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Fire Records | |
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Founded | 1986 |
Founder | Johnny Waller, Clive Solomon |
Genre | Alternative rock, indie rock |
Country of origin | United Kingdom |
Location | London, England |
Official website | www |
Fire Records is a British independent record label, run by James Nicholls, with offices in London, England and New York, United States. The label was founded by music journalist Johnny Waller and Clive Solomon in 1985 and released early records from Pulp, Teenage Fanclub (on subsidiary label Paperhouse), Spacemen 3 (formerly on Glass Records), Blue Aeroplanes, Lives of Angels and others. In the early 1990s, the label was home to Neutral Milk Hotel, The Lemonheads, Built to Spill, Urge Overkill and others. The label was relaunched in the late 1990s by James Nicholls, and has gone on to release albums by Guided By Voices, Giant Sand, Pere Ubu, Black Lips, Jane Weaver, Josephine Foster, The Lemonheads and Islet. [1] [2]
Spacemen 3 were an English rock band, formed in 1982 in Rugby, Warwickshire, by Peter Kember and Jason Pierce, known respectively under their pseudonyms Sonic Boom and J Spaceman. Their music is known for its brand of "trance-like neo-psychedelia" consisting of heavily distorted guitar, synthesizers, and minimal chord or tempo changes.
The Lemonheads are an American alternative rock band formed in Boston in 1986 by Evan Dando, Ben Deily, and Jesse Peretz. Dando has remained the band's only constant member. After their initial punk-influenced releases and tours as an independent/college rock band in the late 1980s, the Lemonheads' popularity with a mass audience grew in 1992 with the major label album It's a Shame about Ray, which was produced, engineered, and mixed by The Robb Brothers. This was followed by a cover of Simon and Garfunkel's "Mrs. Robinson", which eventually became one of the band's most successful singles. The Lemonheads were active until 1997 before going on hiatus, but reformed with a new lineup in 2005 and released The Lemonheads the following year. The band released its latest album, Varshons 2, in February 2019.
Chrysalis Records is a British record label that was founded in 1968. The name is both a reference to the pupal stage of a butterfly and a combination of its founders' names, Chris Wright and Terry Ellis. It started as the Ellis-Wright Agency.
Fontana Records is a record label that was started in the 1950s as a subsidiary of the Dutch Philips Records. The independent label distributor Fontana Distribution takes its name from the label.
David Lynn Thomas is an American singer, songwriter and musician based in the United Kingdom.
Pere Ubu is an American rock group formed in Cleveland, Ohio, in 1975. The band had a variety of long-term and recurring band members, with singer David Thomas being the only member staying throughout the band's lifetime. They released their debut album The Modern Dance in 1978 and followed with several more LPs before disbanding in 1982. Thomas reformed the group in 1987, continuing to record and tour.
Evan Griffith Dando is an American musician and the frontman of the rock band the Lemonheads. He has also embarked on a solo career and collaborated on songs with various artists. In December 2015, Dando was inducted into the Boston Music Awards Hall of Fame.
Giant Records was launched in 1990 as a joint venture between Warner Bros. Records and record executive Irving Azoff. Currently, this name is used as a Swedish label owned by Warner Music Sweden, a Swedish branch of Warner Music Group.
The Blue Aeroplanes are an English rock band from Bristol, the mainstays of which have been Gerard Langley, brother John Langley, and dancer Wojtek Dmochowski. All three had previously been members of the new wave "art band" Art Objects from 1978 to 1981.
Mayo Thompson is an American musician and visual artist best known as the leader of the experimental rock band Red Krayola.
Miranda Cordelia Susan Josephine Wiggs is an English multi-instrumentalist rock musician, best known for her work as bassist in the alternative rock bands The Breeders and The Perfect Disaster. She has also formed multiple side-projects, including her own bands Honey Tongue, The Josephine Wiggs Experience, and Dusty Trails.
New Picnic Time is the third album by American rock band Pere Ubu. It was released in September 1979 by Chrysalis Records. Reportedly the album sessions were stressful and contentious, and after touring, the group disbanded. They would reform a matter of months later, with Mayo Thompson replacing founding guitarist Tom Herman. The lyrics for the song "The Voice of the Sand" are based upon the poetry of Vachel Lindsay.
Why I Hate Women is the 13th studio album by Pere Ubu, released in 2006. Keith Moliné stepped in for departed longtime guitarist Tom Herman, making this the first Pere Ubu studio album not to feature any of the group's founders either as members or as guests. Explaining the title, Thomas claimed that Why I Hate Women is a tribute to an imaginary book that Jim Thompson could have written.
Sarah Jane Morris is an English singer of pop, jazz, rock and R&B and a songwriter.
Andy Diagram is a British musician and trumpet player. He has worked with the instrument in a variety of bands and contexts ranging from pop and rock to experimental jazz, art rock and dance music. He is best known for his work with James, with Spaceheads and with the Pere Ubu singer David Thomas.
Jane Louise Weaver is an English singer, songwriter, and guitarist. She runs the label Bird Records, an offshoot of Twisted Nerve Records. Weaver has performed as part of the Britpop group Kill Laura, the folktronica project Misty Dixon, and as a solo artist. She was brought up in the town of Widnes, Cheshire.
Imago Records was an American independent record label, which was active during the early 1990s. It was started by Terry Ellis after he left his previous record label, Chrysalis Records.
Kristof Hahn is a German guitarist, composer and translator.
"30 Seconds Over Tokyo" is the debut single by American post-punk band Pere Ubu. It was written by David Thomas, Peter Laughner and Gene O'Connor, during their stint as members of Rocket from the Tombs in 1974. Released on Thomas' independent Hearthan Records in 1975, the song received very little airplay but has earned high praise in the years since.