Louis Daniel Armstrong, nicknamed "Satchmo", "Satch", and "Pops", was an American trumpeter and vocalist who is among the most influential figures in jazz. His career spanned five decades and different eras in the history of jazz.
Benjamin David Goodman was an American jazz clarinetist and bandleader known as the "King of Swing".
Thomas James Ladnier was an American jazz trumpeter. Hugues Panassié – an influential French critic, jazz historian, and renowned exponent of New Orleans jazz – rated Ladnier, sometime on or before 1956, second only to Louis Armstrong.
David Roy Eldridge, nicknamed "Little Jazz", was an American jazz trumpet player. His sophisticated use of harmony, including the use of tritone substitutions, his virtuosic solos exhibiting a departure from the dominant style of jazz trumpet innovator Louis Armstrong, and his strong impact on Dizzy Gillespie mark him as one of the most influential musicians of the swing era and a precursor of bebop.
James Fletcher Hamilton Henderson was an American pianist, bandleader, arranger and composer, important in the development of big band jazz and swing music. He was one of the most prolific black musical arrangers and, along with Duke Ellington, is considered one of the most influential arrangers and bandleaders in jazz history. Henderson's influence was vast. He helped bridge the gap between the Dixieland and the swing eras. He was often known as "Smack" Henderson.
The Jazz Age was a period in the 1920s and 1930s in which jazz music and dance styles rapidly gained nationwide popularity in the United States. The Jazz Age's cultural repercussions were primarily felt in the United States, the birthplace of jazz. Originating in New Orleans as mainly sourced from culture of the diaspora. Jazz played a significant part in wider cultural changes in this period, and its influence on popular culture continued long afterward. The Jazz Age is often referred to in conjunction with the Roaring Twenties, and in the United States it overlapped in significant cross-cultural ways with the Prohibition Era. The movement was largely affected by the introduction of radios nationwide. During this time, the Jazz Age was intertwined with the developing cultures of young people. The movement also helped start the beginning of the European Jazz movement. American author F. Scott Fitzgerald is widely credited with coining the term, first using it in his 1922 short story collection titled Tales of the Jazz Age.
Luis Russell was a pioneering Panamanian jazz pianist, orchestra leader, composer, and arranger.
Jabbo Smith, born as Cladys Smith was an American jazz musician, known for his virtuoso playing on the trumpet.
William C. "Buster" Bailey was a jazz clarinetist.
Johnny Dunn was an American traditional jazz trumpeter and vaudeville performer, who was born in Memphis, Tennessee. He is probably best known for his work during the 1920s with musicians such as Perry Bradford or Noble Sissle. He has been compared in sound and style to both King Oliver and Louis Armstrong. In 1922, he recorded as a member of Mamie Smith's Jazz Hounds, together with Garvin Bushell, Coleman Hawkins, Everett Robbins, Bubber Miley and Herb Flemming.
Frederic Homer Johnson, known professionally as Keg Johnson, was an American jazz trombonist.
Joseph Copeland Garland was an American jazz saxophonist, composer, and arranger, best known for writing "In the Mood".
James Henry Harrison was an American jazz trombonist.
Charles Edward Dixon was an American jazz banjoist.
June Lawrence Cole was an American jazz bassist, tubist, and singer.
Teddy McRae was an American jazz tenor saxophonist and arranger.
Manzie Johnson was an American jazz drummer.
The period from the end of the First World War until the start of the Depression in 1929 is known as the "Jazz Age". Jazz had become popular music in America, although older generations considered the music immoral and threatening to cultural values. Dances such as the Charleston and the Black Bottom were very popular during the period, and jazz bands typically consisted of seven to twelve musicians. Important orchestras in New York were led by Fletcher Henderson, Paul Whiteman and Duke Ellington. Many New Orleans jazzmen had moved to Chicago during the late 1910s in search of employment; among others, the New Orleans Rhythm Kings, King Oliver's Creole Jazz Band and Jelly Roll Morton recorded in the city. However, Chicago's importance as a center of jazz music started to diminish toward the end of the 1920s in favor of New York.
A Study in Frustration: The Fletcher Henderson Story is a box set compilation surveying studio recordings of the Fletcher Henderson Orchestra from 1923 to 1938, released in 1961 on Columbia Records, CXK 85470. It initially appeared as a four-album set produced by Frank Driggs and assembled by John Hammond, both of whom also wrote the liner notes. The set was part of a Thesaurus of Classic Jazz series on Columbia which included King of the Delta Blues Singers also worked on by Hammond and Driggs and released in 1961, the first album reissue of songs by blues legend Robert Johnson.
Prince Robinson was an American jazz reedist. He was known for soloing on both tenor saxophone and clarinet in the same recording.
