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| Drei Mann auf einem Pferd | |
|---|---|
| Directed by | Kurt Meisel |
| Written by | |
| Produced by | Kurt Ulrich (producer) |
| Starring | See below |
| Cinematography | Kurt Hasse |
| Edited by | Wolfgang Wehrum |
| Music by | Michael Jary |
Release date |
|
Running time | 90 minutes |
| Country | West Germany |
| Language | German |
Drei Mann auf einem Pferd is a 1957 West German film directed by Kurt Meisel.
A man has discovered a fail-proof way of betting on the winning horse in any race. There is only one catch: He must never be the person to place the bet.
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Nadja Tiller was an Austrian actress in film, television, and on stage. She was one of the most popular German-speaking actresses in the international cinema of the 1950s and 1960s, receiving international recognition when she played the title role in the 1958 film Das Mädchen Rosemarie (Rosemary) in 1958, shown at the Venice Film Festival. It opened the way to international films. She often played alongside her husband, Walter Giller.
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Events in the year 1950 in West Germany and East Germany.
This is a list of German television related events from 1957.
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This is a list of German television related events from 1984.
Love on Ice is a 1950 West German romance film directed by Kurt Meisel and starring Margot Hielscher, Kurt Meisel and Hannelore Bollmann. It also features the ice hockey teams SC Riessersee and EV Füssen. It was shot at the Bavaria Studios in Munich. The film's sets were designed by the art directors Robert Herlth, Max Mellin and Willy Schatz.
Kurt Attinger was a Swiss curler. He played lead position on the Swiss rink that won the 1984 European Curling Championships and a silver medal at the 1984 World Men's Championship.
The Governor is a 1939 German drama film directed by Viktor Tourjansky and starring Brigitte Horney, Willy Birgel and Hannelore Schroth. It is based on the play Die Fahne by Emmerich Groh. It was shot at the Babelsberg and Tempelhof Studios in Berlin and on location in East Prussia. The film's sets were designed by the art director Max Mellin. It was produced on a budget of 715,000 Reichsmarks.