Related Research Articles
Judy Chicago is an American feminist artist, art educator, and writer known for her large collaborative art installation pieces about birth and creation images, which examine the role of women in history and culture. During the 1970s, Chicago founded the first feminist art program in the United States at California State University, Fresno and acted as a catalyst for feminist art and art education. Her inclusion in hundreds of publications in various areas of the world showcases her influence in the worldwide art community. Additionally, many of her books have been published in other countries, making her work more accessible to international readers. Chicago's work incorporates a variety of artistic skills, such as needlework, counterbalanced with skills such as welding and pyrotechnics. Chicago's most well known work is "The Dinner Party", which is permanently installed in the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum. "The Dinner Party" celebrates the accomplishments of women throughout history and is widely regarded as the first epic feminist artwork. Other notable art projects by Chicago include International Honor Quilt, The Birth Project, Powerplay, and The Holocaust Project. She is represented by Jessica Silverman gallery and Salon 94 gallery.
Womanhouse was a feminist art installation and performance space organized by Judy Chicago and Miriam Schapiro, co-founders of the California Institute of the Arts (CalArts) Feminist Art Program and was the first public exhibition of Art centered upon female empowerment. Chicago, Schapiro, their students, and women artists from the local community, including Faith Wilding, participated. Chicago and Schapiro encouraged their students to use consciousness-raising techniques to generate the content of the exhibition. Together, the students and professors worked to build an environment where women's conventional social roles could be shown, exaggerated, and subverted.
Cyberfeminism is a feminist approach which foregrounds the relationship between cyberspace, the Internet, and technology. It can be used to refer to a philosophy, methodology or community. The term was coined in the early 1990s to describe the work of feminists interested in theorizing, critiquing, exploring and re-making the Internet, cyberspace and new-media technologies in general. The foundational catalyst for the formation of cyberfeminist thought is attributed to Donna Haraway's "A Cyborg Manifesto", third wave feminism, post-structuralist feminism, riot grrrl culture and the feminist critique of the alleged erasure of women within discussions of technology.
Black feminism, also known as Afro-feminism chiefly outside the United States, is a branch of feminism that centers around women of color.
Faith Wilding is a Paraguayan American multidisciplinary artist - which includes but is not limited to: watercolor, performance art, writing, crocheting, knitting, weaving, and digital art. She is also an author, educator, and activist widely known for her contribution to the progressive development of feminist art. She also fights for ecofeminism, genetics, cyberfeminism, and reproductive rights. Wilding is Professor Emerita of performance art at the School of the Art Institute of Chicago.
Arlene Raven was a feminist art historian, author, critic, educator, and curator. Raven was a co-founder of numerous feminist art organizations in Los Angeles in the 1970s.
A.I.R. Gallery is the first all female artists cooperative gallery in the United States. It was founded in 1972 with the objective of providing a professional and permanent exhibition space for women artists during a time in which the works shown at commercial galleries in New York City were almost exclusively by male artists. A.I.R. is a not-for-profit, self-underwritten arts organization, with a board of directors made up of its New York based artists. The gallery was originally located in SoHo at 97 Wooster Street, and was located on 111 Front Street in the DUMBO neighborhood of Brooklyn until 2015. In May 2015, A.I.R. Gallery moved to its current location at 155 Plymouth St, Brooklyn, NY 11201.
The feminist art movement in the United States began in the early 1970s and sought to promote the study, creation, understanding and promotion of women's art. First-generation feminist artists include Judy Chicago, Miriam Schapiro, Suzanne Lacy, Judith Bernstein, Sheila de Bretteville, Mary Beth Edelson, Carolee Schneeman, Rachel Rosenthal, and many other women. They were part of the Feminist art movement in the United States in the early 1970s to develop feminist writing and art. The movement spread quickly through museum protests in both New York and Los Angeles, via an early network called W.E.B. that disseminated news of feminist art activities from 1971 to 1973 in a nationally circulated newsletter, and at conferences such as the West Coast Women's Artists Conference held at California Institute of the Arts and the Conference of Women in the Visual Arts, at the Corcoran School of Art in Washington, D.C..
The Furies Collective was a short-lived commune of twelve young lesbian separatists in Washington, D.C., in 1971 and 1972. They viewed lesbianism as more political than sexual, and declared heterosexual women to be an obstacle to the world revolution they sought. Their theories are still acknowledged among feminist groups.
SOHO20 Artists, Inc., known as SOHO20 Gallery, was founded in 1973 by a group of women artists intent on achieving professional excellence in an industry where there was a gross lack of opportunities for women to succeed. SOHO20 was one of the first galleries in Manhattan to showcase the work of an all-woman membership and most of the members joined the organization as emerging artists. These artists were provided with exhibition opportunities that they could not find elsewhere.
subRosa is a cyberfeminist organization led by artists Faith Wilding and Hyla Willis.
"Where We At" Black Women Artists, Inc. (WWA) was a collective of Black women artists affiliated with the Black Arts Movement of the 1960s and 1970s. It included artists such as Dindga McCannon, Kay Brown, Faith Ringgold, Carol Blank, Jerri Crooks, Charlotte Kâ (Richardson), and Gylbert Coker. Where We At was formed in the spring of 1971, in the wake of an exhibition of the same name organized by 14 Black women artists at the Acts of Art Gallery in Greenwich Village. Themes such as the unity of the Black family, Black female independence and embodiment, Black male-female relationships, contemporary social conditions, and African traditions were central to the work of the WWA artists. The group was intended to serve as a source of empowerment for African-American women, providing a means for them to control their self-representation and to explore issues of Black women's sensibility and aesthetics. Like AfriCobra, a Chicago-based Black Arts group, the WWA was active in fostering art within the African-American community and using it as a tool of awareness and liberation. The group organized workshops in schools, jails and prisons, hospitals, and cultural centers, as well as art classes for youth in their communities.
Nancy Buchanan is a Los Angeles-based artist best known for her work in installation, performance, and video art. She played a central role in the feminist art movement in Los Angeles in the 1970s. Her work has been exhibited widely and is collected by major museums including the Museum of Modern Art and the Centre Pompidou.
New York Feminist Art Institute (NYFAI) was founded in 1979 by women artists, educators and professionals. NYFAI offered workshops and classes, held performances and exhibitions and special events that contributed to the political and cultural import of the women's movement at the time. The women's art school focused on self-development and discovery as well as art. Nancy Azara introduced "visual diaries" to artists to draw and paint images that arose from consciousness-raising classes and their personal lives. In the first half of the 1980s the school was named the Women's Center for Learning and it expanded its artistic and academic programs. Ceres Gallery was opened in 1985 after the school moved to TriBeCa and, like the school, it catered to women artists. NYFAI participated in protests to increase women's art shown at the Museum of Modern Art, The Whitney Museum of American Art and other museums. It held exhibitions and workshops and provided rental and studio space for women artists. Unable to secure sufficient funding to continue its operations, NYFAI closed in 1990. Ceres Gallery moved to SoHo and then to Chelsea and remained a gallery for women's art. However, a group continues to meet called (RE)PRESENT, a series of intergenerational dialogues at a NYC gallery to encourage discussion across generations about contemporary issues for women in the arts. It is open to all.
The Feminist Art Program (FAP) was a college-level art program for women developed in 1970 by artist Judy Chicago and continued by artists Rita Yokoi, Miriam Schapiro, and others. The FAP began at Fresno State College, as a way to address gender inequities in art education, and the art world in general. In 1971, Judy Chicago and Miriam Schapiro brought the FAP to the newly formed California Institute of the Arts, leaving Rita Yokoi to run the Fresno FAP until her retirement in 1992. The FAP at California Institute of the Arts was active until 1976. The students in the Feminist Art Program read women writers, studied women artists, and made art about being a woman based on group consciousness raising sessions. Often, the program was separate from the rest of the art school to allow the women to develop in a greenhouse-like environment and away from discerning critiques. While the separatist ideology has been critiqued as reinforcing gender, the FAP has made a lasting impression on feminist art which can be seen in retrospectives, group exhibitions, and creative re-workings of the original projects.
Merion Estes is a Los Angeles-based painter. She earned a B.F.A. at the University of New Mexico, in Albuquerque, and an M.F.A. at the University of Colorado, in Boulder. Estes was raised in San Diego from the age of four. She moved to Los Angeles in 1972 and first showed her work at the Woman's Building in Los Angeles. As a founding member of Grandview 1 & 2, she was involved in the beginnings of Los Angeles feminist art organizations including Womanspace, and the feminist arts group "Double X," along with artists Judy Chicago, Nancy Buchanan, Faith Wilding, and Nancy Youdelman. In 2014, Un-Natural, which was shown at the Los Angeles Municipal Art Gallery in Los Angeles and included Estes' work, was named one of the best shows in a non-profit institution in the United States by the International Association of Art Critics.
Nancy Youdelman is a mixed media sculptor who lives and works in Clovis, California. She also taught art at California State University, Fresno from 1999 until her retirement in 2013. "Since the early 1970s Youdelman has been transforming clothing into sculpture, combining women's and girl's dresses, hats, gloves, shoes, and undergarments with a variety of organic materials and common household objects.
Karen LeCocq is an American artist. She is a nationally-known sculptor whose work combines organic materials and found objects.
Women Artists in Revolution (WAR) was a New York City-based collective of American women artists and activists that formed in 1969. They seceded from the male-dominated Art Workers' Coalition (AWC), prompted by the Whitney Museum of American Art's 1969 Annual (later the Whitney Biennial), which included only eight women out of the 143 featured artists shown.
References
- ↑ "Chapman University Revisits the F Word – OC Weekly". www.ocweekly.com. Retrieved 2023-04-14.
- Wilding, Faith. By Our Own Hands: The Women Artist's Movement in Southern California, 1971-76.