Der Tod und das Mädchen II

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Der Tod und das Mädchen II is a play by the Nobel Prize winning Austrian playwright Elfriede Jelinek. It premiered in Hanover, Germany, in 2000. [1] It was published that year in a combined volume with two other Jelinek plays, Das Lebewohl (The Departure) and Das Schweigen (Silence). All three plays referenced German classical music composers. [2]

Nobel Prize in Literature One of the five Nobel Prizes established in 1895 by Alfred Nobel

The Nobel Prize in Literature is a Swedish literature prize that is awarded annually, since 1901, to an author from any country who has, in the words of the will of Swedish industrialist Alfred Nobel, produced "in the field of literature the most outstanding work in an ideal direction". Though individual works are sometimes cited as being particularly noteworthy, the award is based on an author's body of work as a whole. The Swedish Academy decides who, if anyone, will receive the prize. The academy announces the name of the laureate in early October. It is one of the five Nobel Prizes established by the will of Alfred Nobel in 1895. It was not awarded in 2018, but two names will be awarded in 2019.

Austrians nation and an ethnic group of people living in Austria

Austrians are a Germanic nation and ethnic group, native to modern Austria and South Tyrol that share a common Austrian culture, Austrian descent and Austrian history. The English term Austrians was applied to the population of Habsburg Austria from the 17th or 18th century. Subsequently, during the 19th century, it referred to the citizens of the Empire of Austria (1804–1867), and from 1867 until 1918 to the citizens of Cisleithania. In the closest sense, the term Austria originally referred to the historical March of Austria, corresponding roughly to the Vienna Basin in what is today Lower Austria.

Elfriede Jelinek Austrian writer

Elfriede Jelinek is an Austrian playwright and novelist. She was awarded the Nobel Prize in Literature in 2004 for her "musical flow of voices and counter-voices in novels and plays that, with extraordinary linguistic zeal, reveal the absurdity of society's clichés and their subjugating power".

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References

  1. "Elfriede Jelinek". Goethe-Institut . Retrieved 22 July 2018.
  2. Ben-Horin, Michal (2016). Musical Biographies: The Music of Memory in Post-1945 German Literature. De Gruyter. p. 110. ISBN   978-3-11-045795-7.