Domenico Auria (active 16th century) was an Italian architect and sculptor of the Renaissance period, active in Naples. He was a pupil of Marliano da Nola. He is also known as Giovanni Domenico or Giovan Domenico Auria, or Domenico d'Auria.
Jacopo da Empoli was an Italian Florentine Reformist painter.
Mario Balassi (1604–1667) was an Italian painter of the Baroque period, active in Florence and Rome.
Alessandro Araldi was an Italian painter of the Renaissance, active mainly in Parma.
Giuseppe Badaracco (1588–1657), also called “Il Sordo”, was an Italian painter of the Baroque period, active mainly in Genoa, in Liguria and in the island of Corsica.
Jacopo Bambini (1582–1629) was an Italian painter of the Baroque period, active mainly in Ferrara.
Giovanni Antonio Amato or Amati was an Italian painter of the Renaissance period. Born in Naples, he copied the style of Pietro Perugino.
Giuseppe Agellio was an Italian painter of the Baroque period. Born in Sorrento, he was a pupil of the painter Cristoforo Roncalli and worked in Rome. He excelled in painting landscape and architecture.
Angelica or Angiola Veronica Airola was an Italian painter of the Baroque period, active mainly in 17th century Genoa. She was a pupil of the painter Domenico Fiasella. She became a nun of the order of San Bartolommeo dell' Oliveta at Genoa. She painted several works, mainly religious, while in the convent.
Orazio Alfani was an Italian painter of the Renaissance period, active in both Palermo and Perugia.
Antonio Bambocci (1351?–1421?) was an Italian painter and sculptor of the Gothic period, active in and near Naples.
Giuseppe Baroni was an Italian engraver of the 18th century. Together with Domenico Rosetti and Andrea Zucchi, he completed the prints for Il gran Teatro delle pitture e prospettive di Venezia, published in Venice in 1720 by Domenico Loviso in the Rialto. In this collection, the Madonna and child print by Nicolas Poussin and the Polyphemus by Pompeo Battoni are attributed to Baroni.
Giacomo Barucco was an Italian painter, active in a Mannerist style.
Domenico Beceri was an Italian painter active in the Renaissance period, mainly in his hometown of Florence. He was a pupil of Domenico Puligo.
Giuseppe Bottani was an Italian painter active in the Baroque period.
Rinaldo Botti was an Italian painter active in the Baroque period. He was a pupil of Jacopo Chiavistelli, and specialized in quadratura. He collaborated with Andrea Landini in frescoing some salons of Villas belonging to the Corsini family. He painted the ceiling of Santa Elisabetta delle Convertite.
Giovanni Battista Bertusio was a painter of the early-Baroque period, active in Bologna. He trained initially under Denys Calvaert, then under Ludovico and Agostino Carracci. He married the painter Antonia Pinelli.
Simone Brentana was an Italian painter of the Baroque period, active in Verona. He was born in Venice to Domenico Brentana, but became orphaned by age nine. After a prolonged desultory education in various fields including music, he trained as a painter in Venice with Pietro Negri, frequenting the Accademia di Belle Arti, moving in 1685 to Verona, where most of his paintings are located.
Giovanni Battista Bertani (1516–1576) was an Italian painter and architect of the late Renaissance period. He trained with Giulio Romano in Mantua, and was promoted after Romano's death to the post of prefect of the ducal studio (fabbriche). Painters who assisted him over the years include his brother Domenico, as well as Giovanni Battista del Moro, Geronimo Mazzuola, Paolo Farinato, Domenico Brusasorci, Giulio Campi, and Paolo Veronese. He is said to have completed a partial translation of the work of Vitruvius.
Annibale Caccavello (1515–1595) was an Italian sculptor of the Renaissance, active in his native city of Naples.
Cristoforo Agosta, Agosti, or Augusta was an Italian painter of the Mannerist style.