Eugen Quaglio (b Munich, 3 April 1857; d Berlin, 25 Sept 1942) was a German stage designer of Italian extraction. He worked mainly in Berlin and Prague.
Eugen came from a long line of stage designers:
Eugen was the son of Angelo, who worked at the Munich court theatre beginning in 1850, and also managed a commercial scenic studio which supplied theatres in Dresden, Berlin, Stuttgart and St Petersburg. His designs were of an illusionistic historical style. Closely connected with the aesthetic ideas of Ludwig II of Bavaria, Quaglio was one of the principal designers for the Munich Wagner premières. He worked with his father and others.
Following in his footsteps, son Eugen worked with him from about 1877. In 1891 he became court theatre painter in Berlin, a post he held until 1923. He carried on the family tradition of historical stage designs, above all in Wagner productions. Although he was influenced by naturalism and verismo, his romanticizing productions were basically historical idylls.
A few of his set designs have survived as art.
(Pierre Louis) Philippe de La Guêpière was an 18th-century French architect whose main commissions were from Karl Eugen, Duke of Württemberg.
Adolphe Appia, son of Red Cross co-founder Louis Appia, was a Swiss architect and theorist of stage lighting and décor.
Götz Friedrich was a German opera and theatre director.
Simon Quaglio (1795-1878) was a German stage designer of Italian extraction. He worked mainly in Munich, and was among the first designers to use built scenery instead of painted flats. He designed over 100 productions during his career.
Angelo Quaglio the younger ) was a German stage designer of Italian descent. He worked mainly in Munich, and assisted Richard Wagner in the premieres of a number of his works.
Caspar Neher was an Austrian-German scenographer and librettist, known principally for his career-long working relationship with Bertolt Brecht.
Giuseppe Quaglio was an Italian painter and stage designer, active in scene painting in Mannheim, Frankfurt, and Ludwigsburg.
The surname Quaglio belongs to a large family of artists, both painters, architects, and scenographers, originally from Laino, between Lake Como and Lake Lugano. They were active mainly from the 17th to 20th century, both in Italy and in Austria and Germany. They include:
Giovanni Maria Quaglio the Younger (1772–1813) was an Italian architect, painter, and stage designers active in Munich, member of the large Quaglio pedigree. He was born at Laino. He studied at Rome, Naples, Milan, and Venice, and became in 1793 court scene-painter at Munich. He was the son of Lorenzo Quaglio the Elder.
Domenico Quaglio the Younger was a German painter, engraver, stage designer, and architect. He was the second son of Giuseppe Quaglio and part of the large Quaglio pedigree of Italian artists involved in architecture, indoor fresco decoration, and scenography for the court theatres. He was known as a landscape and architectural painter/decorator, including quadratura.
Michael Neher, the son of Joseph Neher, a citizen and painter of that city, but of a family from Biberach. Michael received a classical education, and was instructed in the rudiments of painting by Mitterer, and in 1813 entered the Academy at Munich. From 1816 to 1818 he studied under Matthias Klotz, and was then employed by Angelo Quaglio in his theatrical work. After having worked for some time as scene-painter at the Court Theatre, he went to Trento, Milan, and Trieste, and painted portraits. In 1819 he was encouraged by Hieronymus Hess, at Rome, to devote himself to genre painting. On his return to Munich in 1823 he became Conservator of the Art Union. In 1839 he painted several saloons in the Hohenschwangen Schloss, after sketches of Schwind, Gasner, and Schwanthaler. He, however, in 1837 devoted himself entirely to architectural painting, and travelled for improvement on the Rhine, and in Belgium. He was received an honorary member of the Academy at Munich in 1876, and died there in the same year.
Charles-Antoine Cambon was a French scenographer, theatrical production designer, who acquired international renown in the Romantic Era.
Aleksandar Denić is a Serbian stage designer and film production designer. He is known as a scenographer of feature films, as well as for his work at major theatres including Berlin, Hamburg, Stuttgart, Bayreuth, Paris, Zurich, Wien, Salzburg, Köln and Munich.
Paul Bender was a German operatic bass.
Günther Schneider-Siemssen was a German-born Austrian scenic designer, working as the chief designer for all Austrian State Theatres and the Salzburg Festival, where he created 28 productions for Herbert von Karajan and 60 for Otto Schenk. He was a pioneer in using lighting and projections on stage. He designed sets for major international opera houses.
Carl Wuttke was a German landscape and architectural painter.
Josef Angelo Neumann was a German operatic baritone and theater director. First a baritone at major opera houses in Europe, including the Vienna Imperial Opera, he was the managing director of the Leipzig Opera and the Estates Theatre in Prague. He is known as an early promoter of the stage works by Richard Wagner, namely the Ring cycle, which he presented with the sets and costumes of the world premiere at the Bayreuth Festival, first in Leipzig and then on a European tour.
Emil Preetorius was a German illustrator and graphic artist. He is considered one of the most important stage designers of the first half of the 20th century.
Anton Brioschi was an Austrian painter, scenic designer and graphic artist. His non-theatrical works were mostly landscapes and marine art.
Claus Guth is a German theatre director, focused on opera. He has directed operas at major houses and festivals, including world premieres such as works of the Munich Biennale, and Berio's Cronaca del luogo at the Salzburg Festival in 1999. Guth is particularly known for his opera productions of the works of Richard Wagner and Richard Strauss. He has received two Faust awards, for Daphne by Richard Strauss in 2010, and for Debussy's Pelléas et Mélisande, both at the Oper Frankfurt.