Doo Wop (disambiguation)

Last updated

Doo Wop is a vocal-based rhythm and blues music style.

Doo Wop or variants may also refer to:

See also

Related Research Articles

<span class="mw-page-title-main">Doo-wop</span> Style of rhythm and blues music

Doo-wop is a subgenre of rhythm and blues music that originated in African-American communities during the 1940s, mainly in the large cities of the United States, including New York, Philadelphia, Pittsburgh, Chicago, Baltimore, Newark, Detroit, Washington, D.C., and Los Angeles. It features vocal group harmony that carries an engaging melodic line to a simple beat with little or no instrumentation. Lyrics are simple, usually about love, sung by a lead vocal over background vocals, and often featuring, in the bridge, a melodramatically heartfelt recitative addressed to the beloved. Harmonic singing of nonsense syllables is a common characteristic of these songs. Gaining popularity in the 1950s, doo-wop was "artistically and commercially viable" until the early 1960s and continued to influence performers in other genres.

<span class="mw-page-title-main">Googie architecture</span> 20th-century American architectural style

Googie architecture is a type of futurist architecture influenced by car culture, jets, the Atomic Age and the Space Age. It originated in Southern California from the Streamline Moderne architecture of the 1930s, and was popular in the United States from roughly 1945 to the early 1970s.

Daddy Cool may refer to:

Why Do Fools Fall in Love may refer to:

Emotion, in psychology and common use, refers to the complex reaction of an organism to significant objects or events, with subjective, behavioral, physiological elements.

Ruben and the Jets was an American rock and roll band from Los Angeles, California. The band originated as an alias for The Mothers of Invention, Frank Zappa's band, to release Cruising with Ruben & the Jets (1968). Later, musician Rubén Guevara Jr. continued the band with his own lineup. Guevara's "Jets" recorded two albums, For Real! (1973) and Con Safos (1974).

<span class="mw-page-title-main">Doo Wop (That Thing)</span> 1998 single by Lauryn Hill

"Doo Wop (That Thing)" is a song by American rapper and singer Lauryn Hill from her debut solo studio album, The Miseducation of Lauryn Hill (1998). It was written and produced by Hill. The song was released as her solo debut and lead single from The Miseducation of Lauryn Hill on August 10, 1998, by Ruffhouse Records and Columbia Records. No commercial release was originally intended for the single in the US, but limited-quantity physical formats were issued two months later, on October 27.

"I Only Have Eyes for You" is a song by composer Harry Warren and lyricist Al Dubin. The song was written for the 1934 film Dames, in which it was performed by Dick Powell. Several other successful recordings of the song were made in 1934, and it later became a hit for the Flamingos in 1959 and Art Garfunkel in 1975.

<span class="mw-page-title-main">Gee (The Crows song)</span> 1953 single by The Crows

"Gee" is a song by American R&B and doo-wop group the Crows, released in June 1953. The song has been credited as the first rock and roll hit by a rock and roll group. It is a doo-wop song, written by William Davis and Viola Watkins, and recorded by the Crows on the independent label, Rama Records, at Beltone Studios in New York City in February 1953. It charted in April 1954, one year later. It took a year to get recognized on Your Hit Parade. It landed No. 2 on the rhythm and blues chart and No. 14 on the pop chart. It was the first 1950s doo-wop record to sell over one million records. Recorded on an independent label, it was one of the first such R&B records to crossover to the wider pop market. Some, including Jay Warner, consider it as the first of the "rock and roll records".

Charade or charades may refer to:

<span class="mw-page-title-main">Kenny Vance</span> American singer-songwriter

Kenny Vance is an American singer, songwriter, and music producer who was a founding member of Jay and the Americans. His career spans from the 1950s to today, with projects ranging from starting doo-wop groups to music supervising to creating solo albums.

Still of the Night or In the Still of the Night may refer to:

<span class="mw-page-title-main">Wildwoods Shore Resort Historic District</span> Historic district in The Wildwoods, New Jersey, United States

The Wildwoods Shore Resort Historic District, or Doo Wop Motel District, is an area in The Wildwoods, New Jersey, that was home to over 300 motels built during the Doo-Wop era of the 1950s and 1960s. Officially recognized as a historic district by the State of New Jersey, it lies primarily in the municipality of Wildwood Crest, along a two-mile stretch between Atlantic and Ocean avenues, and includes areas in Wildwood and North Wildwood. The term doo-wop was coined by Cape May's Mid-Atlantic Center for the Arts in the early 1990s to describe the unique, space-age architectural style, which is also referred to as the Googie or populuxe style.

<span class="mw-page-title-main">Caribbean Motel</span> United States historic place

The Caribbean Motel is a historic motel located in Wildwood Crest, New Jersey. It is located in the Wildwoods Shore Resort Historic District. The motel was built in 1957 in the Doo-Wop style by Lou Morey, whose family built many of the Wildwoods' original Doo Wop motels, for original owners Dominic and Julie Rossi. It was owned by the Rossi family until the early 1990s, when they sold it to multi-billionaire Mister Bolero.

<span class="mw-page-title-main">The Earth Angels</span> Spanish vocal group

The Earth Angels are a Spanish doo-wop vocal group from Barcelona, Catalonia which performs a cappella music. On tour, they also sing on city streets. The group formed in 2007, when bass-baritone Christian Carrasco announced that he was looking for a doo-wop singer and found lead vocalist Jordi Majó.

<i>Doo-Wops & Hooligans</i> 2010 studio album by Bruno Mars

Doo-Wops & Hooligans is the debut studio album by American singer-songwriter Bruno Mars. It was released on October 4, 2010, by Atlantic and Elektra Records and was made available to listen before its official release on September 24, 2010. After the release of the EP It's Better If You Don't Understand, Mars's writing and production team, the Smeezingtons, began working on the album with Needlz, Supa Dups and Jeff Bhasker as producers. The album title was chosen to reflect simplicity and appeal to both men and women.

<span class="mw-page-title-main">The Lazy Song</span> 2011 single by Bruno Mars

"The Lazy Song" is a song by American singer-songwriter Bruno Mars for his debut studio album, Doo-Wops & Hooligans (2010). It was serviced to contemporary hit radios in the United States on February 15, 2011, as the album's third single by Atlantic and Elektra. Development of "The Lazy Song" began while Mars, Philip Lawrence and Ari Levine were hanging around the studio and didn't feel like working. The trio produced the track under their alias, the Smeezingtons, and wrote the song in collaboration with rapper K'naan. Musically, "The Lazy Song" has been described as borrowing "heavily from roots reggae" and has been compared to the reggae style of Jason Mraz, while lyrically it is an anthem to laziness.

"Marry You" is a song by American singer and songwriter Bruno Mars from his debut studio album, Doo-Wops & Hooligans (2010). Written and produced by the Smeezingtons, it serves as the record's sixth track and was released as a single outside of the United States. "Marry You" is a pop, doo-wop and soul song. The recording focuses on spontaneous marriage and therefore, since its release, has frequently been used as a proposal song. "Marry You" received generally positive reviews from music critics, with some complimenting its production and its reminiscence of 1960s pop style. Some criticized a perceived lack of creativity.

"Count On Me" is a song by American singer-songwriter Bruno Mars from his debut studio album, Doo-Wops & Hooligans (2010). The song was first unveiled on Mars's debut extended play, It's Better If You Don't Understand (2010). It was serviced to Australian contemporary hit radio and adult contemporary radio on November 7, 2011, as the overall sixth and final single from the album. It was composed by Mars, Philip Lawrence, and Ari Levine, under their alias, the Smeezingtons. Musically, "Count On Me" is a folk and tropical record that lyrically details the importance of friendship and conveys a positive message.

A teenager is a person between the ages of 13 and 19.