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Fembot or Fembots may refer to:
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Austin Powers: International Man of Mystery is a 1997 American spy comedy film directed by Jay Roach. It is the first installment in the Austin Powers series. It stars franchise co-producer and writer Mike Myers, playing the role as Austin Powers and Dr. Evil, Powers' arch-enemy. Supporting roles are played by Elizabeth Hurley, Robert Wagner, Seth Green, and Michael York. The film is a parody of the James Bond films and other popular culture from the 1960s.
Joe's Garage is a three-part rock opera recorded by American musician Frank Zappa in September and November 1979. Originally released as two separate studio albums on Zappa Records, the project was later remastered and reissued as a triple album box set, Joe's Garage, Acts I, II & III, in 1987. The story is told by a character identified as the "Central Scrutinizer" narrating the story of Joe, an average adolescent male, from Canoga Park, Los Angeles, who forms a garage rock band, has unsatisfying relationships with women, gives all of his money to a government-assisted and insincere religion, explores sexual activities with appliances, and is imprisoned. After being released from prison into a dystopian society in which music itself has been criminalized, he lapses into insanity.
Barbarella is a fictional heroine in a French science fiction comic book created by Jean-Claude Forest.
A gynoid, or fembot, is a feminine gynomorphic humanoid robot. Gynoids appear widely in science fiction film and art. As more realistic humanoid robot design becomes technologically possible, they are also emerging in real-life robot design.
Limp Wrist is an American punk rock band, who formed in 1998. Featuring members of Los Crudos, Hail Mary, Devoid of Faith, By The Throat, and Kill the Man Who Questions, the band plays short, fast hardcore music, and covers themes concerning the gay community in their live performances and lyrics. They identify as part of the "queercore" punk subculture: referring to their style of music, the band declared in Frontiers magazine, "We put the 'core' back in 'Queercore'". The band are featured on the cover of My Brain Hurts, Liz Baillie's comic about queer teenagers in New York City.
"Female of the Species" is a song by the English rock band Space, released as their fourth single, and second single proper from their debut album Spiders on 27 May 1996, reaching number 14 on the UK Singles Chart and earning a Silver certification from the British Phonographic Industry in October 2019. It became the band's only charting single in both the United States and Canada.
Outpunk enjoys the distinction of being the first record label entirely devoted to queer punk bands.
Sta-Prest is a queercore band from San Francisco that was active in the 1990s.
Jason Tait is a Canadian musician from Winnipeg, Manitoba. He is the drummer for the Canadian indie rock band The Weakerthans. Tait has also been a contributing member of Broken Social Scene and The FemBots.
"I Touch Myself" is a song written and recorded by the Australian rock band Divinyls. It was released in November 1990 as the lead single from their fourth album, diVINYLS, and is a paean to eroticism, orgasm and female masturbation.
Everything's Gone Green is a 2006 Canadian comedy film directed by Paul Fox and written by Douglas Coupland. It was produced by Elizabeth Yake, True West Films and Chris Nanos, Radke Films. The distributor is ThinkFilm in Canada, and Shoreline Entertainment elsewhere and won the award for Best Canadian Feature Film at the 2006 Vancouver International Film Festival.
Babarobot, is a concept album by the Russian ska punk band, Leningrad, presented as a playful radio drama. The first track includes the other twelve songs of the album with dialogue between.
Big Eye Little Eye is the second studio album of the Canadian rock group The Golden Dogs. The album features its first single "Never Meant Any Harm" and follow-up single "Construction Worker". Music videos were released for both songs. It also includes a cover of Wings's song "Nineteen Hundred and Eighty-Five" from their 1973 album Band on the Run.
Calling Out is the fourth album by Canadian indie rock band FemBots, released on September 16, 2008, with Weewerk.
Body Talk Pt. 1 is the fifth studio album by Swedish recording artist Robyn, released on 14 June 2010 by Konichiwa Records. It is the first part of the Body Talk series, which consists of three mini-albums. The only single from the album, "Dancing on My Own", was released on 1 June. Robyn promoted the album with the All Hearts Tour she co-headlined with Kelis. Body Talk Pt. 1 reached number one in Sweden and number four in Denmark and Norway. In the US it peaked at number three on Billboard's Dance/Electronic Albums chart.
"Fembot" is a song by Swedish recording artist Robyn, taken from her fifth studio album, Body Talk Pt. 1 (2010). The song was written by Robyn and Klas Åhlund, and produced by the latter. It was inspired by Robyn's personal experience of entering her thirties and contemplating children. With the song, she also argues against the notion that humans and robots are separate, explaining that technology has become more organic. "Fembot" is a song with an R&B vibe, and features Robyn rapping several double entendres in the verses, while proclaiming that "Fembots have feelings too" in the chorus. The song was released on 13 April 2010 as one of three promotional singles before the album's release.
The Body Talk Tour is a concert tour by Swedish singer-songwriter Robyn. The tour was announced in conjunction with the release of her sixth studio album, Body Talk Pt. 2. Previously, Robyn toured the United States in the summer of 2010 with the All Hearts Tour. The tour began on October 7, 2010.
FemBots are a Canadian indie rock band from Toronto formed in 1998. FemBots are known for their unique sound of combining instrumental everyday items, junk instruments, and traditional instruments in their music.
The Fembot Collective is an international collective of feminist media activists, artists, producers, and scholars that publishes the academic journal Ada: A Journal of Gender, New Media, and Technology. Fembot has been a catalyst for multiple large scale feminist digital projects, providing the digital and social infrastructure for FemTechNet, publishing the podcast series Books Aren't Dead, and hosting collaborative hack-a-thons and Wikipedia edit-a-thons with Ms. magazine. Although having been funded and supported by multiple institutions including School of Journalism and Communication and the Center for the Study of Women in Society at the University of Oregon., Fembot is concentrated in the University of Maryland currently.