In stage lighting, a fade is a gradual increase or decrease of the intensity of light projected onto the stage. The term fade-in refers to gradually changing the lighting level from complete darkness to a predetermined lighting level. A fade-out (also known as fade-to-black) refers to gradually decreasing the intensity of light until none is shining on the stage. A crossfade is when lighting levels are gradually altered from one setting to another. A fade-in is sometimes called a build, and where this terminology is used, a fade is understood to be a fade-out.
Stage lighting is the craft of lighting as it applies to the production of theater, dance, opera, and other performance arts. Several different types of stage lighting instruments are used in this discipline. In addition to basic lighting, modern stage lighting can also include special effects, such as lasers and fog machines. People who work on stage lighting are commonly referred to as lighting technicians or lighting designers.
In photometry, illuminance is the total luminous flux incident on a surface, per unit area. It is a measure of how much the incident light illuminates the surface, wavelength-weighted by the luminosity function to correlate with human brightness perception. Similarly, luminous emittance is the luminous flux per unit area emitted from a surface. Luminous emittance is also known as luminous exitance.
Light is electromagnetic radiation within a certain portion of the electromagnetic spectrum. The word usually refers to visible light, which is the visible spectrum that is visible to the human eye and is responsible for the sense of sight. Visible light is usually defined as having wavelengths in the range of 400–700 nanometres (nm), or 4.00 × 10−7 to 7.00 × 10−7 m, between the infrared and the ultraviolet. This wavelength means a frequency range of roughly 430–750 terahertz (THz).
Increasing lighting intensities that are not black is referred to as a fade-up. Similarly, decreasing lighting intensities to a level above black is referred to as a fade-down.
Cross-fades are accomplished by executing fade-ups and/or fade-downs. In nearly all theatrical lighting designs, multiple lighting instruments are used to illuminate the stage at any one time. A cue refers to the recorded state of illumination for the entire stage at that time. The intensity of the lighting instruments is often altered with a single crossfade, altering the lighting state of the stage.
Lighting or illumination is the deliberate use of light to achieve a practical or aesthetic effect. Lighting includes the use of both artificial light sources like lamps and light fixtures, as well as natural illumination by capturing daylight. Daylighting is sometimes used as the main source of light during daytime in buildings. This can save energy in place of using artificial lighting, which represents a major component of energy consumption in buildings. Proper lighting can enhance task performance, improve the appearance of an area, or have positive psychological effects on occupants.
The lighting instruments are altered from a dimmer board or lighting control panel operated by a lighting technician. The dimmer board, now referred to as the lighting console, especially with newer digital control systems like DMX, uses a serial data stream to control multiple groups called "universes" of 512 DMX addresses to control compatible fixtures including dimmers, via different methods leading to a single twisted pair of wires connected to the fixtures. DMX consoles are largely computerized, thus allowing digital process control from multiple input devices, and synchronization via MIDI, SMPTE etc.
Dimmers are devices connected to a light fixture and used to lower the brightness of light. By changing the voltage waveform applied to the lamp, it is possible to lower the intensity of the light output. Although variable-voltage devices are used for various purposes, the term dimmer is generally reserved for those intended to control light output from resistive incandescent, halogen, and compact fluorescent lights (CFLs) and light-emitting diodes (LEDs). More specialized equipment is needed to dim fluorescent, mercury vapor, solid-state, and other arc lighting.
A control panel is a flat, often vertical, area where control or monitoring instruments are displayed or it is an enclosed unit that is the part of a system that users can access, such as the control panel of a security system.
A technician is a worker in a field of technology who is proficient in the relevant skill and technique, with a relatively practical understanding of the theoretical principles.
The terms fade in, fade out, and fade to black were borrowed by Hollywood, and are used in the formal structure of screenplays.
A screenplay, or script, is a written work by screenwriters for a film, television program or video game. These screenplays can be original works or adaptations from existing pieces of writing. In them, the movement, actions, expression and dialogues of the characters are also narrated. A screenplay written for television is also known as a teleplay.
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A theatre lighting designer works with the director, choreographer, set designer, costume designer, and sound designer to create the lighting, atmosphere, and time of day for the production in response to the text, while keeping in mind issues of visibility, safety, and cost. The LD also works closely with the stage manager or show control programming, if show control systems are used in that production. Outside stage lighting, the job of a Lighting Designer can be much more diverse and they can be found working on rock and pop tours, corporate launches, art installation and on massive celebration spectaculars, for example the Olympic Games opening and closing ceremonies.
DMX512 is a standard for digital communication networks that are commonly used to control stage lighting and effects. It was originally intended as a standardized method for controlling light dimmers, which, prior to DMX512, had employed various incompatible proprietary protocols. It soon became the primary method for linking controllers to dimmers and special effects devices such as fog machines and intelligent lights. DMX has also expanded to uses in non-theatrical interior and architectural lighting, at scales ranging from strings of Christmas lights to electronic billboards. DMX can now be used to control almost anything, reflecting its popularity in theaters and venues.
In the U.S. and Canada, grips are technicians in the filmmaking and video production industries. They constitute their own department on a film set and are directed by a key grip. Grips have two main functions. The first is to work closely with the camera department to provide camera support, especially if the camera is mounted to a dolly, crane, or in an unusual position, such as the top of a ladder. Some grips may specialize in operating camera dollies or camera cranes. The second main function of grips is to work closely with the electrical department to create lighting set-ups necessary for a shot under the direction of the director of photography.
Grips' responsibility is to build and maintain all the equipment that supports cameras. This equipment, which includes tripods, dollies, tracks, jibs, cranes, and static rigs, is constructed of delicate yet heavy duty parts requiring a high level of experience to operate and move. Every scene in a feature film is shot using one or more cameras, each mounted on highly complex, extremely expensive, heavy duty equipment. Grips assemble this equipment according to meticulous specifications and push, pull, mount or hang it from a variety of settings. The equipment can be as basic as a tripod standing on a studio floor, to hazardous operations such as mounting a camera on a 100 ft crane, or hanging it from a helicopter swooping above a mountain range.
Good Grips perform a crucial role in ensuring that the artifice of film is maintained, and that camera moves are as seamless as possible. Grips are usually requested by the DoP or the camera operator. Although the work is physically demanding and the hours are long, the work can be very rewarding. Many Grips work on both commercials and features.
A lighting control console is an electronic device used in theatrical lighting design to control multiple lights at once. They are used throughout the entertainment industry and are normally placed at the Front of House (FOH) position or in a control booth.
In audio engineering, a fade is a gradual increase or decrease in the level of an audio signal. The term can also be used for film cinematography or theatre lighting in much the same way.
The light board operator or moving light programmer, is the electrician who operates and/or programs the light board. Depending on the scale and type of production, the board op may be responsible for conventional or automated lighting fixtures, as well as practicals and, in some instances, controlling video as well.
Show control is the use of automation technology to link together and operate multiple entertainment control systems in a coordinated manner. It is distinguished from an entertainment control system, which is specific to a single theatrical department, system or effect, one which coordinates elements within a single entertainment discipline such as lighting, sound, video, rigging or pyrotechnics. A typical entertainment control system would be lighting control. An example of show control would be linking a video segment with a number of lighting cues, or having a sound track trigger animatronic movements -- or all of these combined. Shows with or without live actors can almost invariably incorporate entertainment control technology and usually benefit from show control to operate these subsystems independently, simultaneously, or in rapid succession.
D54 is an analogue lighting communications protocol used to control stage lighting. It was developed by Strand Lighting in the late 1970s and was originally designed to handle 384 channels. Though more advanced protocols exist such as Digital MultipleX DMX (lighting), it is still widely used in larger venues such as London's West End theatres, and popular amongst technicians because all the levels can be "seen" on an oscilloscope. D54 is still supported, and is available on the Strand 500 series consoles alongside DMX.
A lighting control system is an intelligent network based lighting control solution that incorporates communication between various system inputs and outputs related to lighting control with the use of one or more central computing devices. Lighting control systems are widely used on both indoor and outdoor lighting of commercial, industrial, and residential spaces. Lighting control systems serve to provide the right amount of light where and when it is needed.
Intelligent lighting refers to stage lighting that has automated or mechanical abilities beyond those of traditional, stationary illumination. Although the most advanced intelligent lights can produce extraordinarily complex effects, the intelligence lies with the designer of the control system rather than the programmer of the show or the lighting operator. For this reason, intelligent lighting is also known as automated lighting, moving lights or moving heads.
Stage lighting instruments are used in stage lighting to illuminate theatrical productions, concerts, and other performances taking place in live performance venues. They are also used to light television studios and sound stages.
Digital Serial Interface (DSI) is a protocol for the controlling of lighting in buildings. It was created in 1991 by Austrian company Tridonic and is based on Manchester-coded 8-bit protocol, data rate of 1200 baud, 1 start bit, 8 data bits, 4 stop bits, and is the basis of the more sophisticated protocol Digital Addressable Lighting Interface (DALI).
The Electronic Theatre Controls (ETC) Source Four is an ellipsoidal reflector spotlight (ERS) used in stage lighting. First released in 1992, the Source Four was invented by David Cunningham and features an improved lamp and reflector compared to previous ERS designs, tool-free lamp adjustment, and a rotating, interchangeable shutter barrel. The Source Four is widely used by professional theaters across the globe.
A colour scroller or colour changer is an electro-mechanical lighting accessory used in theater, film, dance and concerts to change the colour projected by stage lighting instruments without the need of a person to be in the vicinity of the light. A colour scroller moves plastic "gel" colour gel [actually dyed polyester and/or other base materials coated with dyes] into the beam of the light. It is generally attached to the gel frame holder at the transmitting end of a lighting fixture, so colour is introduced after the beam characteristics have been defined by the optics of the lighting instrument. Most scrollers are controlled via DMX512 protocol, but some models also utilize the RDM protocol. When colour scrollers were first introduced around 1980, a number of companies produced them, including: Avolites, GAM Products, Morpheus Lights, Rainbow, Rosco Laboratories and Wybron Inc. Now the main manufacturers are: A.C. Lighting, Apollo, Morpheus Lights and Rainbow.
The SeaChanger Color Engine is an electro-mechanical device that is used to control light color in entertainment-industry lighting applications. The unit employs four overlapped color filter wheels, inserted into a light beam near its source, to produce colored light. This is in contrast to color scrollers, which insert color filter ribbons into a light beam. The color engine, which was released by Ocean Thin Films in 2005, is designed to fit into the Source Four lighting instrument made by Electronic Theatre Controls.
LED stage lighting instruments are stage lighting instruments that use light-emitting diodes (LEDs) as a light source. LED instruments are an alternative to traditional stage lighting instruments which use halogen lamp or high-intensity discharge lamps. Like other LED instruments, they have high light output with lower power consumption.
VARI*LITE is the brand name of one of the first automated, variable-colour stage lighting systems to be created. Their intelligent lighting fixtures are commonly used in theatre, concerts, television, film and corporate events.
Stage lighting accessories are components manufactured for conventional (non-automated) stage lighting instruments. Most conventional fixtures are designed to accept a number of different accessories designed to assist in the modification of the output. These accessories are intended to either provide relatively common functionality not originally provided in a fixture, or to extend the versatility of a lighting instrument by introducing features. Other accessories have been designed to overcome limitations or difficulties some fixtures present in specific applications.
