Ernesto Lamagna

Last updated

Ernesto Lamagna ( born 1945) is a contemporary Italian sculptor. He was born in Naples and lives and works in Rome. He studied at the Academy of Fine Arts in Naples and has presented in Italy and abroad. His works include:

the baptistery and the five-meter-tall Madonna of Notre Dame du Liban for the Maronite church in Sydney, Australia;
two sculptures of angels for the Blafford-Owen collection in Houston;
the bronze portal entrance to the basilica of Santa Maria della Vittoria in San Vito dei Normanni, Italy;
bronze doors in the atrium of the Sanctuary of Our Lady of Bonaria in Cagliari in Sardinia;
the Angel of Peace for the atrium of the CNR (Italian National Research Council) headquarters in Rome;
the bronze Door of Life for the Mariano sanctuary in Rodi Garganico in Foggia, Italy;
the bronze doors for the San Filippo Neri oratory in Molfetta, Italy;
the Angel of the Third Millennium in Barletta, Italy;
the monument to Saint Benedict the Moor in San Fratello, Messina in Sicily, Italy;
the monuments within the Church of the Holy Spirit in Torremaggiore near Foggia, Italy;

Lamagna was the secretary for sculpture of the Pontifical Academy of Fine Arts and Letters, Virtuosi al Pantheon in Rome from 1998 to 2003. He is the creator of the processional hammer and cross used in 2000 for the Great Jubilee, which is now conserved in the Treasures of the Vatican museum. He participated in a collective exhibit in 2000 to which he contributed the Angel of Light now displayed in the State Basilica of Saint Mary of the Angels in Rome. He contributed the sculpture of Ecce mater Dulcissima in the 2003 exhibit in Rome to celebrate the 25th anniversary of the pontificate of Pope John Paul II. Between 2004 and 2006, Lamagna created the sculptures for the Dehumanitat exhibit at the European Parliament in Brussels. In 2007, he presented the exhibit Ora Nona at Palazzo Venezia in Rome. As of early 2009 he is “embedded” with a contingent of the Italian military as an art instructor to Afghan civilians in Herat, Afghanistan.

Related Research Articles

Donatello Italian painter and sculptor

Donato di Niccolò di Betto Bardi, better known as Donatello, was an Italian sculptor of the Renaissance. Born in Florence, he studied classical sculpture and used this to develop a complete Renaissance style in sculpture, whose periods in Rome, Padua and Siena introduced to other parts of Italy a long and productive career. Financed by Cosimo de' Medici, Donatello's David, was the first freestanding nude male sculpture since antiquity. He worked with stone, bronze, wood, clay, stucco and wax, and had several assistants, with four perhaps being a typical number. Though his best-known works were mostly statues in the round, he developed a new, very shallow, type of bas-relief for small works, and a good deal of his output was larger architectural reliefs.

Guillaume Geefs Belgian sculptor

Guillaume Geefs, also Willem Geefs, was a Belgian sculptor. Although known primarily for his monumental works and public portraits of statesmen and nationalist figures, he also explored mythological subject matter, often with an erotic theme.

Ricardo Bellver

Ricardo Bellver was a Spanish sculptor.

Stefano Pozzi

Stefano Pozzi was an Italian painter, designer, draughtsman and decorator whose career was spent largely in Rome.

Mathieu Kessels Dutch sculptor

Mathieu Kessels was a Dutch Neoclassical sculptor who mainly worked in Rome.

Pietro Canonica

Pietro Canonica was an Italian sculptor, painter, opera composer, professor of arts and senator for life.

Baroque sculpture Sculpture of the Baroque movement

Baroque sculpture is the sculpture associated with the Baroque style of the period between the early 17th and mid 18th centuries. In Baroque sculpture, groups of figures assumed new importance, and there was a dynamic movement and energy of human forms—they spiralled around an empty central vortex, or reached outwards into the surrounding space. Baroque sculpture often had multiple ideal viewing angles, and reflected a general continuation of the Renaissance move away from the relief to sculpture created in the round, and designed to be placed in the middle of a large space—elaborate fountains such as Bernini's Fontana dei Quattro Fiumi, or those in the Gardens of Versailles were a Baroque speciality. The Baroque style was perfectly suited to sculpture, with Gian Lorenzo Bernini the dominating figure of the age in works such as The Ecstasy of St Theresa (1647–1652). Much Baroque sculpture added extra-sculptural elements, for example, concealed lighting, or water fountains, or fused sculpture and architecture to create a transformative experience for the viewer. Artists saw themselves as in the classical tradition, but admired Hellenistic and later Roman sculpture, rather than that of the more "Classical" periods as they are seen today.

Innocenzo Spinazzi

Innocenzo Spinazzi (1726–1798) was an Italian sculptor of the Rococo period active in Rome and Florence.

Cesare Mariani Italian painter (1826–1901)

Cesare Mariani was an Italian painter and architect of the late-19th century, active in Rome and Ascoli Piceno.

Romano Vio

Romano Vio was an Italian sculptor. He was born in Venice and taught sculpture there.

Raffaello Romanelli Italian artist (1856–1928)

Raffaello Romanelli was an Italian sculptor, born in Florence, Italy.

Stanislao Lista

Stanislao Lista was an Italian sculptor active in Naples.

Francesco Messina Italian sculptor (1900–1995)

Francesco Messina was an Italian sculptor of the 20th century.

Abbey of Santa Giustina

The Abbey of Santa Giustina is a 10th-century Benedictine abbey complex located in front of the Prato della Valle in central Padua, region of Veneto, Italy. Adjacent to the former monastery is the basilica church of Santa Giustina, initially built in the 6th century, but whose present form derives from a 17th-century reconstruction.

Vincenzo Severino (1859-1926) was an Italian painter, active mainly in Naples and Rome.

Teofilo Patini

Teofilo Patini was an Italian painter, active in a Realist style.

Tommaso Solari

Tommaso Solari was an Italian sculptor active in a Romantic-style.

Giuseppe Ducrot is an Italian sculptor and member of the Pontifical Academy of Fine Arts and Letters of the Virtuosi al Pantheon.

Emilio Gallori (1846–1924) was an Italian sculptor, principally of historical monuments and religious statuary.

Francesco Nagni

Francesco Nagni was a 20th-century Italian figurative sculptor, best known for the grave of Pope Pius XI in the Vatican.