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The Beach Boys are an American rock band formed in Hawthorne, California, in 1961. The group's original lineup consisted of brothers Brian, Dennis and Carl Wilson, their cousin Mike Love, and friend Al Jardine. Distinguished by its vocal harmonies, adolescent-oriented lyrics, and musical ingenuity, the band is one of the most influential acts of the rock era. The group drew on the music of older pop vocal groups, 1950s rock and roll, and black R&B to create its unique sound. Under Brian's direction, it often incorporated classical or jazz elements and unconventional recording techniques in innovative ways.
Brian Douglas Wilson is an American musician, singer, songwriter, and record producer who co-founded the Beach Boys. Often called a genius for his novel approaches to pop composition, extraordinary musical aptitude, and mastery of recording techniques, he is widely acknowledged as one of the most innovative and significant songwriters of the 20th century. His best-known work is distinguished for its high production values, complex harmonies and orchestrations, layered vocals, and introspective or ingenuous themes. Wilson is also known for his formerly high-ranged singing and for his lifelong struggles with mental illness.
Pet Sounds is the eleventh studio album by the American rock band the Beach Boys, released on May 16, 1966, by Capitol Records. It was initially met with a lukewarm critical and commercial response in the United States, peaking at number 10 on the Billboard Top LPs chart. In the United Kingdom, however, the album was lauded by critics and reached number 2 on the Record Retailer chart, remaining in the top ten for six months. Promoted there as "the most progressive pop album ever", Pet Sounds was recognized for its ambitious production, sophisticated music, and emotional lyrics. It is now considered to be among the greatest and most influential albums in music history.
Surf music is a genre of rock music associated with surf culture, particularly as found in Southern California. It was especially popular from 1958 to 1964 in two major forms. The first is instrumental surf, distinguished by reverb-heavy electric guitars played to evoke the sound of crashing waves, largely pioneered by Dick Dale and the Del-Tones. The second is vocal surf, which took elements of the original surf sound and added vocal harmonies, a movement led by the Beach Boys.
Surfin' Safari is the debut studio album by the American rock band the Beach Boys, released October 1, 1962 on Capitol Records. The official production credit went to Nick Venet, though it was Brian Wilson with his father Murry who contributed substantially to the album's production; Brian also wrote or co-wrote nine of its 12 tracks. The album reached number 32 in the US during a chart stay of 37 weeks.
Surfer Girl is the third studio album by the American rock band the Beach Boys, released September 16, 1963 on Capitol Records. It is largely a collection of surf songs. The LP reached number 7 in the U.S. and number 13 in the UK. Lead single "Surfer Girl", backed with "Little Deuce Coupe", was also a top 10 hit.
The Beach Boys' Christmas Album is the seventh studio album by the American rock band the Beach Boys, released November 9, 1964 on Capitol Records. It contains five original songs and seven standards on a Christmas theme. The album proved to be a long-running success during subsequent Christmas seasons, initially reaching No. 6 on Billboard's Christmas LP's chart in its initial release and eventually going gold. Music historian James Perone wrote that it is "regarded as one of the finest holiday albums of the rock era".
The Beach Boys Today! is the eighth studio album by the American rock band the Beach Boys, released March 8, 1965, by Capitol Records. It signaled a departure from their previous records with its orchestral sound, intimate subject matter, and abandonment of car or surf songs. Side one features an uptempo sound, while side two consists mostly of introspective ballads. Supported by this thematic approach, the record established the group as album artists rather than just a singles band. It has since become regarded as one of the greatest albums of all time.
"God Only Knows" is a song by American rock band the Beach Boys from their 1966 album Pet Sounds. Written by Brian Wilson and Tony Asher, it is a baroque-style love song distinguished for its harmonic innovation and complexity, unusual instrumentation, and subversion of typical popular music conventions, both lyrically and musically. It is often praised as one of the greatest songs of all time and as the Beach Boys' finest record.
Francis Albert Sinatra & Antônio Carlos Jobim is a 1967 album by Frank Sinatra and Antônio Carlos Jobim. The tracks were arranged and conducted by Claus Ogerman, accompanied by a studio orchestra. Along with Jobim's original compositions, the album features three standards from the Great American Songbook, arranged in the bossa nova style.
"Don't Worry Baby" is a song by American rock band the Beach Boys from their March 1964 album Shut Down Volume 2. Written by Brian Wilson and Roger Christian, Wilson's lead vocal on the track is considered one of his defining performances, and he later referred to "Don't Worry Baby" as perhaps the Beach Boys' finest record. It was issued in May 1964 as the B-side of "I Get Around", and charted separately at number 24.
"Surfer Girl" is a song by American rock band the Beach Boys from their 1963 album Surfer Girl. Written and sung by Brian Wilson, it was released as a single, backed with "Little Deuce Coupe", on July 22, 1963. The single was the first Beach Boys record to have Brian Wilson officially credited as the producer.
"When I Grow Up (To Be a Man)" is a song by American rock band the Beach Boys from their 1965 album The Beach Boys Today!. Written by Brian Wilson and Mike Love, it was first issued as a single on August 24, 1964, paired with the B-side "She Knows Me Too Well". It peaked at number 9 in the U.S., number 27 in the UK, and number 1 in Canada.
"Girls on the Beach" is a song by the American rock band the Beach Boys from their 1964 album All Summer Long. Written by Brian Wilson and Mike Love, the song is in the vein of the band's previous surf ballads and features Four Freshmen-inspired harmonies. The song also served as the title track to the movie The Girls on the Beach.
"Little Honda" is a song by the American rock band the Beach Boys from their 1964 album All Summer Long. Written by Brian Wilson and Mike Love, it pays tribute to the small Honda motorcycle and its ease of operation, specifically the Honda 50.
"Surf City" is a 1963 song recorded by American music duo Jan and Dean about a fictitious surf spot where there are "two girls for every boy". Written by Brian Wilson, Jan Berry and Dean Torrence, it was the first surf song to become a national number-one hit.
Song Cycle is the debut album by American recording artist Van Dyke Parks, released in November 1967 by Warner Bros. Records. With the exception of three cover songs, Song Cycle was written and composed by Parks, while its production was credited to Warner Bros. staff producer Lenny Waronker.
Adult/Child is an unreleased studio album by the American rock band the Beach Boys that was produced in early 1977. Similar to the release it was meant to follow, The Beach Boys Love You, the album is essentially a semi-autobiographical solo effort by the band's chief songwriter and producer, Brian Wilson. The title refers to a theory that one's personality can be split into "adult" and "child" modes of thinking.
Michael Vosse was an American journalist and A&M Records publicist. He is best known as assistant to Brian Wilson during the formation of the Beach Boys' Brother Records and the recording of the album Smile (1966–67). His work also included limited time serving as a television producer, and narrator.
"He's a Doll" is a song by American girl group the Honeys that was written and produced by the Beach Boys' Brian Wilson. It was released as their fourth single on April 13, 1964, with the B-side "The Love of a Boy and Girl".
References
- 1 2 Friedwald, Will (1995). Sinatra! the Song is You: A Singer's Art. Simon and Schuster. pp. 237–. ISBN 978-0-684-19368-7.
- 1 2 Badman, Keith (2004). The Beach Boys: The Definitive Diary of America's Greatest Band, on Stage and in the Studio. Backbeat Books. pp. 57, 101, 371. ISBN 978-0-87930-818-6.
- ↑ Nathan, David; Lindsay, Susan Gedutis (2001). Inside the Hits. Berklee Press. p. 89. ISBN 978-0-634-01430-7.
