1997 to 2014, Hourihane was the director of the Index of Christian Art, the largest thematic and iconographic index of medieval art and architecture in the world. Here, he stewarded the project during its early days of digitization and developed an annual conference program which placed the Index at the forefront of medieval art scholarly exchange. He first studied archaeology at University College Cork and the National University of Ireland Galway (1977) before earning a PhD at the Courtauld Institute of Art in 1984.