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Femmes fantastiques is a collection of ten short stories in French by Canadian writer Paul Laurendeau, published by Editions Jets d'encre in 2008.
Set in the imaginary lands of New-Navarre and the Domanial Republic, Femmes fantastiques gathers the stories of some twenty women (and four or five men), relating the tumult and complexity of their intimate and social lives. The stories are bound together by a web of connections, some characters making appearances in the stories of others. Saphism being a social norm in this imaginary universe, the love these women experience is often with other women. In these imagined worlds many of our own social conventions are often presented as peculiar or are simply absent: people may forget to ring the door before entering or may be completely oblivious to the waves on the sea.
The dominant themes binding these diverse stories are female intimate friendship and homosexuality, day to day feminism and the redefinition of masculinity. Our own ordinary realities often strike the characters as quite out of the ordinary and vice versa.
Feminist science fiction is a subgenre of science fiction focused on such feminist themes as: gender inequality, sexuality, race, economics, reproduction, and environment. Feminist SF is political because of its tendency to critique the dominant culture. Some of the most notable feminist science fiction works have illustrated these themes using utopias to explore a society in which gender differences or gender power imbalances do not exist, or dystopias to explore worlds in which gender inequalities are intensified, thus asserting a need for feminist work to continue.
Science fiction and fantasy serve as important vehicles for feminist thought, particularly as bridges between theory and practice. No other genres so actively invite representations of the ultimate goals of feminism: worlds free of sexism, worlds in which women's contributions are recognized and valued, worlds that explore the diversity of women's desire and sexuality, and worlds that move beyond gender.
John Hoyer Updike was an American novelist, poet, short-story writer, art critic, and literary critic. One of only four writers to win the Pulitzer Prize for Fiction more than once, Updike published more than twenty novels, more than a dozen short-story collections, as well as poetry, art and literary criticism and children's books during his career.
William Sydney Porter, better known by his pen name O. Henry, was an American writer known primarily for his short stories, though he also wrote poetry and non-fiction. His works include "The Gift of the Magi", "The Duplicity of Hargraves", and "The Ransom of Red Chief", as well as the novel Cabbages and Kings. Porter's stories are known for their naturalist observations, witty narration, and surprise endings.
Kate Chopin was an American author of short stories and novels based in Louisiana. She is considered by scholars to have been a forerunner of American 20th-century feminist authors of Southern or Catholic background, such as Zelda Fitzgerald, and she is one of the more frequently read and recognized writers of Louisiana Creole heritage. She is best known today for her 1899 novel The Awakening.
A legend is a genre of folklore that consists of a narrative featuring human actions, believed or perceived to have taken place in human history. Narratives in this genre may demonstrate human values, and possess certain qualities that give the tale verisimilitude. Legend, for its active and passive participants, may include miracles. Legends may be transformed over time to keep them fresh and vital.
Alice Ann Munro is a Canadian short story writer who won the Nobel Prize in Literature in 2013. Munro's work has been described as revolutionizing the architecture of short stories, especially in its tendency to move forward and backward in time. Her stories have been said to "embed more than announce, reveal more than parade."
Jean Charles Emmanuel Nodier was a French author and librarian who introduced a younger generation of Romanticists to the conte fantastique, gothic literature, and vampire tales. His dream related writings influenced the later works of Gérard de Nerval.
Fantastique is a French term for a literary and cinematic genre and mode that is characterized by the intrusion of supernatural elements into the realistic framework of a story, accompanied by uncertainty about their existence. The concept comes from the French literary and critical tradition, and is distinguished from the word "fantastic", which is associated with the broader term of fantasy in the English literary tradition. According to the literary theorist Tzvetan Todorov, the fantastique is distinguished from the marvellous by the hesitation it produces between the supernatural and the natural, the possible and the impossible, and sometimes between the logical and the illogical. The marvellous, on the other hand, appeals to the supernatural in which, once the presuppositions of a magical world have been accepted, things happen in an almost normal and familiar way. The genre emerged in the 18th century and knew a golden age in 19th century Europe, particularly in France and Germany.
Low fantasy, or intrusion fantasy, is a subgenre of fantasy fiction in which magical events intrude on an otherwise-normal world. The term thus contrasts with high fantasy stories, which take place in fictional worlds that have their own sets of rules and physical laws.
A tea party is a social gathering event held in the afternoon. For centuries, many societies have cherished drinking tea with a company at noon. Tea parties are considered for formal business meetings, social celebrations or just as an afternoon refreshment.
La Comédie humaine is Honoré de Balzac's 1829–48 multi-volume collection of interlinked novels and stories depicting French society in the period of the Restoration (1815–30) and the July Monarchy (1830–48).
A vignette is a French loanword expressing a short and descriptive piece of writing that captures a brief period in time. Vignettes are more focused on vivid imagery and meaning rather than plot. Vignettes can be stand-alone, but they are more commonly part of a larger narrative, such as vignettes found in novels or collections of short stories.
Sudanese literature consists of both oral as well as written works of fiction and nonfiction that were created during the cultural history of today's Republic of the Sudan. This includes the territory of what was once Anglo-Egyptian Sudan, the independent country's history since 1956 as well as its changing geographical scope in the 21st century.
Fantasy is a genre of speculative fiction involving magical elements, typically set in a fictional universe and usually inspired by mythology or folklore. The term "fantasy" can also be used to describe a "work of this genre", usually literary.
Kimberly Dark is an American author, professor of sociology, and storyteller.
The following outline is provided as an overview of and topical guide to fantasy:
Scholastique Mukasonga is a French-Rwandan author born in the former Gikongoro province of Rwanda. In 2012, She won the prix Renaudot and the prix Ahmadou-Kourouma for her book Our Lady of the Nile. In addition to being a finalist for the International Dublin Literary Award and the Los Angeles Times Book Prize, Mukasonga was rewarded in 2014 with the Seligmann Prize against racism and intolerance and in 2015 with the prize Société des gens de lettres. She currently resides in Normandy, France.
The depictions of women in film noir come in a range of archetypes and stock characters, including the alluring femme fatale. A femme fatale, is a prevalent and indicating theme to the style of film noir.
Gwen Benaway is Canadian poet and activist. As of October 2019, She was a PhD candidate in the Women & Gender Studies Institute at the Faculty of Arts & Science at the University of Toronto. Benaway has also written non-fiction for The Globe and Mail and Maclean's.
Fierce Femmes and Notorious Liars: A Dangerous Trans Girl's Confabulous Memoir is a 2016 Canadian book by Kai Cheng Thom. A surrealist novel, it follows an unnamed transgender woman protagonist who leaves home at a young age to live on the Street of Miracles—where various sex work takes place—with other "femmes". After one of them is killed, others form a gang and begin to attack men on the street.
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