Digital ICE

Last updated

Digital Image Correction and Enhancement (Digital ICE) is a set of technologies related to producing an altered image in a variety of frequency spectra. The objective of these technologies is to render an image more usable by Fourier or other filtering techniques. These technologies were most actively advanced in the 1960s and early 1970s in the fields of strategic reconnaissance and medical electronics.

Contents

The term Digital ICE initially applied specifically to a proprietary technology developed by Kodak's Austin Development Center, formerly Applied Science Fiction (ASF), that automatically removes surface defects, such as dust and scratches, from scanned images.

Technology

The ICE technology works from within the scanner, so unlike the software-only solutions it does not alter any underlying details of the image.[ further explanation needed ] Subsequent to the original Digital ICE technology (circa 1989), which used infrared cleaning, additional image enhancement technologies were marketed by Applied Science Fiction and Kodak under similar and related names, often as part of a suite of compatible technologies. The ICE technology uses a scanner with a pair of light sources, a normal RGB lamp and an infrared (IR) lamp, and scans twice, once with each lamp. The IR lamp detects the dust locations with its unique detection method, and then inpainting is applied based on this data afterwards. The general concept is locate scratches and dust on the RGB image and mask them.

Limitations of Digital ICE

Digital ICE is used to detect scratches and dust during transparent film scan and is not applicable for opaque document scanning. For some positive films with white-colored fine structures in a dark background, their opaque areas may be removed or given a fuzzy edge. While chromogenic black-and-white films are supported by Digital ICE, other black-and-white films containing metallic silver, which form from silver halides during the development process of the film, are not. This is because the long wave infrared light passes through the slide but not through dust particles. The silver particles reflect the infrared light in a similar manner to dust particles, thus respond equally in visible light and infrared. A similar phenomenon also prevents Kodak Kodachrome slides from being scanned with Digital ICE. Kodachrome's cyan layer absorbs infrared.

Further development

Kodak's own scanner, the "pro-lab" Kodak HR500 Plus was equipped with Digital ICE that could scan Kodachrome slides effectively; however, this scanner was discontinued in 2005. Nikon produced the Nikon Super Coolscan LS-9000 ED scanner with a new version of ICE (Digital ICE Professional) from 2004 until it was discontinued in 2010. This was capable of scanning Kodachrome slides reliably, dust- and scratch-free, without additional software. LaserSoft Imaging released an infrared dust and scratch removal tool (iSRD - Infrared Smart Removal of Defects) in 2008, that allows Nikon's film scanners for Mac OS X and Microsoft Windows, as well as many scanners from other manufacturers to make high quality scans of Kodachrome slides. Fujifilms system for dust and scratch removal, called "Image Intelligence", works on a similar principle as Digital ICE and will also work on Kodachrome film.

See also

Related Research Articles

The following list comprises significant milestones in the development of photography technology.

<span class="mw-page-title-main">Kodachrome</span> Brand name of an Eastman Kodak film

Kodachrome is the brand name for a color reversal film introduced by Eastman Kodak in 1935. It was one of the first successful color materials and was used for both cinematography and still photography. For many years, Kodachrome was widely used for professional color photography, especially for images intended for publication in print media.

<span class="mw-page-title-main">Image scanner</span> Device that optically scans images, printed text

An image scanner is a device that optically scans images, printed text, handwriting, or an object and converts it to a digital image. The most common type of scanner used in offices and in the home is the flatbed scanner, where the document is placed on a glass window for scanning. A sheetfed scanner, which moves the page across an image sensor using a series of rollers, may be used to scan one document at a time or multiple, as in an automatic document feeder. A handheld scanner is a portable version of an image scanner that can be used on any flat surface. Scans are usually downloaded to the computer that the scanner is connected to, although some scanners are able to store scans on standalone flash media.

<span class="mw-page-title-main">Reversal film</span> Type of photographic film that produces a positive image on a transparent base

In photography, reversal film or slide film is a type of photographic film that produces a positive image on a transparent base. Instead of negatives and prints, reversal film is processed to produce transparencies or diapositives. Reversal film is produced in various sizes, from 35 mm to roll film to 8×10 inch sheet film.

<span class="mw-page-title-main">Infrared photography</span> Near-infrared imaging

In infrared photography, the photographic film or image sensor used is sensitive to infrared light. The part of the spectrum used is referred to as near-infrared to distinguish it from far-infrared, which is the domain of thermal imaging. Wavelengths used for photography range from about 700 nm to about 900 nm. Film is usually sensitive to visible light too, so an infrared-passing filter is used; this lets infrared (IR) light pass through to the camera, but blocks all or most of the visible light spectrum; these filters thus look black (opaque) or deep red.

<span class="mw-page-title-main">Film scanner</span> Device for scanning photographic film

A film scanner is a device made for scanning photographic film directly into a computer without the use of any intermediate printmaking. It provides several benefits over using a flatbed scanner to scan in a print of any size: the photographer has direct control over cropping and aspect ratio from the original, unmolested image on film; and many film scanners have special software or hardware that removes scratches and film grain and improves color reproduction from film.

<span class="mw-page-title-main">Photo CD</span> CD-based format used for storing uncompressed photos

Photo CD is a system designed by Kodak for digitizing and saving photos onto a CD. Launched in 1991, the discs were designed to hold nearly 100 high quality images, scanned prints and slides using special proprietary encoding. Photo CDs are defined in the Beige Book and conform to the CD-ROM XA and CD-i Bridge specifications as well. They were intended to play on CD-i players, Photo CD players, and any computer with a suitable software.

A camera raw image file contains unprocessed or minimally processed data from the image sensor of either a digital camera, a motion picture film scanner, or other image scanner. Raw files are so named because they are not yet processed, and contain large amounts of potentially redundant data. Normally, the image is processed by a raw converter, in a wide-gamut internal color space where precise adjustments can be made before conversion to a viewable file format such as JPEG or PNG for storage, printing, or further manipulation. There are dozens of raw formats in use by different manufacturers of digital image capture equipment.

<span class="mw-page-title-main">Motion picture film scanner</span> Device that digitises film stock

A motion picture film scanner is a device used in digital filmmaking to scan original film for storage as high-resolution digital intermediate files.

<span class="mw-page-title-main">Digital photography</span> Photography with a digital camera

Digital photography uses cameras containing arrays of electronic photodetectors interfaced to an analog-to-digital converter (ADC) to produce images focused by a lens, as opposed to an exposure on photographic film. The digitized image is stored as a computer file ready for further digital processing, viewing, electronic publishing, or digital printing. It is a form of digital imaging based on gathering visible light.

<span class="mw-page-title-main">Drum scanner</span>

Drum scanners are a type of image scanner that capture image information with photomultiplier tubes (PMT), rather than the charge-coupled device (CCD) arrays found in flatbed scanners and inexpensive film scanners. "Reflective and transmissive originals are mounted on an acrylic cylinder, the scanner drum, which rotates at high speed while it passes the object being scanned in front of precision optics that deliver image information to the PMTs. Modern color drum scanners use three matched PMTs, which read red, blue, and green light, respectively. Light from the original artwork is split into separate red, blue, and green beams in the optical bench of the scanner with dichroic filters." Photomultipliers offer superior dynamic range and for this reason, drum scanners can extract more detail from very dark shadow areas of a transparency than flatbed scanners using CCD sensors. The smaller dynamic range of the CCD sensors, versus photomultiplier tubes, can lead to loss of shadow detail, especially when scanning very dense transparency film. While mechanics vary by manufacturer, most drum scanners pass light from halogen lamps though a focusing system to illuminate both reflective and transmissive originals.

Infrared cleaning is a technique used by some film scanners and flatbed scanners to reduce or remove the effect of dust and scratches upon the finished scan. It works by collecting an additional infrared channel from the scan at the same position and resolution as the three visible color channels. The infrared channel, in combination with the other channels, is used to detect the location of scratches and dust. Once located, those defects can be corrected by scaling or replaced by inpainting.

<span class="mw-page-title-main">Scanography</span> Graphic arts medium

Scanography, more commonly referred to as scanner photography, is the process of capturing digitized images of objects for the purpose of creating printable art using a flatbed "photo" scanner with a CCD array capturing device. Fine art scanography differs from traditional document scanning by using atypical objects, often three-dimensional, as well as from photography, due to the nature of the scanner's operation.

<span class="mw-page-title-main">Analog photography</span> Non-digital photography that uses film or chemical emulsions

Analog photography, also known as film photography, is a term usually applied to photography that uses chemical processes to capture an image, typically on paper, film or a hard plate. These processes were the only methods available to photographers for more than a century prior to the invention of digital photography, which uses electronic sensors to record images to digital media. Analog electronic photography was sometimes used in the late 20th century but soon died out.

<span class="mw-page-title-main">Cintel</span> British digital cinema company

Cintel was a British digital cinema company founded in 1927 by John Logie Baird and based in Ware, Hertfordshire. The early company was called Cinema Television Ltd. Cinema Television was sold to J Arthur Rank Organization renamed Rank Cintel in 1958. It specialized in the design and manufacture of professional post-production equipment, for transcribing film into video or data formats. It was formerly part of the Rank Organisation. Along with a line of telecines, Rank Cintel made 3 tube RGB color video projectors in the 1960s.

<span class="mw-page-title-main">SilverFast</span>

SilverFast is the name of a family of software for image scanning and processing, including photos, documents and slides, developed by LaserSoft Imaging.

<span class="mw-page-title-main">Photographic film</span> Film used by film (analog) cameras

Photographic film is a strip or sheet of transparent film base coated on one side with a gelatin emulsion containing microscopically small light-sensitive silver halide crystals. The sizes and other characteristics of the crystals determine the sensitivity, contrast, and resolution of the film. Film is typically segmented in frames, that give rise to separate photographs.

<span class="mw-page-title-main">Spirit DataCine</span> Motion picture film scanner

Spirit DataCine is a telecine and a motion picture film scanner. This device is able to transfer 16mm and 35mm motion picture film to NTSC or PAL television standards or one of many High-definition television standards. With the data transfer option a Spirit DataCine can output DPX data files. The image pick up device is a solid state charge-coupled device. This eliminated the need for glass vacuum tube CRTs used on older telecines. The units can transfer negative film, primetime, intermediate film and print film, stock. One option is a Super 8 gate for the transfer of Super 8 mm film. With a sound pick up option, optical 16mm and 35mm sound can be reproduced, also 16mm magnetic strip sound. The unit can operate stand alone or be controlled by a scene by scene color corrector. Ken Burns created The Civil War, a short documentary film included in the DVD release, on how he used the Spirit DataCine to transfer and remaster this film. The operator of the unit is called a Colorist or Colorist Assistant. The Spirit DataCine has become the standard for high-end real-time film transfer and scanning. Over 370 units are used in post-production facilities around the world. Most current film productions are transferred on Spirit DataCines for Television, Digital television, Cable television, Satellite television, Direct-to-video, DVD, Blu-ray Disc, pay-per-view, In-flight entertainment, Stock footage, Dailies, Film preservation, digital intermediate and digital cinema. The Spirit DataCine is made by DFT Digital Film Technology GmbH in Darmstadt, Germany.

This is a list of infrared topics.

Film emulation is a technique used to give digital image the appearance of being captured with an analogue photosensitive media. The desired effect is achieved by manipulating specific characteristics like film grain, halation, light reflection, bloom, film artifacts etc.