The double bass, also known as the upright bass, the acoustic bass, or simply the bass, is the largest and lowest-pitched chordophone, in the modern symphony orchestra. Similar in structure to the cello, it has four or five strings.
A fiddle is a bowed string musical instrument, most often a violin. It is a colloquial term for the violin, used by players in all genres, including classical music. Although in many cases violins and fiddles are essentially synonymous, the style of the music played may determine specific construction differences between fiddles and classical violins. For example, fiddles may optionally be set up with a bridge with a flatter arch to reduce the range of bow-arm motion needed for techniques such as the double shuffle, a form of bariolage involving rapid alternation between pairs of adjacent strings. To produce a "brighter" tone than the deep tones of gut or synthetic core strings, fiddlers often use steel strings. The fiddle is part of many traditional (folk) styles, which are typically aural traditions—taught "by ear" rather than via written music.
In the most general of terms, music is the arrangement of sound to create some combination of form, harmony, melody, rhythm, or otherwise expressive content. Definitions of music vary depending on culture, though it is an aspect of all human societies and a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, psychology, and therapeutic contexts. Music may be performed using a vast range of instruments, including the human voice to sing, and thus is often credited for its extreme versatility and opportunity for creativity.
The viol, viola da gamba, or informally gamba, is any one of a family of bowed, fretted, and stringed instruments with hollow wooden bodies and pegboxes where the tension on the strings can be increased or decreased to adjust the pitch of each of the strings. Frets on the viol are usually made of gut, tied on the fingerboard around the instrument's neck, to enable the performer to stop the strings more cleanly. Frets improve consistency of intonation and lend the stopped notes a tone that better matches the open strings. Viols first appeared in Spain and Italy in the mid-to-late 15th century, and were most popular in the Renaissance and Baroque (1600–1750) periods. Early ancestors include the Arabic rebab and the medieval European vielle, but later, more direct possible ancestors include the Venetian viole and the 15th- and 16th-century Spanish vihuela, a six-course plucked instrument tuned like a lute that looked like but was quite distinct from the four-course guitar.
The Goldberg Variations, BWV 988, is a musical composition for keyboard by Johann Sebastian Bach, consisting of an aria and a set of 30 variations. First published in 1741, it is named after Johann Gottlieb Goldberg, who may also have been the first performer of the work.
In music, ornaments or embellishments are musical flourishes—typically, added notes—that are not essential to carry the overall line of the melody, but serve instead to decorate or "ornament" that line, provide added interest and variety, and give the performer the opportunity to add expressiveness to a song or piece. Many ornaments are performed as "fast notes" around a central, main note.
In music, an ostinato is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include classical compositions such as Ravel's Boléro and the Carol of the Bells, and popular songs such as Donna Summer and Giorgio Moroder's "I Feel Love" (1977), Henry Mancini's theme from Peter Gunn (1959), The Who's "Baba O'Riley" (1971), The Verve's "Bitter Sweet Symphony" (1997), and Flo Rida's "Low" (2007).
Bassline is the term used in many styles of music, such as blues, jazz, funk, dub and electronic, traditional music, and classical music, for the low-pitched instrumental part or line played by a rhythm section instrument such as the electric bass, double bass, cello, tuba or keyboard.
Lead guitar is a musical part for a guitar in which the guitarist plays melody lines, instrumental fill passages, guitar solos, and occasionally, some riffs and chords within a song structure. The lead is the featured guitar, which usually plays single-note-based lines or double-stops. In rock, heavy metal, blues, jazz, punk, fusion, some pop, and other music styles, lead guitar lines are often supported by a second guitarist who plays rhythm guitar, which consists of accompaniment chords and riffs.
In music, variation is a formal technique where material is repeated in an altered form. The changes may involve melody, rhythm, harmony, counterpoint, timbre, orchestration or any combination of these.
Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing the continuo part are called the continuo group.
Christopher Simpson (1602/1606–1669) was an English musician and composer, particularly associated with music for the viola da gamba.
Musical improvisation is the creative activity of immediate musical composition, which combines performance with communication of emotions and instrumental technique as well as spontaneous response to other musicians. Sometimes musical ideas in improvisation are spontaneous, but may be based on chord changes in classical music and many other kinds of music. One definition is a "performance given extempore without planning or preparation". Another definition is to "play or sing (music) extemporaneously, by inventing variations on a melody or creating new melodies, rhythms and harmonies". Encyclopædia Britannica defines it as "the extemporaneous composition or free performance of a musical passage, usually in a manner conforming to certain stylistic norms but unfettered by the prescriptive features of a specific musical text." Improvisation is often done within a pre-existing harmonic framework or chord progression. Improvisation is a major part of some types of 20th-century music, such as blues, rock music, jazz, and jazz fusion, in which instrumental performers improvise solos, melody lines and accompaniment parts.
The lyra viol is a small bass viol, used primarily in England in the seventeenth century.
Musicalische Sterbens-Gedancken is a collection of keyboard music by Johann Pachelbel. It was first published in 1683 and contains four sets of chorale variations.
The division viol is an English type of bass viol, which was originally popular in the mid-17th century, but is currently experiencing a renaissance of its own due to the movement for historically informed performance. John Playford mentions the division viol in his A Brief Introduction of 1667, describing it as smaller than a consort bass viol, but larger than a lyra viol.
Viola bastarda refers to a highly virtuosic style of composition or extemporaneous performance, as well as to the altered viols created to maximize players' ability to play in this style. In the viola bastarda style, a polyphonic composition is reduced to a single line, while maintaining the same range as the original, and adding divisions, improvisations, and new counterpoint. The style flourished in Italy in the late 16th and early 17th centuries. Francesco Rognoni, a prominent composer of divisions, stated that although works using the bastarda techniques could be played by a number of instruments, including organ, lute, and harp, the "queen" of bastarda technique was the viol because of its agility and large range.
In the years centering on 1600 in Europe, several distinct shifts emerged in ways of thinking about the purposes, writing and performance of music. Partly these changes were revolutionary, deliberately instigated by a group of intellectuals in Florence known as the Florentine Camerata, and partly they were evolutionary, in that precursors of the new Baroque style can be found far back in the Renaissance, and the changes merely built on extant forms and practices. The transitions emanated from the cultural centers of Northern Italy, then spread to Rome, France, Germany, and Spain, and lastly reached England . In terms of instrumental music, shifts in four discrete areas can be observed: idiomatic writing, texture, instrument use, and orchestration.
The slide is a musical ornament often found in baroque musical works, but used during many different periods. It instructs the performer to begin two or three scale steps below the marked note and "slide" upward—that is, move stepwise diatonically between the initial and final notes. Though less frequently found, the slide can also be performed in a descending fashion.
The term Romani style refers to the way Eastern European music is played in coffeehouses and restaurants, at parties, and sometimes on-stage in European cities. Music played in this style differs from actual Romani music played by Romani and Sinti people, many of whom regard the term "gypsy" as a slur when applied to their community.
