Lovely Is the Summer Night is a 1961 Swedish mystery thriller film directed by Arne Mattsson. The film stars Karl-Arne Holmsten, Christina Carlwind, Per Oscarsson and Folke Sundquist. It was shot at the Sundbyberg Studios of Europa Film in Stockholm. The film's sets were designed by the art directors Bertil Duroj and Arne Åkermark. It is an adaptation of a detective novel by Dagmar Lange, who wrote the script for the film herself. It is a sequel to the 1960 film When Darkness Falls.
Kiss Her! is a 1940 Swedish comedy film directed and co-written by Weyler Hildebrand and starring Annalisa Ericson, Thor Modéen and Åke Söderblom. It is a remake of the 1933 German film And Who Is Kissing Me?.
The Lady in Black is a 1958 Swedish mystery thriller film directed by Arne Mattsson. It was shot at the Centrumateljéerna Studios in Stockholm with sets designed by the art director Bibi Lindström. The film is the first film in director Arne Mattsson's Hillman-series of five thriller films, all containing a colour in the title: The Lady in Black (1958), Mannequin in Red (1958), Rider in Blue (1959), The Lady in White (1962), and The Yellow Car (1963).
Young Blood is a 1943 Swedish drama film directed by Ivar Johansson and starring Agneta Lagerfeldt, Toivo Pawlo and Olof Widgren. It was shot at the Centrumateljéerna Studios in Stockholm. The film's sets were designed by the art director Bertil Duroj.
Big Lasse of Delsbo is a 1949 Swedish historical drama film directed by Ivar Johansson and starring Sten Lindgren, Anna Lindahl and Ulla Andreasson. It was shot at the Centrumateljéerna Studios in Stockholm. The film's sets were designed by the art director P.A. Lundgren. It was inspired by real historical events in nineteenth century Sweden.
Poor Little Sven is a 1947 Swedish comedy film directed by Hugo Bolander and starring Nils Poppe, Annalisa Ericson and Hjördis Petterson. The film's sets were designed by the art director Arne Åkermark. It was inspired by the plot of the 1928 British musical Mr. Cinders, which Poppe and Ericson had appeared together in on stage.
Café Lunchrasten is a 1954 Swedish drama film directed by Hampe Faustman and starring Lars Ekborg, Doris Svedlund and Annalisa Ericson. It was shot at the Centrumateljéerna Studios in Stockholm. The plot revolves around a cafe in the old Klara district of Sweden's capital city, and the varied clientele who gather there.
Private Bom is a 1948 Swedish comedy film directed by Lars-Eric Kjellgren and starring Nils Poppe, Inga Landgré and Gunnar Björnstrand. The film's sets were designed by the art director Nils Svenwall. It was part of a series starring Poppe as Fabian Bom.
Little Napoleon is a 1943 Swedish comedy film directed by Gustaf Edgren and starring Åke Söderblom, Annalisa Ericson and Marianne Löfgren. It was shot at the Råsunda Studios in Stockholm. The film's sets were designed by the art director Nils Svenwall.
Goransson's Boy is a 1941 Swedish drama film co-written and directed by and starring Weyler Hildebrand and also featuring Eric Abrahamsson, Hilda Borgström and Emy Hagman. It was shot at the Råsunda Studios in Stockholm. The film's sets were designed by the art director Arne Åkermark.
The Girl in Tails is a 1956 Swedish comedy film directed by Arne Mattsson and starring Maj-Britt Nilsson, Folke Sundquist and Anders Henrikson. It was shot at the Centrumateljéerna Studios in Stockholm. The film's sets were designed by the art director Nils Nilsson. It was based on the 1925 novel The Girl in Tails by Hjalmar Bergman, previously adapted into a 1926 silent film of the same title.
The Bride Came Through the Ceiling is a 1947 Swedish comedy film directed by Bengt Palm and starring Annalisa Ericson, Stig Järrel and Karl-Arne Holmsten. It was shot at the Centrumateljéerna Studios in Stockholm and on location in the city including at the Central Station. The film's sets were designed by the art director Bertil Duroj. It incorporated footage of Ericson on stage from the 1940 comedy Kiss Her!.
Mother Takes a Vacation is a 1957 Swedish comedy film directed by Schamyl Bauman and starring Gerd Hagman, George Fant and Karl-Arne Holmsten. It was shot at the Centrumateljéerna Studios in Stockholm. The film's sets were designed by the art director Nils Nilsson.
Dance in the Smoke is a 1954 Swedish musical comedy film directed by Bengt Blomgren and Yngve Gamlin and starring Martin Ljung, Annalisa Ericson and Stig Järrel.
The False Millionaire is a 1931 French-Swedish comedy film directed by Paul Merzbach and starring Fridolf Rhudin, Zarah Leander and Annalisa Ericson. It was shot at the Råsunda Studios in Stockholm and on location in the city. The film's sets were designed by the art director Vilhelm Bryde and Arne Åkermark. A separate French-language version Mon coeur et ses millions was also produced.
The Kiss on the Cruise is a 1950 Swedish comedy film directed by Arne Mattsson and starring Annalisa Ericson, Gunnar Björnstrand and Karl-Arne Holmsten. The film's sets were designed by the art director Nils Svenwall. It was shot at the Råsunda Studios in Stockholm with location shooting in London, Lisbon, Madeira and Morocco.
The Light from Lund is a 1955 Swedish comedy film directed by Hans Lagerkvist and starring Nils Poppe, Ann-Marie Gyllenspetz and Karl-Arne Holmsten. It was shot at the Råsunda Studios in Stockholm and on location at Lund in Scania. The film's sets were designed by the art director P.A. Lundgren. It was the third in a series of films feature Poppe in the role of Sten Stensson.
Rider in Blue is a 1959 Swedish mystery thriller film directed by Arne Mattsson and starring Annalisa Ericson, Gunnel Broström and Bengt Brunskog. It was shot at the Centrumateljéerna Studios in Stockholm and on location at Bromma Airport and Strömsholm Castle. The film's sets were designed by the art director Bibi Lindström. It was the third in a series of five films featuring the husband and wife detective team John and Kajsa Hillman. It was followed by The Lady in White in 1962.
Say It with Flowers is a 1952 Swedish comedy film directed by Lars-Eric Kjellgren and starring Annalisa Ericson, Stig Järrel and Gunnar Björnstrand. It was shot at the Råsunda Studios in Stockholm. The film's sets were designed by the art director Nils Svenwall. It is based on the 1920 play Seeing Things by American writer Margaret Mayo.
