Francis Beaumont was a dramatist in the English Renaissance theatre, most famous for his collaborations with John Fletcher.
Beaumont and Fletcher were the English dramatists Francis Beaumont and John Fletcher, who collaborated in their writing during the reign of James I (1603–25).
The Red Bull was an inn-yard conversion erected in Clerkenwell, London operating in the 17th century. For more than four decades, it entertained audiences drawn primarily from the City and its suburbs, developing a reputation over the years for rowdiness. After Parliament closed the theatres in 1642, it continued to host illegal performances intermittently, and when the theatres reopened after the Restoration, it became a legitimate venue again. There is a myth that it burned down in the Great Fire of London but the direct reason for its end is unclear.
John Fletcher (1579–1625) was a Jacobean playwright. Following William Shakespeare as house playwright for the King's Men, he was among the most prolific and influential dramatists of his day; during his lifetime and in the early Restoration, his fame rivalled Shakespeare's. He collaborated on writing plays with Francis Beaumont, and also with Shakespeare on two plays.
Thieves' cant was a cant, cryptolect, or argot which was formerly used by thieves, beggars and hustlers of various kinds in Great Britain and to a lesser extent in other English-speaking countries. It is now mostly obsolete, and is largely relegated to the realm of literature and fantasy role-playing, although individual terms continue to be used in the criminal subcultures of both Britain and the United States. Its South German and Swiss equivalent is the Rotwelsch, its Dutch equivalent is Bargoens and the Serbo-Croatian equivalent is Šatrovački.
Gerard Langbaine was an English dramatic biographer and critic, best known for his An Account of the English Dramatic Poets (1691), the earliest work to give biographical and critical information on the playwrights of English Renaissance theatre. He is sometimes called Junior or the Younger to distinguish him from his father (1609–58) of the same name, a Doctor of Divinity who was Provost of Queens College, Oxford (1646–58) and Keeper of the University Archives.
Francis Kirkman appears in many roles in the English literary world of the second half of the seventeenth century, as a publisher, bookseller, librarian, author and bibliographer. In each he is an enthusiast for popular literature and a popularising businessman, described by one modern editor as "hovering on the borderline of roguery".
Cupid's Revenge is a Jacobean tragedy written by Francis Beaumont and John Fletcher. It was a popular success that influenced subsequent works by other authors.
The Beaumont and Fletcher folios are two large folio collections of the stage plays of John Fletcher and his collaborators. The first was issued in 1647, and the second in 1679. The two collections were important in preserving many works of English Renaissance drama.
Philaster, or Love Lies a-Bleeding is an early Jacobean era stage play, a tragicomedy written by Francis Beaumont and John Fletcher. One of the duo's earliest successes, the play helped to establish the trend for tragicomedy that was a powerful influence in early Stuart-era drama.
The Humorous Lieutenant, also known as The Noble Enemies, Demetrius and Enanthe, or Alexander's Successors, is a Jacobean era stage play, a tragicomedy written by John Fletcher. Highly praised by critics, it has been called "Fletcher's best comedy."
Wit Without Money is a Jacobean era stage play, a comedy written by John Fletcher, and first published in 1639.
Beggars' Bush is a Jacobean era stage play, a comedy in the canon of John Fletcher and his collaborators that is a focus of dispute among scholars and critics.
The Scornful Lady is a Jacobean era stage play, a comedy written by Francis Beaumont and John Fletcher, and first published in 1616, the year of Beaumont's death. It was one of the pair's most popular, often revived, and frequently reprinted works.
The Noble Gentleman is a Jacobean era stage play, a comedy in the canon of John Fletcher and his collaborators that was first published in the first Beaumont and Fletcher folio of 1647. It is one of the plays in Fletcher's canon that presents significant uncertainties about its date and authorship.
Monsieur Thomas is a Jacobean era stage play, a comedy written by John Fletcher that was first published in 1639.
The Chances is a Jacobean era stage play, a comedy written by John Fletcher. It was one of Fletcher's great popular successes, "frequently performed and reprinted in the eighteenth and nineteenth centuries."
The Wits is a Caroline era stage play, a comedy by Sir William Davenant. It was licensed for performance by Sir Henry Herbert, the Master of the Revels, on 19 January 1634; it was staged by the King's Men at the Blackfriars Theatre. It was first published in quarto by Richard Meighen in 1636. A number of critics have considered it "Davenant's most successful and influential comedy."
Robert Cox was a seventeenth-century English actor, best known for creating and performing the "drolls" that were a permitted form of dramatic entertainment during the English Civil War and the Interregnum, when theatres were officially closed and standard plays were not allowed.
William Pinkethman(also Penkethman, Pinkeman, Pinkerman, etc.; nicknamed Pinkey) (c.1660–1725) was an English comic actor, a low comedian with a droll style, and theatre manager. He was considered an imitator of Anthony Leigh.
