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Doble Filo | |
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Origin | Havana, Cuba |
Genres | Hip hop, Latin hip hop, alternative hip hop |
Years active | 1995–present |
Members | Yrak Saenz Edgaro aka Edgar Gonzalez |
Doble Filo is a Cuban hip-hop band formed in 1995 and composed of Yrak Saenz and Edgaro Gonzalez. The band, which is often compared to Dilated Peoples and The Amorphous, won the Alamar rap Festival's Grand Prize in 1996.
Doble Filo is Spanish for “double-edged”, with reference to blades but also metaphors. Their sound is described as experimental hip-hop with a feel-good vibe[ who? ]. Although not all members originate from the Alamar area of La Havana, the epicentre of Cuban hip-hop, their presence there is significant. The group shares credit with fellow Cuban hip-hop artists Obsession for starting the multidisciplinary art collective La Fabrik.
They won the grand prize at the 1996 Alamar Rap Festival. Many of their songs are composed in an Alamar building called “Laboratorio 675”. Their main musical philosophy is avoiding negativity.[ citation needed ] Their most recent album is Despierta ("Wake Up"), not yet released by a record label. Gonzales and Saenz will be making a record called Rayones de Mi Album. In 2008 Doble Filo released their first music video shot on location in Havana, for their song "Apenas Abro Los Ojos".
Orishas are a Cuban hip hop group from Havana, Cuba, founded in 1999. The group was first called "Amenaza", "threat" or "menace" in Spanish, and appealed to the Cuban youth. The choice of this name for the hip hop group is a way of creating a direct link between this band and the African diaspora. The group is based in France where they made a deal with a record company, although they visit Cuba frequently. In 1999 Fidel Castro threw a party for them and had a meeting with all the musicians. It was the first time the Cuban government showed support for hip hop music. The group was and still is popular in Europe and Latin America. Yotuel Romero and Ruzzo Medina, who moved from Havana to Paris as part of an international studies program, joined Roldán González and Flaco-Pro to form the band in 1999. Their work is influenced by the hip hop movement as well as Cuban and other Latin rhythms. As of November 2024, they had produced a total of five studio albums and a greatest hits album; their latest album is Gourmet. In 2009 they participated in the concert Paz Sin Fronteras II in Plaza de la Revolución, Havana, Cuba. Orishas reunited to record new material in 2016.
Hip hop music arrived in Cuba via radio and TV broadcasts from Miami. During the 1980s, hip hop culture in Cuba was mainly centered on breakdancing. By the 1990s, with the collapse of the Soviet Union and the onset of the Special Period, young rappers, exposed to foreign tourists whose wealth highlighted their struggle, turned to rapping to affirm their heritage and advocate for further revolutionary reforms.
The Sierra Maestra is a mountain range that runs westward across the south of the old Oriente Province in southeast Cuba, rising abruptly from the coast. The range falls mainly within the Santiago de Cuba and in Granma Provinces. Some view it as a series of connecting ranges, which join with others to the west. At 1,974 m (6,476 ft), Pico Turquino is the range's – and the country's – highest point. The area is rich in minerals, especially copper, manganese, chromium, and iron.
X-Alfonso is a Cuban hip hop and afro-rock musician, who played with Audioslave in a concert in Havana on May 7, 2005 in "Tribuna Anti-imperialista".
For the film see Alamar (film)
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Grupo Uno was a group of organizers from an East Havana district cultural center. They brainstormed the radical idea of a Cuban rap festival in 1995. One of the principal organizers, Rodolfo Rensoli, contributed largely to the event by anticipating the need for social and governmental support. Rensoli said that "There are a lot of people who don't understand people like me" as a reason for starting the festival in Cuba. While Grupo Uno gained official support, they had few resources at their disposal. Despite this setback, they were able to spread the word of the festival through the already existent Cuban rap scene. For the first time in Cuban history, moneros were able to express themselves publicly, mentioning many diverse cultural aspects such as race, baseball and the significance of their performance that day, all of which were in their native tongue, Spanish. The event took place in an open-air venue in Alamar, and would continue to occur there annually.
Juan Carlos Quintero Herencia], born in Santurce, Puerto Rico in 1963, is a literary voice from the Puerto Rican literary scene. Member and co-editor of the Poetry journal Filo de juego (1982–1987) the Instituto de Cultura Puertorriqueña published, in 2002, his early poetry under a volume entitled El hilo para el marisco/Cuaderno de los envíos (2002). This volume received the Puerto Rican Pen Club Poetry Prize in 2004. Quintero Herencia has published other collections of poetry such as La caja negra and Libro del sigiloso. Quintero Herencia's poetry is complex and contains an intense desire for experimentation and baroque imagery. In Quintero's recent poetry a concern for the specific nature of the political gesture of poetry is a recurrent topic. As an essayist Quintero-Herencia established himself with Fulguración del espacio: Letras e imaginario institucional de la Revolución cubana (1960–1971), a contextual and critical reading of the crucial debates which defined the Cuban intellectual field during the 1960s. His second book, La máquina de la salsa: Tránsitos del sabor has been hailed by Puerto Rican critics as the most comprehensive critical balance on the Salsa phenomenon. As a Professor, Quintero-Herencia teaches undergraduate and graduate courses in Latin American and Caribbean literatures and cultures at the University of Maryland College Park(United States). He also teaches Literary Theory. Before going to the University of Maryland, he taught at the University of Puerto Rico, Río Piedras and Brown University.
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