This article needs additional citations for verification .(December 2010) |
Either/Orchestra | |
---|---|
Origin | Cambridge, Massachusetts, United States |
Genres | |
Years active | 1985–present |
Labels | Accurate Records, Buda Musique |
Past members | John Medeski, Josh Roseman, Matt Wilson, Miguel Zenón, Jaleel Shaw, Curtis Hasselbring, John Carlson, Andrew D'Angelo, Jerome Deupree, Michael Rivard |
The Either/Orchestra (E/O) is a jazz group formed by Russ Gershon in Cambridge, Massachusetts, US, in 1985. E/O is configured as a "small big band", with three saxes, two trumpets and one or two trombones. E/O's is characterized by a heavier and more orchestrated sound than that of a smaller jazz combo, but remains more streamlined and improvisation-oriented than most big bands.
Drawing on leader Gershon's experience on the Boston rock scene coupled with the diverse musical backgrounds of its members, the outlines of the Either/Orchestra were influenced by Duke Ellington, Gil Evans, Charles Mingus, and Sun Ra. The group also makes significant references to pop and rock, and along the full range of jazz styles ranging from early jazz through the avant-garde. This broad collection of influences is reflected by the (non-original) compositions recorded by the band over the years: "Doxy" (Sonny Rollins), "Brilliant Corners", "Nutty" (Thelonious Monk), "Lady's Blues" (Rahsaan Roland Kirk), Odwallah (Roscoe Mitchell), Willow Weep for Me (Ann Ronell), Circle in the Round (Miles Davis), "I Got it Bad", "In a Sentimental Mood", "Timon of Athens" (Ellington), "Red" (Robert Fripp), "Ode to Billie Joe" (Bobbie Gentry), "Lay Lady Lay" (Bob Dylan), "I Want You/She's So Heavy" (Lennon–McCartney). The group's repertoire has also included original compositions by Gershon, Nieske, Hasselbring and others.
In the All-Music Guide, Dave Lynch writes that the E/O performs
"engagingly idiosyncratic large-ensemble jazz while serving as a formative workshop for musicians who have received significant popular and critical recognition in their post-E/O careers... [the] Either/Orchestra revels in delivering the unexpected and is forever throwing curves at the listener. While deftly mixing idioms, E/O consistently meets the expectations of the best large-ensemble jazz; the band's members solo with both passion and skill, navigate complex charts, and swing with abandon." [1]
The Cambridge Public Library was the location of the first E/O concert, on December 17, 1985. The group began playing regularly around the Boston area, and then distinguished itself from most other American jazz ensembles by emulating indie rock bands and making a number of lengthy van tours around the US and Canada in the late 1980s and early 1990s, playing many "non-jazz" venues. Band member (1988–1990) John Medeski, who later co-founded Medeski Martin & Wood, has cited this experience as a model for the latter band's grass roots barnstorming. Leader Gershon planned this strategy in an effort to recreate the working conditions of the earlier jazz big-bands, feeling that this was the best way to achieve an organic and contemporary sound with a large group, and to hone the music by playing for a variety of audiences. In recent years, the group has toured more selectively, performing in the Netherlands, Finland, Sweden, Russia, Italy, Portugal, Ethiopia and Uganda. It has been estimated that the Either/Orchestra has performed more than 1,000 concerts.
Due to the size and longevity of the group, even with an average tenure of over four years there have been close to fifty band members. Only Gershon and trumpeter Tom Halter have remained throughout. Early members included Jerome Deupree, Michael Rivard, Dave Ballou, Josh Roseman, Russell Jewell, Robb Rawlings, Steve Norton, Kenny Freundlich and John Dirac. Middle period members include John Medeski, Matt Wilson , Charlie Kohlhase , Curtis Hasselbring, Andrew d'Angelo, Douglas Yates, John Carlson, Dave Shrake, Dan Fox, and Bob Nieske. Later members included Miguel Zenón, Jaleel Shaw, Dan Kaufman, Greg Burk, Colin Fisher and Rick McLaughlin, Surinamese drummer Harvey Wirht and Vicente Lebron, a Dominican conguero whose presence strengthened the Latin influence in the group's sound. The band has collaborated with singers Mark Sandman and Judy Kuhn, and saxophonist/composer John Tchicai, along with a number of Ethiopian musicians, including Mulatu Astatke and singer Hana Shenkute.
The E/O began performing original arrangements of Ethiopian songs, inspired by a compilation called Ethiopian Groove: the Golden 70s. In 2000, after three of these songs appeared on the album More Beautiful than Death, Francis Falceto, the producer of Ethiopian Groove, contacted Gershon and eventually arranged an invitation for the E/O to play at the Ethiopian Music Festival in Addis Ababa in 2004. Along with Indo-British singer Susheela Raman the same year, the E/O was the first non-Ethiopian artist to appear in the festival, and was the first US big band to appear in Ethiopia since Duke Ellington's in 1973. Their concert at the festival was recorded and ultimately appeared in Falceto's Ethiopiques series on the French Buda Musique label. Five Ethiopian guests appear on the recording: Mulatu Astatke, Getatchew Mekurya, Tsedenia Markos, Bahta Hewet and Michael Belayneh. This tour and recording have led to an ongoing collaboration with Astatke, the primary founder of Ethiopian jazz, concerts with Ethiopian expatriates singer Hana Shenkute, krar player Minale Dagnew, masinko player Setegn Atanaw, and the great Ethiopian singer Mahmoud Ahmed with whom E/O released a DVD in 2007. Mahmoud Ahmed and fellow legendary Ethiopian singer Alemayehu Eshete played Lincoln Center Out of Doors in 2008 backed by E/O. The group debuted a collaboration with vocalist Teshome Mitiku in the summer of 2010, including a headlining appearance at the Chicago Jazz Festival.
Ethiopian music is a term that can mean any music of Ethiopian origin, however, often it is applied to a genre, a distinct modal system that is pentatonic, with characteristically long intervals between some notes.
Tilahun Gessesse was an Ethiopian singer regarded as one of the most popular Ethiopian artist of the 20th century. Noted by his tenor voice, he was nicknamed "The Voice" during his country's "Golden Age" in the 1960s. Tilahun was an eminent singer whose works are attributed legacy to Ethiopian music. Besides his popularity, he raised money for aid during the famines of the 1970s and 1980s and earned the affection of the nation, being awarded a doctorate degree by the Addis Ababa University and also winning a lifetime achievement award from the Ethiopian Fine Art and Mass Media Prize Trust.
Amha Records was an Ethiopian record label founded by Amha Eshete. The company released 103 singles and 12 albums between 1969 and 1975.
Éthiopiques is a series of compact discs featuring Ethiopian singers and musicians. Many of the CDs compile songs from various singles and albums that Amha Records, Kaifa Records and Philips-Ethiopia released during the 1960s and 1970s in Ethiopia. Prominent singers and musicians from this era appearing on Éthiopiques releases include Alemayehu Eshete, Asnaketch Worku, Mahmoud Ahmed, Mulatu Astatke and Tilahun Gessesse. However, some other releases contain new recordings.
Kaifa Records was an Ethiopian record label. It released 53 records between 1973 and 1977. Ali Abdella Kaifa, better known as Ali Tango, managed the company.
Mulatu Astatke is an Ethiopian musician and arranger considered as the father of "Ethio-jazz".
Mahmoud Ahmed is an Ethiopian singer. He gained great popularity in Ethiopia in the 1970s and among the Ethiopian diaspora in the 1980s, before rising to international fame with African music fans in Europe and the Americas.
Alemayehu Eshete Andarge was an Ethiopian singer. He had performed since the 1960s and primarily in Amharic. He had been nicknamed "the Ethiopian Elvis".
Kebur Zabagna or Zebenya was the Ethiopian imperial guard. Also known as the First Division, this unit served the dual purposes of providing security for the Emperor of Ethiopia, and being an elite infantry division. It was not, however, part of the organizational structure of the Ethiopian regular army as it was part of the Zebagna, the Addis Ababa Guard. The Kebur Zabagna was based at Addis Ababa.
Russ Gershon is an American saxophonist, composer, arranger, and founder of the Either/Orchestra in Massachusetts in 1985.
Getatchew Mekurya was an Ethiopian jazz saxophonist.
Buda Musique is a French record label specializing in world music. It was founded in 1987 by Gilles Fruchaux and Dominique Buscall. After Buscall died in 1990, Fruchaux became the sole owner. The label is especially known for its Éthiopiques series.
Tizita/Tezeta/tazata(Amharic: ትዝታ; English: memory, "nostalgia" or "longing") is one of the Pentatonic scales or Qañat of the Amhara ethnic group.
Walias Band were an Ethiopian jazz and funk band active from the early 1970s until the early 1990s. Formed by members of the Venus Band, Walias backed up many prominent singers with a hard polyrhythmic funk sound influenced by western artists like King Curtis, Junior Walker and Maceo Parker. In 1977 they recorded one of the few albums of Ethiopian instrumental music in collaboration with vibraphonist Mulatu Astatke, whose role as a bandleader and composer was also a major influence on Ethiopian popular music.
Selam Seyoum Woldemariam, also known as Selamino, is an Ethiopian musician and guitarist. He has turned out 250 albums in his more than forty years as a professional musician. He has been called "The Jimi Hendrix of Ethiopia" and is a national legend.
Jeremy Udden is an American musician, composer, and educator. Proficient in both the Alto and Soprano Saxophone, Udden also composes songs for his groups, Plainville and Torchsongs Trio. His most notable albums from these groups include If the Past Seems So Bright, Plainville, and Torchsongs. He has performed at a variety of venues, including Merkin Hall, Cornelia Street Cafe, and Carnegie Hall. Critics describe Udden's style as "melodic jazz-rock" and a "marrying of country, surf rock and blues." He was born in Plainville, Massachusetts and currently resides in Brooklyn, New York, where he teaches at the Packer Collegiate Institute.
Debo Band are a Boston-based Ethiopian music band led by saxophonist Danny Mekonnen and fronted by vocalist Bruck Tesfaye. Ranging from 10–12 members playing horns, guitars, violins, percussion, and accordion, their sound incorporates Ethiojazz, folk, and pop styles from the Horn of Africa infused with tinges of motifs from Eastern Europe and Asia, as well as punk, experimental, and psychedelic rock. Rolling Stone described Debo's sound as, "guitar solos, massed vocals, violin and brass [that] rush in like a Red Bulled marching band...Dance at your own risk."
Francis Falceto is a contemporary French musicologist and music producer, specialising in World music and in particular music of Ethiopia which he helped propagate internationally from 1986 onwards.
The Half-Life of Desire is an album by the Either/Orchestra recorded in 1989, with one track from 1988, and released by the Accurate Records label the following year.
The Ethiopian Golden Age of Music was an era of Ethiopian music that began around 1960s to 1970s, until the Derg regime progressively falter its existence through politically motivated persecution and retribution against musicians and companies, which left many self-imposed exile to North America and Europe. Several artists and musical companies as well as recording groups emerged to produce their own singles and albums, the first being Amha Records, and Philips Records, Ethiopia Records and Kaifa Records, which primarily based in Addis Ababa.