Elena D'Orgaz | |
|---|---|
 D´Orgaz in Resurrection | |
| Died | 28 December 1947 |
| Occupation | Actress |
| Years active | 1935–1948 (film) |
Elena D'Orgaz was a Mexican actress of the Golden Age of Mexican cinema. [1]
Elena D'Orgaz | |
|---|---|
| D´Orgaz in Resurrection | |
| Died | 28 December 1947 |
| Occupation | Actress |
| Years active | 1935–1948 (film) |
Elena D'Orgaz was a Mexican actress of the Golden Age of Mexican cinema. [1]
María Elena Velasco Fragoso was a Mexican actress, comedian, singer-songwriter and dancer. She is best known for creating and portraying La India María, a comical character based on indigenous Mexican women.
Mexican literature stands as one of the most prolific and influential within Spanish-language literary traditions, alongside those of Spain and Argentina. This rich and diverse tradition spans centuries, encompassing a wide array of genres, themes, and voices that reflect the complexities of Mexican society and culture. From ancient indigenous myths to contemporary urban narratives, Mexican literature serves as a poignant reflection of the nation's essence, inviting readers to explore its rich history, diverse culture, and collective aspirations.
El Colegio de México, A.C. is a Mexican institute of higher education, specializing in teaching and research in social sciences and humanities.
Santa Elena may refer to:
Hélène Elizabeth Louise Amélie Paula Dolores Poniatowska Amor, known professionally as Elena Poniatowska, is a French-born Mexican journalist and author, specializing in works on social and political issues focused on those considered disenfranchised, especially women and the poor. She was born in Paris to upper-class parents. Her mother's family fled Mexico during the Mexican Revolution. She left France for Mexico when she was ten to escape World War II. When she was 18, she began writing for the newspaper Excélsior, doing interviews and society columns. Despite the lack of opportunity for women from the 1950s to the 1970s, she wrote about social and political issues in newspapers and both fiction and nonfiction books. Her best-known work is La noche de Tlatelolco, about the repression of the 1968 student protests in Mexico City. Due to her left-wing views, she has been nicknamed "the Red Princess". She is considered "Mexico's grande dame of letters" and is still an active writer.
Libertad Lamarque Bouza was an Argentine actress and singer, one of the icons of the Golden Age of Argentine and Mexican cinema. She achieved fame throughout Latin America, and became known as "La Novia de América". By the time she died in 2000, she had appeared in 65 films and six telenovelas, had recorded over 800 songs and had made innumerable theatrical appearances.
Joaquín Pardavé Arce was a Mexican film actor, director, songwriter and screenwriter of the Golden Age of Mexican cinema. He was best known for starring and directing various comedy films during the 1940s. In some of them, Pardavé paired with one of Mexico's most famous actresses, Sara García. The films in which they starred are El baisano Jalil, El barchante Neguib, El ropavejero, and La familia Pérez. These actors had on-screen chemistry together, and are both noted for playing a wide variety of comic characters from Lebanese foreigners to middle-class Mexicans.
Miroslava Šternová, known professionally as Miroslava Stern, was a Czechoslovak-Mexican actress.
Paulino Masip Roca was a Spanish playwright, screenwriter and novelist. Driven into exile in Mexico in 1939 by the events of the Spanish Civil War, he became involved with the nascent Golden age of Mexican cinema and was the author of over 50 screenplays. Masip is best known for his novel ¨El Diario de Hamlet Garcia¨ which takes place during the Spanish Civil War.
Horacio Casarín Garcilazo was a Mexican professional football player and coach who established himself as one of his country's most popular sports figures in the 1940s and 1950s.
El indio is a 1939 Mexican drama film directed by Armando Vargas de la Maza. It was released in Mexico on February 10, 1939 and in United States on May 12 of the same year. Consuelo Frank and Pedro Armendáriz received equal billing, while Dolores Camarillo, who was the film's comic relief, was billed last. Later she would receive a somewhat higher billing in Cantinflas' Ahí está el detalle.
El Rosario de Amozoc is a 1938 Mexican film directed by José Bohr. It stars Lupita Tovar, Carlos Orellana, Emilio Tuero, Elena D'Orgaz, Daniel "Chino" Herrera and Ernesto Cortázar.
Domingo Soler was a Mexican actor and occasional screenwriter of the Golden Age of Mexican cinema. He appeared in over 150 films and wrote the screenplays for 2 films.
The Whip is a 1939 Mexican adventure film directed by and starring José Bohr. It also featured Elena D'Orgaz, Domingo Soler.
Elena Huerta Múzquiz, also known as Elena Huerta de Arenal was a Mexican artist, she was best known for her mural work in her hometown of Saltillo, Coahuila, Mexico. Most of her art career was dedicated to teaching, but she was one of the founders of the Compañía de Teatro Infantil with German Cueto, Lola Cueto, Angelina Beloff and Leopoldo Méndez, the Liga de Escritores y Artistas Revolucionarios and a founding member of the Salón de la Plástica Mexicana.
Green Territory is a 1952 Venezuelan drama film directed by Horacio Peterson and Ariel Severino and starring Elena Fernan, Luis Salazar and Maria Luisa Sandoval.
The Coward is a 1939 Mexican war film directed by René Cardona and starring Julián Soler, Adria Delhort and Josefina Escobedo.
Elena Subirats Simon was a Mexican professional tennis player.
José Benavides hijo (1911–1945) was a Mexican screenwriter and film director. He directed fourteen feature films during the Golden Age of Mexican Cinema before his career was cut short by his early death.
You Have the Eyes of a Deadly Woman is a 1947 Mexican romantic comedy film directed by Ramón Peón and starring Ramón Pereda, Adriana Lamar and Luana Alcañiz. The film's sets were designed by the art director Ramón Rodríguez Granada. It is an adaptation of the 1926 Spanish play by Enrique Jardiel Poncela. The play was adapted into a 1962 Spanish film You Have the Eyes of a Deadly Woman.
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