Baroque painting is the painting associated with the Baroque cultural movement. The movement is often identified with Absolutism, the Counter Reformation and Catholic Revival, but the existence of important Baroque art and architecture in non-absolutist and Protestant states throughout Western Europe underscores its widespread popularity.
Arcadia is one of the regional units of Greece. It is part of the administrative region of Peloponnese. It is in the central and eastern part of the Peloponnese peninsula. It takes its name from the mythological figure Arcas. In Greek mythology, it was the home of the god Pan. In European Renaissance arts, Arcadia was celebrated as an unspoiled, harmonious wilderness.
Nicolas Poussin was a French painter who was a leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for a small group of Italian and French collectors. He returned to Paris for a brief period to serve as First Painter to the King under Louis XIII and Cardinal Richelieu, but soon returned to Rome and resumed his more traditional themes. In his later years he gave growing prominence to the landscape in his paintings. His work is characterized by clarity, logic, and order, and favors line over color. Until the 20th century he remained a major inspiration for such classically-oriented artists as Jacques-Louis David, Jean-Auguste-Dominique Ingres and Paul Cézanne.
Giovanni Francesco Barbieri, better known as (il) Guercino, was an Italian Baroque painter and draftsman from Cento in the Emilia region, who was active in Rome and Bologna. The vigorous naturalism of his early manner contrasts with the classical equilibrium of his later works. His many drawings are noted for their luminosity and lively style.
The pastoral genre of literature, art, or music depicts an idealised form of the shepherd's lifestyle – herding livestock around open areas of land according to the seasons and the changing availability of water and pasture. The target audience is typically an urban one. A pastoral is a work of this genre. A piece of music in the genre is usually referred to as a pastorale.
Et in Arcadia ego is a 1637–38 painting by French Baroque painter Nicolas Poussin. It depicts a pastoral scene with idealized shepherds from classical antiquity, and a woman, possibly a shepherdess, gathered around an austere tomb that includes the Latin inscription "Et in Arcadia ego", which is translated to "Even in Arcadia, there am I"; "Also in Arcadia am I"; or "I too was in Arcadia". Poussin also painted another version of the subject in 1627 under the same title.
An idyll is a short poem, descriptive of rustic life, written in the style of Theocritus's short pastoral poems, the Idylls (Εἰδύλλια).
Arcadia refers to a vision of pastoralism and harmony with nature. The term is derived from the Greek province of the same name which dates to antiquity; the province's mountainous topography and sparse population of pastoralists later caused the word Arcadia to develop into a poetic byword for an idyllic vision of unspoiled wilderness. Arcadia is a poetic term associated with bountiful natural splendor and harmony. The 'Garden' is often inhabited by shepherds. The concept also figures in Renaissance mythology. Although commonly thought of as being in line with Utopian ideals, Arcadia differs from that tradition in that it is more often specifically regarded as unattainable. Furthermore, it is seen as a lost, Edenic form of life, contrasting to the progressive nature of Utopian desires.
The Galleria Doria Pamphilj is a large private art collection housed in the Palazzo Doria Pamphilj in Rome, Italy, between Via del Corso and Via della Gatta. The principal entrance is on the Via del Corso. The palace façade on Via del Corso is adjacent to a church, Santa Maria in Via Lata. Like the palace, it is still privately owned by the princely Roman family Doria Pamphili. Tours of the state rooms often culminate in concerts of Baroque and Renaissance music, paying tribute to the setting and the masterpieces it contains.
The Galleria Nazionale d'Arte Antica or National Gallery of Ancient Art is an art museum in Rome, Italy. It is the principal national collection of older paintings in Rome – mostly from before 1800; it does not hold any antiquities. It has two sites: the Palazzo Barberini and the Palazzo Corsini.
Roman Charity or Cimon and Pero is an ancient Greek and Roman exemplary story of filial piety in which a woman secretly breastfeeds her father or mother, incarcerated and supposedly sentenced to death by starvation. Once caught, the loving devotion shown so moves the authorities that she is forgiven and the parent is typically freed. The father in the story is often named Cimon and the daughter Pero, although other versions name the father Mycon. First attested in surviving Roman sources, it became a common theme in Early Modern period of Western European art, particularly the Baroque period.
Events from the year 1622 in art.
Et in Arcadia ego is an oil-on-canvas painting created c. 1618–1622 by the Italian Baroque artist Giovanni Francesco Barbieri (Guercino). It is now on display in the Galleria Nazionale d'Arte Antica of Rome.
Pietro Paolo Cristofari (1685–1743) was a late-Baroque Italian mosaicist active in Rome, and the son of Fabio Cristofari. He became the first director of the Vatican mosaic studio, responsible for decorating the domes and altars in St. Peter's Basilica. Under his leadership he personally made mosaic altarpieces after the paintings of artists such as Giovanni Francesco Romanelli, Guercino, Domenichino, and Nicolas Poussin.
The Shugborough Inscription is a sequence of letters – O U O S V A V V, between the letters D M on a lower plane – carved on the 18th-century Shepherd's Monument in the grounds of Shugborough Hall in Staffordshire, England, below a mirror image of Nicolas Poussin's painting the Shepherds of Arcadia. It has never been satisfactorily explained, and has been called one of the world's top uncracked ciphertexts.
Skull symbolism is the attachment of symbolic meaning to the human skull. The most common symbolic use of the skull is as a representation of death.
Landscape with Orpheus and Eurydice is a 124 × 200 cm oil-on-canvas painting by the French artist Nicolas Poussin, painted between 1650 and 1653. It depicts a mythological subject in the classical style and is in the collection of the Louvre in Paris.
The Inspiration of the Poet is an oil-on-canvas in the classical style by the artist Nicolas Poussin, painted between 1629 and 1630. It is held and exhibited at the Louvre, in Paris.
The"' Finding of Moses'", sometimes called "'Moses in the Bulrushes'", "'Moses Saved from the Waters'", or other variants, is the story in chapter 2 of the Book of Exodus in the Hebrew Bible of the finding in the River Nile of Moses as a baby by the daughter of Pharaoh. The story became a common subject in art, especially from the Renaissance onwards.
Karel Philips Spierincks was a Flemish painter who spent his active career in Italy. He painted mainly landscapes with putti or mythological scenes in a classicizing style which show the influence of François Duquesnoy and Nicolas Poussin as well as religious paintings.
