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Wolfenstein 3D is a first-person shooter video game developed by id Software and published by Apogee Software and FormGen. Originally released on May 5, 1992, for DOS, it was inspired by the 1981 Muse Software video game Castle Wolfenstein, and is the third installment in the Wolfenstein series. In Wolfenstein 3D, the player assumes the role of Allied spy William "B.J." Blazkowicz during World War II as he escapes from the Nazi German prison Castle Wolfenstein and carries out a series of crucial missions against the Nazis. The player traverses each of the game's levels to find an elevator to the next level or kill a final boss, fighting Nazi soldiers, dogs, and other enemies with a knife and a variety of guns.
Auditory illusions are false perceptions of a real sound or outside stimulus. These false perceptions are the equivalent of an optical illusion: the listener hears either sounds which are not present in the stimulus, or sounds that should not be possible given the circumstance on how they were created.
Digital art refers to any artistic work or practice that uses digital technology as part of the creative or presentation process. It can also refer to computational art that uses and engages with digital media.
The Cornell box is a test aimed at determining the accuracy of rendering software by comparing the rendered scene with an actual photograph of the same scene, and has become a commonly used 3D test model. It was created by Cindy M. Goral, Kenneth E. Torrance, Donald P. Greenberg, and Bennett Battaile at the Cornell University Program of Computer Graphics for their paper Modeling the Interaction of Light Between Diffuse Surfaces published and presented at SIGGRAPH'84.
Computer art is any art in which computers play a role in production or display of the artwork. Such art can be an image, sound, animation, video, CD-ROM, DVD-ROM, video game, website, algorithm, performance or gallery installation. Many traditional disciplines are now integrating digital technologies and, as a result, the lines between traditional works of art and new media works created using computers has been blurred. For instance, an artist may combine traditional painting with algorithm art and other digital techniques. As a result, defining computer art by its end product can thus be difficult. Computer art is bound to change over time since changes in technology and software directly affect what is possible.
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Programming is a form of music production and performance using electronic devices and computer software, such as sequencers and workstations or hardware synthesizers, sampler and sequencers, to generate sounds of musical instruments. These musical sounds are created through the use of music coding languages. There are many music coding languages of varying complexity. Music programming is also frequently used in modern pop and rock music from various regions of the world, and sometimes in jazz and contemporary classical music. It gained popularity in the 1950s and has been emerging ever since.
Jean-Claude Raoul Olivier Risset was a French composer, best known for his pioneering contributions to computer music. He was a former student of André Jolivet and former co-worker of Max Mathews at Bell Labs.
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Live coding, sometimes referred to as on-the-fly programming, just in time programming and conversational programming, makes programming an integral part of the running program.
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Ge Wang is a Chinese American professor, musician, computer scientist, designer, and author, known for inventing the ChucK audio programming language and for being the co-founder, chief technology officer (CTO), and chief creative officer (CCO) of Smule, a company making iPhone and iPad music apps. He also helped create the Princeton Laptop Orchestra and later founded its Stanford counterpart Stanford Laptop Orchestra, as well as the Stanford Mobile Phone Orchestra. Wang is the designer of the Ocarina and Magic Piano iPhone apps. Wang is currently an associate professor at Stanford University’s Center for Computer Research in Music and Acoustics (CCRMA). Wang is the author of Artful Design: Technology in Search of the Sublime , a book on design and technology, art and life, created entirely in the format of a photo comic book, published by Stanford University Press in 2018.
Benoît and the Mandelbrots, named after French American mathematician Benoît Mandelbrot, is a Computer Music band formed in 2009 in Karlsruhe, Germany. They are known for their live coded and Algorave performances, the Digital Arts practice of improvising with programming languages that gradually dissolves the distinction between composer and performer.
Ixi lang is a programming language for live coding musical expression. It is taught at diverse levels of musical education and used in Algorave performances. Like many other live coding languages, such TidalCycles, ixi lang is a domain-specific language that embraces simplicity and constraints in design.
Leonardo, The International Society for the Arts, Sciences and Technology (Leonardo/ISAST) is a registered 501(c)(3) nonprofit formed in 1982 as an umbrella organization for the journals Leonardo and the Leonardo Music Journal. In 2018, Leonardo/ISAST was awarded the Golden Nica Prix Ars Electronica as Visionary Pioneers of New Media Art.
Kate Sicchio is a choreographer and digital artist, notable for her work bringing together choreography, dance technology, e-textiles, and live coding performance. She is also active as curator and event organiser in the digital arts.
Leland Clayton Smith was an American musician, teacher and computer scientist. He taught at Stanford University for 34 years, and developed the music engraving tool SCORE.
References
- ↑ "Fluxus official website". Archived from the original on 10 August 2012. Retrieved 21 August 2012.
- ↑ Magnusson, Thor (March 2014). "Herding Cats: Observing Live Coding in the Wild". Computer Music Journal. 38 (1): 8–16. doi:10.1162/comj_a_00216. ISSN 0148-9267. Archived from the original on 2021-04-23. Retrieved 2018-08-21.
- ↑ Wakefield, Graham, Charlie Roberts, Matthew Wright, Timothy Wood and Karl Yerkes. “Collaborative Live-Coding with an Immersive Instrument.” NIME (2014).
- ↑ Bovermann, Till; Griffiths, Dave (March 2014). "Computation as Material in Live Coding". Computer Music Journal. 38 (1): 40–53. doi:10.1162/comj_a_00228. ISSN 0148-9267. Archived from the original on 2021-04-23. Retrieved 2018-08-21.
- ↑ "Live Coding - Näher an der Musik". Deutschlandfunk (in German). Archived from the original on 2018-08-22. Retrieved 2018-08-21.
- ↑ Magnusson, Thor (December 2011). "Algorithms as Scores: Coding Live Music" (PDF). Leonardo Music Journal. 21 (21): 19–23. doi:10.1162/lmj_a_00056. ISSN 0961-1215 . Retrieved 2018-08-21.
- ↑ Martins, S. B. (2010). Revisiting the architecture curriculum - the programming perspective. In FUTURE CITIES, 28th eCAADe Conference Proceedings, ETH Zurich (Switzerland).
- ↑ Collins, N. (2011). Live coding of consequence. Leonardo, 44(3):207-211.
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