Diego Rodríguez de Silva y Velázquez was a Spanish painter, the leading artist in the court of King Philip IV of Spain and Portugal, and of the Spanish Golden Age. He was an individualistic artist of the Baroque period. He began to paint in a precise tenebrist style, later developing a freer manner characterized by bold brushwork. In addition to numerous renditions of scenes of historical and cultural significance, he painted scores of portraits of the Spanish royal family and commoners, culminating in his masterpiece Las Meninas (1656).
Domḗnikos Theotokópoulos, most widely known as El Greco, was a Greek painter, sculptor and architect of the Spanish Renaissance. "El Greco" was a nickname, and the artist normally signed his paintings with his full birth name in Greek letters, Δομήνικος Θεοτοκόπουλος, often adding the word Κρής, which means Cretan.
Bartolomé Esteban Murillo was a Spanish Baroque painter. Although he is best known for his religious works, Murillo also produced a considerable number of paintings of contemporary women and children. These lively, realist portraits of flower girls, street urchins, and beggars constitute an extensive and appealing record of the everyday life of his times. He also painted two self-portraits, one in the Frick Collection portraying him in his 30s, and one in London's National Gallery portraying him about 20 years later. In 2017-2018, the two museums held an exhibition of them.
José Clemente Orozco was a Mexican caricaturist and painter, who specialized in political murals that established the Mexican Mural Renaissance together with murals by Diego Rivera, David Alfaro Siqueiros, and others. Orozco was the most complex of the Mexican muralists, fond of the theme of human suffering, but less realistic and more fascinated by machines than Rivera. Mostly influenced by Symbolism, he was also a genre painter and lithographer. Between 1922 and 1948, Orozco painted murals in Mexico City, Orizaba, Claremont, California, New York City, Hanover, New Hampshire, Guadalajara, Jalisco, and Jiquilpan, Michoacán. His drawings and paintings are exhibited by the Carrillo Gil Museum in Mexico City, and the Orozco Workshop-Museum in Guadalajara. Orozco was known for being a politically committed artist, and he promoted the political causes of peasants and workers.
The Spanish Golden Age is a period of flourishing in arts and literature in Spain, coinciding with the political rise of the Spanish Empire under the Catholic Monarchs of Spain and the Spanish Habsburgs. The greatest patron of Spanish art and culture during this period was King Philip II (1556–1598), whose royal palace, El Escorial, invited the attention of some of Europe's greatest architects and painters such as El Greco, who infused Spanish art with foreign styles and helped create a uniquely Spanish style of painting. It is associated with the reigns of Isabella I, Ferdinand II, Charles V, Philip II, Philip III, and Philip IV, when Spain was one of the most powerful countries in the world.
Juan Sánchez Cotán was a Spanish Baroque painter, a pioneer of realism in Spain. His still lifes and bodegones were painted in an austere style, especially when compared to similar works in the Netherlands and Italy.
LudovicoBrea was an Italian painter of the Renaissance, active mainly in and near Genoa.
The Cusco School or Cuzco School, was a Roman Catholic artistic tradition based in Cusco, Peru during the Colonial period, in the 16th, 17th and 18th centuries. It was not limited to Cusco only, but spread to other cities in the Andes, as well as to present day Ecuador and Bolivia.
Antonio Fernández Arias was a Spanish painter of the Baroque period.
Luis de Carvajal was a Spanish painter of the Renaissance period.
Francisco Camilo was a Spanish painter, the son of an Italian immigrant who had settled in Madrid. When his father died, his mother remarried, and Camilo became the stepson of the painter Pedro de las Cuevas.
Ocotlán de Morelos is a town and municipality in the state of Oaxaca, about 35 km south of the center of the city of Oaxaca along Highway 175. It is part of the Ocotlán District in the south of the Valles Centrales Region. The area was a significant population center at the time of the Spanish Conquest, and for that reason an important Dominican monastery was established here in the 16th century. The complex still exists, with the church still being used for worship and the cloister area used as a museum. While mostly quiet, the city is an important distribution and transportation center for the south of the Central Valleys region of Oaxaca, a function which is expected to be reinforced with the opening of new highway being built to connect the city of Oaxaca with the Pacific coast. The city is known for artist Rodolfo Morales, who painted aspects of his hometown in his works and sponsored projects to save and restore historic monuments here. For generations the municipality has been known for its crafts, with the ceramics making Aguilar family producing some of the best known craftsmen.
Juan Correa de Vivar was a Spanish painter.
Jorge González Camarena was a Mexican painter, muralist and sculptor. He is best known for his mural work, as part of the Mexican muralism movement, although his work is distinct from the main names associated with it. His major works include the mural on the main administration building of the Monterrey Institute of Technology and Higher Studies and a mural created for the Universidad de Concepción in Chile. He also created easel works, one of which, La Patria, was well known in Mexico as it was used on the cover of free textbooks from the 1960s into the 1970s. Recognitions for his work include the Premio Nacional de Arte, membership in the Academia de Artes and the Ordine al Merito della Repubblica Italiana, grade Commendatore from the Italian government.
Jesús Reyes Ferreira, (1880-1977) born José de Jesús Benjamín Buenaventura de los Reyes y Ferreira and also known as Chucho Reyes, was a self-taught artist and antiques/art collector and vendor. Reyes Ferreira began painting on crêpe paper, a delicate material not meant to last, as a way of decorating paper meant to wrap sales from his antiques/art store. The decorated paper became popular enough to be sold on its own. Although he began this activity in Guadalajara, he did not produce the bulk of his work until after he moved to Mexico City when he was 58 years old. Here he continued collecting and selling objects such as colonial art and Mexican handcrafts and folk art, being one of the early exponents for the appreciation of these objects. He also spent several hours a day painting. His work was first exhibited in 1950 with his first individual exhibition in 1967 at the Palacio de Bellas Artes after a half century of painting. As a self-taught painter, his works are relatively simple and often are dismissed as folk painting but they were and his aesthetics were praised by famous artists and architects at the time.
Xavier Guerrero was one of the pioneers of the Mexican muralism movement in the early 20th century. He learned painting working with his father, who worked in masonry and decorating, with evidence that his ability was mostly self-taught. In 1912, he moved to Guadalajara and began painting murals, moving to Mexico City in 1919 just as the muralism movement was about to begin. Most of his work was in collaboration with or subordinate to other painters such as Diego Rivera and David Alfaro Siqueiros, working at the San Ildefonso College, the Secretaría de Educación Pública building and the Universidad Autónoma de Chapingo; however, much of his other work has been lost. While best known for his mural work, his later canvas work is considered to be better.
The Monastery of Santa Maria de la Murta is a former monastery of the order of the Hieronymites located in the Valley of La Murta in Alzira (Valencia), Spain.
Felipe Gil de Mena, was a Spanish baroque painter.
Saint Sebastian, or Martyrdom of Saint Sebastian is an autograph work by the famed artist Doménikos Theotokópoulos, commonly known as El Greco. It shows the Martyred Saint in an atypical kneeling posture which has led some scholars to believe it to be a compositional quotation of various works by other great masters whom the artist admired. The painting is currently on display in the Palencia Cathedral.
