| Dimples | |
|---|---|
 Advertisement from Moving Picture World (February 1916) | |
| Directed by | Edgar Jones |
| Written by | Harry O. Hoyt |
| Produced by | Louis B. Mayer |
| Starring | Mary Miles Minter |
| Distributed by | Metro Pictures |
Release date |
|
Running time | 5 reels |
| Country | United States |
| Languages | Silent English intertitles |
Dimples is a 1916 silent drama film directed by Edgar Jones. The film stars Mary Miles Minter in the lead role.
The film is held by Cinémathèque Française, Paris. [1]
As described in film magazines, [2] [3] "Dimples" (Minter) is a young girl who lives in a poor tenement with her elderly father, visited only by Horton, her father's simple-minded friend. When Dimples' father dies, Horton discovers the money he has hoarded, which he hides inside a doll, given to Dimples as a gift. Horton then passes away, and Dimples goes to live with her aunt, who runs a boarding house in the South.
A fellow residence of this boarding house is Robert Stanley (Carrigan) who has made his money in cotton. Cotton drops and it looks like he may be ruined, but when a crook who had seen Horton hide the money in the doll makes the journey to Florida to try to steal Dimples' fortune, all is revealed. Dimples uses the money to save Robert from ruin, and they put their money together in the bank under one name.
Youth's Endearing Charm is a 1916 American silent drama film directed by William C. Dowlan. The film stars Mary Miles Minter, Wallace McDonald, and Harry von Meter. The script for the film was adapted by J. Edward Hungerford from a novel of the same name written by Maibelle Heikes Justice. This was Minter's first film with Mutual Film, having previously been with Metro Pictures. A print is preserved at the Library of Congress.
Dulcie's Adventure is a 1916 American silent drama film, directed by James Kirkwood, and starring Mary Miles Minter and Bessie Banks. The script for the film was adapted by William Pigott from a novel written by R. Strauss. The film is notable for being the first time that Allan Forrest appeared as Minter's leading man; the two would make a further 19 features together, ending with The Heart Specialist. As with many of Minter's features, it is believed to be a lost film.
Curley McDimple is a musical with music and lyrics by Robert Dahdah and book by Robert Dahdah and Mary Boylan. The play is a spoof of Depression-era Shirley Temple movies and was presented in a black and white design. This was one of two musicals in which Bernadette Peters appeared that spoofed some aspect of Hollywood—the other was Dames at Sea. "The Meanest Man in Town" is its best-known song.
The Life and Adventures of Nicholas Nickleby is a 1947 British drama film directed by Alberto Cavalcanti and starring Cedric Hardwicke. The screenplay by John Dighton is based on the Charles Dickens novel The Life and Adventures of Nicholas Nickleby (1839). This first sound screen adaptation of the book followed silent films released in 1903 and 1912.
Always in the Way is a 1915 American silent drama film directed by J. Searle Dawley and starring Mary Miles Minter. The film, which was inspired by the song of the same name by Charles K. Harris, was partially filmed in the Bahamas. As with many of Minter's features, the film is thought to be a lost film.
Lovely Mary is a 1916 silent drama film directed by Edgar Jones (actor) and starring Mary Miles Minter. As with many of Minter's features, it is thought to be a lost film.
Faith is a 1916 American silent drama film directed by James Kirkwood and starring Mary Miles Minter. It was the first of Minter's films to also feature her older sister Margaret Shelby. The film survives and is preserved at George Eastman House, Rochester.
A Dream or Two Ago is a 1916 American silent drama film directed by James Kirkwood and starring Mary Miles Minter. It is one of approximately a dozen of Minter's films known to have survived. The film was restored in 2004 and was shown along with The Innocence of Lizette (1916) at a Dutch film festival.
The Innocence of Lizette is a 1916 American silent comedy-drama film directed by James Kirkwood and starring Mary Miles Minter. It is one of approximately a dozen of Minter's films which are known to have survived. The film was restored in the Netherlands in 2004 and was shown at several European film festivals along with A Dream or Two Ago, another Minter feature from 1916.
The Gentle Intruder is a 1917 American silent drama film directed by James Kirkwood and starring Mary Miles Minter. The film was Minter's sixth production with Mutual Film. It is one of approximately a dozen of Minter's films known to have survived; a copy is held by the Dutch Filmmuseum.
Peggy Leads the Way is a 1917 American silent drama film directed by Lloyd Ingraham and starring Mary Miles Minter. It also features Andrew Arbuckle, Carl Stockdale, Allan Forrest, Emma Kluge, and Margaret Shelby, who is Minter's older sister. It is one of approximately a dozen of Minter's films to have survived, a copy having first been found at the Dutch Filmmuseum. It was sold to the American Film Institute in 1991 and is held at the UCLA Film and Television Archive.
Somewhere in America is a 1917 American silent drama film starring Thomas J. Carrigan and Francine Larrimore. It was written by June Mathis and directed by William C. Dowlan. This film is extant at George Eastman House, Rochester New York.
Charity Castle is a 1917 American silent comedy-drama film directed by Lloyd Ingraham and starring Mary Miles Minter. As is the case with many of Minter's features, it is thought to be a lost film.
Her Country's Call is a 1917 American silent drama film directed by Lloyd Ingraham and starring Mary Miles Minter, along with George Periolat and Allan Forrest. The film is the final instalment in a series a films written by Abraham Lincoln impersonator Benjamin Chapin, who also appeared in the film as Lincoln. It was one of many films of the time that catered to the vogue for patriotic pictures after America joined World War 1, with ample shots of soldiers and the American flag. As with many of Minter's features, it is thought to be a lost film.
Powers That Prey is a 1918 silent comedy-drama film directed by Henry King and starring Mary Miles Minter, with whom King stated that he enjoyed working. The film is based on a story called Extra! Extra! by Will M. Ritchey, which was also the working title of the film. As with many of Minter's features, it is thought to be a lost film.
The Eyes of Julia Deep is a 1918 American silent comedy-drama film starring Mary Miles Minter and directed by Lloyd Ingraham. The film is based on the short story by the same name, written by Kate L. McLaurin. It is one of the few films starring Minter which are known to have survived, and one of even fewer readily available for the general public to view.
It All Came True is a 1940 American musical comedy crime film starring Ann Sheridan as a fledgling singer and Humphrey Bogart, who was third-billed on movie posters, as a gangster who hides from the police in a boarding house. It is based on the Louis Bromfield novel Better Than Life. Sheridan introduced the hit song "Angel in Disguise". The picture was produced by Mark Hellinger and directed by Lewis Seiler. The cast also featured Jeffrey Lynn as the leading man, Zasu Pitts, and Una O'Connor.
Sweet Lavender is a 1920 American silent drama film directed by Paul Powell and starring Mary Miles Minter. The scenario was adapted by Beulah Marie Dix from the 1888 play of the same name by Arthur Wing Pinero. Like many of Minter's features, it is thought to be a lost film.
The Intrusion of Isabel is a 1919 American silent comedy film directed by Lloyd Ingraham and starring Mary Miles Minter, J. Parks Jones, Allan Forrest, and Lucretia Harris. As with many of Minter's features, it is thought to be a lost film.
The Ghost of Rosy Taylor is a 1918 American silent comedy-drama film starring Mary Miles Minter and directed by Edward Sloman. The film is based on a Saturday Evening Post story of the same name, written by Josephine Daskam Bacon. It is one of approximately a dozen Minter films which are known to have survived - a print was found in New Zealand in the 1990s which is in possession of the BFI National Archive - and one of even fewer readily available for the general public to view.
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