Ecomasculinity

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Ecomasculinity is a complementary field of thought to ecofeminism. While ecofeminism has traditionally focused on studying issues such as how the exploitation of women and women's bodies is congruent with the exploitation of nature, ecomasculinity studies men's role in this process and looks for ways to enable men to take on roles that would challenge exploitative thought patterns and practices. As an academic field, early work on ecomasculinity has been carried on by the likes of Richard Twine, Paul Pulé, and Greta Gaard.

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Dominator culture refers to a model of society where fear and force maintain rigid understandings of power and superiority within a hierarchical structure. Futurist and writer Riane Eisler first popularized this term in her book The Chalice and the Blade. In it, Eisler positions the dominator model in contrast to the partnership model, a more egalitarian structure of society founded on mutual respect among its inhabitants. In dominator culture, men rule over women, whereas partnership culture values men and women equally.

<span class="mw-page-title-main">Masculinity</span> Attributes associated with boys and men

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Socialist feminism rose in the 1960s and 1970s as an offshoot of the feminist movement and New Left that focuses upon the interconnectivity of the patriarchy and capitalism. However, the ways in which women's private, domestic, and public roles in society has been conceptualized, or thought about, can be traced back to Mary Wollstonecraft's A Vindication of the Rights of Woman (1792) and William Thompson's utopian socialist work in the 1800s. Ideas about overcoming the patriarchy by coming together in female groups to talk about personal problems stem from Carol Hanisch. This was done in an essay in 1969 which later coined the term 'the personal is political.' This was also the time that second wave feminism started to surface which is really when socialist feminism kicked off. Socialist feminists argue that liberation can only be achieved by working to end both the economic and cultural sources of women's oppression.

Ecocomposition is a way of looking at literacy using concepts from ecology. It is a postprocess theory of writing instruction that tries to account for factors beyond hierarchically defined goals within social settings; however, it does not dismiss these goals. Rather, it incorporates them within an ecological view that extends the range of factors affecting the writing process beyond the social to include aspects such as "place" and "nature." Its main motto, then, is "Writing Takes Place".

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In the early 1960s, an interest in women and their connection with the environment was sparked, largely by a book written by Esther Boserup entitled Woman's Role in Economic Development. Starting in the 1980s, policy makers and governments became more mindful of the connection between the environment and gender issues. Changes began to be made regarding natural resource and environmental management with the specific role of women in mind. According to the World Bank in 1991, "Women play an essential role in the management of natural resources, including soil, water, forests and energy...and often have a profound traditional and contemporary knowledge of the natural world around them". Whereas women were previously neglected or ignored, there was increasing attention paid to the impact of women on the natural environment and, in return, the effects the environment has on the health and well-being of women. The gender-environment relations have valuable ramifications in regard to the understanding of nature between men and women, the management and distribution of resources and responsibilities, and the day-to-day life and well-being of people.

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<span class="mw-page-title-main">Ariel Salleh</span> Australian sociologist

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Holy Virility: The Social Construction of Masculinity is a 1981 book by Emmanuel Reynaud.

Uchechukwu Peter Umezurike, also known as Uche Peter Umez, is a Nigerian author and academic currently working as an assistant professor of English at the University of Calgary. In addition to publishing several works of children’s fiction, short fiction, and poetry, his academic research draws from gender studies and critical race theory to analyze African, African diaspora, postcolonial, and global literatures as well as film.

Marti Kheel was a vegan ecofeminist activist scholar credited with founding Feminists for Animal Rights (FAR) in California in 1982. She authored several books in deep ecology and ecofeminism, including Nature Ethics: An Ecofeminist Perspective and several widely cited articles in college courses and related scholarship, such as "The Liberation of Nature: A Circular Affair", "From Heroic to Holistic Ethics: The Ecofeminist Challenge", and "From Healing Herbs to Deadly Drugs: Western Medicine's War Against the Natural World". She was a long-time vegan in diet, lifestyle, and philosophical commitments, working out her understanding of its implications in every area of our human relationships with nature and its constituents, and she found a wide audience for those deep reflections. Reportedly, she had pursued a raw vegan diet later in her life. Her pioneering scholarship in ecofeminist ethics is foundational for continuing work in these fields.

<span class="mw-page-title-main">Ecofeminism</span> Approach to feminism influenced by ecologist movement

Ecofeminism is a branch of feminism and political ecology. Ecofeminist thinkers draw on the concept of gender to analyse the relationships between humans and the natural world. The term was coined by the French writer Françoise d'Eaubonne in her book Le Féminisme ou la Mort (1974). Ecofeminist theory asserts a feminist perspective of Green politics that calls for an egalitarian, collaborative society in which there is no one dominant group. Today, there are several branches of ecofeminism, with varying approaches and analyses, including liberal ecofeminism, spiritual/cultural ecofeminism, and social/socialist ecofeminism. Interpretations of ecofeminism and how it might be applied to social thought include ecofeminist art, social justice and political philosophy, religion, contemporary feminism, and poetry.

<span class="mw-page-title-main">Ecofeminist art</span> Artistic practices grounded in ecology

Ecofeminist art emerged in the 1970s in response to ecofeminist philosophy, that was particularly articulated by writers such as Carolyn Merchant, Val Plumwood, Donna Haraway, Starhawk, Greta Gaard, Karen J. Warren, and Rebecca Solnit. Those writers emphasized the significance of relationships of cultural dominance and ethics expressed as sexism (Haraway), spirituality (Starhawk), speciesism, capitalist values that privilege objectification and the importance of vegetarianism in these contexts (Gaard). The main issues Ecofeminism aims to address revolve around the effects of a "Eurocentric capitalist patriarchal culture built on the domination of nature, and the domination of woman 'as nature'. The writer Luke Martell in the Ecology and Society journal writes that 'women' and 'nature' are both victims of patriarchal abuse and "ideological products of the Enlightenment culture of control." Ecofeminism argues that we must become a part of nature, living with and among it. We must recognize that nature is alive and breathing and work against the passivity surrounding it that is synonymous with the passive roles enforced upon women by patriarchal culture, politics, and capitalism.

Vegetarian ecofeminism is an activist and academic movement which states that all types of oppression are linked and must be eradicated, with a focus on including the domination of humans over nonhuman animals. Through the feminist concept known as intersectionality, it is recognized that sexism, racism, classism, and other forms of inter human discrimination are all connected. Vegetarian ecofeminism aims to include the domination of not only the environment but also of nonhuman animals to the list. Vegetarian ecofeminism is part of the academic and philosophical field of ecofeminism, which states that the ways in which the privileged dominates the oppressed should include the way humans dominate nature. A major theme within ecofeminism is the belief that there is a strong connection between the domination of women and the domination of nature, and that both must be eradicated in order to end oppression.

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Ecofeminism generally is based on the understanding that gender as a concept is the basis of the human-environment relationships. Studies suggest that there's a difference between men and women when it comes to how they treat nature, for instance, women are known to be more involved with environmentally friendly behaviors. Socially there's an important claim in the ecofeminism theoretical framework that the patriarchy is linked to discrimination against women and the degradation of the environment. In Canada the United Nations Special Rapporteur on Human Rights and Toxics in 2020 shows that ineffective environmental management and mismanagement of hazardous waste is affecting different age groups, genders, and socioeconomic status in different ways, while three years before that, Canadian Human Rights Commission in 2017 submitted another report, warning the government about how the exposure to environmental hazards is a different experience for minorities in Canada. There have been ecofeminist movements for decades all over Canada such as Mother's Milk Project, protests against Uranium mining in Nova Scotia, and the Clayoquot Sound Peace Camp. Ecofeminism has also appeared as a concept in the media, such as books, publications, movies, and documentaries such as the MaddAddam trilogy by Margaret Atwood and Fury for the Sound: the women at Clayoquot by Shelley Wine. Ecofeminism in the Canadian context has been subject to criticism, especially by the Indigenous communities as they call it cultural appropriation, non-inclusive, and inherent in colonial worldviews and structures.

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