Dialectique de la dialectique is a 1945 text publication by Romanian surrealists Gherasim Luca and Dolfi Trost. Its subtitle was Message to the International Surrealist Movement. Like the artists previous work it was largely based on surrealist theory and the sustainance of the surrealist movement.
It called for the preservation of the surrealist movement in a "constantly revolutionary state" to counter the decline of the movement. It begins by criticising the then movement's "artistic deviation" and "the petrification of its revolutionary effort". Following this it makes a statement as to how artists can counter this: by "constantly surpass[ing] itself". Love is declared to be the "principal method of knowledge and action" for the artists. Finally the artists declare the need to "revolt against nature and dissolving the oedipal complex in order to liberate love".
Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to leader André Breton, to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality", or surreality. It produced works of painting, writing, theatre, filmmaking, photography, and other media.
Cubomania is a Surrealist technique of making collages by cutting an image into squares and reassembling without regard for the original image at random to create something new.
André Robert Breton was a French writer and poet. He is known best as the co-founder, leader, and principal theorist of surrealism. His writings include the first Surrealist Manifesto of 1924, in which he defined surrealism as "pure psychic automatism".
Surrealism in art, poetry, and literature uses numerous techniques and games to provide inspiration. Many of these are said to free imagination by producing a creative process free of conscious control. The importance of the unconscious as a source of inspiration is central to the nature of surrealism.
Surautomatism is any theory or act in practice of surrealist creative production taking, or purporting to take, automatism to its most absurd limits.
COBRA was a European avant-garde movement active from 1948 to 1951. The name was coined in 1948 by Christian Dotremont from the initials of the members' home countries' capital cities: Copenhagen (Co), Brussels (Br), Amsterdam (A).
Romanian literature is literature written by Romanian authors, although the term may also be used to refer to all literature written in the Romanian language.
Gherasim Luca was a Romanian surrealist theorist and poet. Born Salman Locker in Romania and also known as Costea Sar, and Petre Malcoci, he became an apatrid after leaving Romania in 1952.
Robert Desnos was a French poet who played a key role in the Surrealist movement of his day.
Dolfi or Dolphi Trost was a Romanian surrealist poet, artist, and theorist, and the instigator of entopic graphomania. Together with Gherasim Luca, he was the author of Dialectique de la dialectique (1945). He also authored a work entitled Le même du même.
Wolfgang Robert Paalen was an Austrian-Mexican painter, sculptor, and art philosopher. A member of the Abstraction-Création group from 1934 to 1935, he joined the influential Surrealist movement in 1935 and was one of its prominent exponents until 1942. Whilst in exile in Mexico, he founded his own counter-surrealist art-magazine DYN, in which he summarized his critical attitude towards radical subjectivism and Freudo-Marxism in Surrealism with his philosophy of contingency. He rejoined the group between 1951 and 1954, during his sojourn in Paris.
Victor Brauner was a Romanian painter and sculptor of the surrealist movement.
Vision dans le cristal. Oniromancie obsessionelle. Et neuf graphomanies entoptiques. is a 1945 book by Romanian Dolfi Trost. The book forms part of his surrealist art theory, specifically on the area of entopic graphomania, a surrealist technique invented by the author. As the title suggests, it contains the first nine examples of the technique. This method of "indecipherable writing" was supposedly an example of "surautomatism", the controversial theory put forward by Trost and Gherashim Luca in which surrealist methods would be practiced that "went beyond" automatism.
Benjamin Péret was a French poet, Parisian Dadaist and a founder and central member of the French Surrealist movement with his avid use of Surrealist automatism.
René Crevel was a French writer involved with the surrealist movement.
Gellu Naum was a Romanian poet, dramatist, novelist, children's writer, and translator. He is remembered as the founder of the Romanian Surrealist group. The artist Lygia Naum, his wife, was the inspiration and main character in his 1985 novel Zenobia.
Constant Tonegaru was a Romanian avant-garde and Decadent poet, who ended his career as a political prisoner and victim of the communist regime. Known for his bohemianism, he was the author of celebrated escapist and individualist poems, characteristic for the World War II generation in Romanian literature, and closely related to the works of his friends Geo Dumitrescu, Dimitrie Stelaru, and Ion Caraion. Together with them, Tonegaru stands for one of the last waves to pass through Sburătorul, a modernist literary society formed around literary critic Eugen Lovinescu.
Paul Păun, born Zaharia Herșcovici and who later in life changed his legal name to Zaharia Zaharia, also signed his work Paul Paon and Paul Paon Zaharia. He was a Romanian and Israeli avant-garde poet and visual artist, who wrote in Romanian and French and produced surrealist and abstract drawings. He was also a medical doctor and surgeon. His work is registered with the ADAGP and the SGDL.
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Sesto Pals, pen name of SimionȘestopali, was a Russian-born Romanian and Israeli writer. Primarily a poet-philosopher, he also earned recognition as a graphic artist. He first became known in his teenage years, when, as a friend and associate of Gherasim Luca, he put out the review Alge. Its avant-garde aesthetics and its testing of censorship resulted in their prosecution. While Luca endured as a public intellectual and a founder of the Romanian surrealist cell, Pals became a recluse.