Ancient Egypt was a civilization in Northeast Africa situated in the Nile Valley. Ancient Egyptian civilization followed prehistoric Egypt and coalesced around 3100 BC with the political unification of Upper and Lower Egypt under Menes. The history of ancient Egypt occurred as a series of stable kingdoms, separated by periods of relative instability known as Intermediate Periods: the Old Kingdom of the Early Bronze Age, the Middle Kingdom of the Middle Bronze Age and the New Kingdom of the Late Bronze Age.
A pyramid is a structure whose outer surfaces are triangular and converge to a single step at the top, making the shape roughly a pyramid in the geometric sense. The base of a pyramid can be trilateral, quadrilateral, or of any polygon shape. As such, a pyramid has at least three outer triangular surfaces. The square pyramid, with a square base and four triangular outer surfaces, is a common version.
In art history, literature and cultural studies, Orientalism is the imitation or depiction of aspects in the Eastern world. These depictions are usually done by writers, designers, and artists from the Western world. In particular, Orientalist painting, depicting more specifically the Middle East, was one of the many specialisms of 19th-century academic art, and the literature of Western countries took a similar interest in Oriental themes.
Egyptology is the study of ancient Egyptian history, language, literature, religion, architecture and art from the 5th millennium BC until the end of its native religious practices in the 4th century AD. A practitioner of the discipline is an "Egyptologist". In Europe, particularly on the Continent, Egyptology is primarily regarded as being a philological discipline, while in North America it is often regarded as a branch of archaeology.
Afrocentrism is an approach to the study of world history that focuses on the history of people of recent African descent. It is in some respects a response to Eurocentric attitudes about African people and their historical contributions. It seeks to counter what it sees as mistakes and ideas perpetuated by the racist philosophical underpinnings of Western academic disciplines as they developed during and since Europe's Early Renaissance as justifying rationales for the enslavement of other peoples, in order to enable more accurate accounts of not only African but all people's contributions to world history. Afrocentricity deals primarily with self-determination and African agency and is a pan-African point of view for the study of culture, philosophy, and history.
Sir Grafton Elliot Smith was an Australian-British anatomist, Egyptologist and a proponent of the hyperdiffusionist view of prehistory. He believed in the idea that cultural innovations occur only once and that they spread geographically. Based on this, he traced the origins of many cultural and traditional practices across the world, including the New World, to ideas that he believed came from Egypt and in some instances from Asia. An expert on brain anatomy, he was one of the first to study Egyptian mummies using radiological techniques. He took an interest in extinct humanoids and was embroiled in controversy over the authenticity of the Piltdown Man.
Egyptian Revival is an architectural style that uses the motifs and imagery of ancient Egypt. It is attributed generally to the public awareness of ancient Egyptian monuments generated by Napoleon's conquest of Egypt and Admiral Nelson's defeat of the French Navy at the Battle of the Nile in 1798. Napoleon took a scientific expedition with him to Egypt. Publication of the expedition's work, the Description de l'Égypte, began in 1809 and was published as a series through 1826. The size and monumentality of the façades discovered during his adventure cemented the hold of Egyptian aesthetics on the Parisian elite. However, works of art and architecture in the Egyptian style had been made or built occasionally on the European continent since the time of the Renaissance.
Robert Brier is an American Egyptologist specializing in paleopathology. A senior research fellow at Long Island University/LIU Post, he has researched and published on mummies and the mummification process and has appeared in many Discovery Civilization, TLC Network, and National Geographic documentaries, primarily on ancient Egypt.
My Bondage and My Freedom is an autobiographical slave narrative written by Frederick Douglass and published in 1855. It is the second of three autobiographies written by Douglass, and is mainly an expansion of his first, Narrative of the Life of Frederick Douglass, an American Slave. The book depicts in greater detail his transition from bondage to liberty. Following this liberation, Douglass went on to become a prominent abolitionist, speaker, author, and advocate for women's rights.
Egypt has had a legendary image in the Western world through the Greek and Hebrew traditions. Egypt was already ancient to outsiders, and the idea of Egypt has continued to be at least as influential in the history of ideas as the actual historical Egypt itself. All Egyptian culture was transmitted to Roman and post-Roman European culture through the lens of Hellenistic conceptions of it, until the decipherment of Egyptian hieroglyphics by Jean-François Champollion in the 1820s rendered Egyptian texts legible, finally enabling an understanding of Egypt as the Egyptians themselves understood it.
The question of the race of ancient Egyptians was raised historically as a product of the early racial concepts of the 18th and 19th centuries, and was linked to models of racial hierarchy primarily based on craniometry and anthropometry. A variety of views circulated about the racial identity of the Egyptians and the source of their culture. Some scholars argued that ancient Egyptian culture was influenced by other Afroasiatic-speaking populations in North Africa, the Horn of Africa or the Middle East, while others pointed to influences from various Nubian groups or populations in Europe. In more recent times some writers continued to challenge the mainstream view, some focusing on questioning the race of specific notable individuals such as the king represented in the Great Sphinx of Giza, native Egyptian pharaoh Tutankhamun, Egyptian Queen Tiye, and Greek Ptolemaic queen Cleopatra VII.
Revivalism in architecture is the use of visual styles that consciously echo the style of a previous architectural era. Notable revival styles include Neoclassical architecture, and Gothic Revival. Revivalism is related to historicism.
"Lot No. 249" is a Gothic horror short story by British writer Arthur Conan Doyle, first published in Harper's Magazine in 1892. The story tells of a University of Oxford athlete named Abercrombie Smith who notices a strange series of events surrounding Edward Bellingham, an Egyptology student who owns many ancient Egyptian artefacts, including a mummy. After seeing his mummy disappear and reappear, and two instances of Bellingham's enemies getting attacked, Smith concludes that Bellingham is reanimating his mummy. Smith confronts Bellingham, who denies this is the case; the next day, Smith is attacked by the mummy and escapes. Smith then forces Bellingham to destroy his mummy and the associated artefacts at gunpoint.
Egyptian revival decorative arts is a style in Western art, mainly of the early nineteenth century, in which Egyptian motifs were applied to a wide variety of decorative arts objects.
Egypt has a long and involved demographic history. This is partly due to the territory's geographical location at the crossroads of several major cultural areas: North Africa, the Middle East, the Mediterranean and Sub-Saharan Africa. In addition, Egypt has experienced several invasions and being part of many regional empires during its long history, including by the Canaanites, the Ancient Libyans, the Assyrians, the Kushites, the Persians, the Greeks, the Romans, and the Arabs.
The Twenty-fifth Dynasty of Egypt, also known as the Nubian Dynasty, the Kushite Empire, the Black Pharaohs, or the Napatans, after their capital Napata, was the last dynasty of the Third Intermediate Period of Egypt that occurred after the Nubian invasion.
Christiane Ziegler, is a French Egyptologist, curator, director emeritus of the Department of Egyptian Antiquities of the Louvre Museum and editorial director of the archaeological mission from the Louvre Museum at Saqqara, Egypt.
Cleopatra and Caesar, also known as Cleopatra Before Caesar, is an oil on canvas painting by the French Academic artist Jean-Léon Gérôme, completed in 1866. The work was originally commissioned by the French courtesan La Païva, but she was unhappy with the finished painting and returned it to Gérôme. It was exhibited at the Salon of 1866 and the Royal Academy of Arts in 1871.
Egypt–Mesopotamia relations were the relations between the civilisations of ancient Egypt and Mesopotamia, in the Middle East. They seem to have developed from the 4th millennium BCE, starting in the Uruk period for Mesopotamia and the half a millennium younger Gerzean culture of Prehistoric Egypt, and constituted a largely one way body of influences from Mesopotamia into Egypt.
Hoteps are a subculture of African Americans who use Ancient Egypt as a source of black pride. The community is Afrocentrist and it has also been described as promoting a false history. One of the group's more recognizable beliefs is the theory that the Ancient Egyptians were a racially homogeneous civilization which was uniformly made up of a single ethnic group of Black people, as opposed to the more accepted theory that the Ancient Egyptians were an extremely diverse society, consisting of people who were indigenous to the Egyptian Nile valley, ethnic groups that lived in the desert, Libyans, Sudanese, and eventually Greeks and Arabs after conquests.
