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Formation | March 3, 2008 |
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Type | Museums |
Purpose | Heritage conservation and exhibition |
Headquarters | Piazza San Marco, 52 – 30124 Venice, Italy |
Coordinates | 45°26′01″N12°20′19″E / 45.4337383°N 12.3385228°E |
Region served | Italy |
Official language | Italian |
President | Mariacristina Gribaudi |
Website | www |
Founded following the resolution passed by the Municipal Council Board of Venice on March 3, 2008, the Fondazione Musei Civici di Venezia (MUVE) manages and develops the cultural and artistic heritage of Venice and islands. Formed as a participatory foundation, it has only one founding member, the City of Venice.
The Peggy Guggenheim Collection is an art museum on the Grand Canal in the Dorsoduro sestiere of Venice, Italy. It is one of the most visited attractions in Venice. The collection is housed in the Palazzo Venier dei Leoni, an 18th-century palace, which was the home of the American heiress Peggy Guggenheim for three decades. She began displaying her private collection of modern artworks to the public seasonally in 1951. After her death in 1979, it passed to the Solomon R. Guggenheim Foundation, which opened the collection year-round from 1980.
Giovanni Battista Tiepolo, also known as GiambattistaTiepolo, was an Italian painter and printmaker from the Republic of Venice who painted in the Rococo style, considered an important member of the 18th-century Venetian school. He was prolific, and worked not only in Italy, but also in Germany and Spain.
Cannaregio is the northernmost of the six historic sestieri (districts) of Venice. It is the second largest sestiere by land area and the largest by population, with 13,169 people as of 2007.
The Grand Canal is a channel in Venice, Italy. It forms one of the major water-traffic corridors in the city.
Piano nobile is the architectural term for the principal floor of a palazzo. This floor contains the main reception and bedrooms of the house.
The Ca' d'Oro or Palazzo Santa Sofia is a palace on the Grand Canal in Venice, northern Italy. One of the older palaces in the city, its name means "golden house" due to the gilt and polychrome external decorations which once adorned its walls. Since 1927, it has been used as a museum, as the Galleria Giorgio Franchetti.
Treviso is a city and comune (municipality) in the Veneto region of northern Italy. It is the capital of the province of Treviso and the municipality has 84,669 inhabitants. Some 3,000 live within the Venetian walls or in the historical and monumental center; some 80,000 live in the urban center while the city hinterland has a population of approximately 170,000.
Santa Croce is one of the six sestieri of Venice, northern Italy.
Ca' Rezzonico is a palazzo and art museum on the Grand Canal in the Dorsoduro sestiere of Venice, Italy. It is a particularly notable example of the 18th century Venetian baroque and rococo architecture and interior decoration, and displays paintings by the leading Venetian painters of the period, including Francesco Guardi and Giambattista Tiepolo. It is a public museum dedicated to 18th-century Venice and one of the 11 venues managed by the Fondazione Musei Civici di Venezia.
The Palazzo Barberini is a 17th-century palace in Rome, facing the Piazza Barberini in Rione Trevi. Today, it houses the Galleria Nazionale d'Arte Antica, the main national collection of older paintings in Rome.
Palazzo Grassi is a building in the Venetian Classical style located on the Grand Canal of Venice (Italy), between the Palazzo Moro Lin and the campo San Samuele.
Venetian Gothic is the particular form of Italian Gothic architecture typical of Venice, originating in local building requirements, with some influence from Byzantine architecture, and some from Islamic architecture, reflecting Venice's trading network. Very unusually for medieval architecture, the style is both at its most characteristic in secular buildings, and the great majority of survivals are secular.
The Palazzi Barbaro—also known as Palazzo Barbaro, Ca' Barbaro, and Palazzo Barbaro-Curtis—are a pair of adjoining palaces, in the San Marco district of Venice, northern Italy. They were formerly one of the homes of the patrician Barbaro family. The Palazzi are located on the Grand Canal of Venice, next to the Palazzo Cavalli-Franchetti and not far from the Ponte dell'Accademia. The buildings are also known as the Palazzo Barbaro-Curtis. It is one of the least altered of the Gothic palaces of Venice.
Venetian Renaissance architecture began rather later than in Florence, not really before the 1480s, and throughout the period mostly relied on architects imported from elsewhere in Italy. The city was very rich during the period, and prone to fires, so there was a large amount of building going on most of the time, and at least the facades of Venetian buildings were often particularly luxuriantly ornamented.
Le Grand Canal is an oil on canvas painting by French Impressionist painter Claude Monet (1840–1926). It is one of six paintings looking down the Grand Canal towards the Salute church. This Grand Canal series is in turn part of a larger series of paintings of Venice which Monet undertook during 1908 on his only visit to the city. The artist is generally regarded by art historians as being at the peak of his powers at this period. The paintings were begun en plein air and completed in France.
The Ca' Dolfin Tiepolos are a series of ten oil paintings made c.1726–1729 by Giovanni Battista Tiepolo for the main reception room or salone of the Palazzo Ca' Dolfin, the palazzo of the patrician Dolfin family in Venice. The paintings are theatrical depictions of events from the history of Ancient Rome, with a typically Venetian emphasis on drama and impact rather than historical accuracy. They were painted on shaped canvases and set into the architecture with frescoed surrounds.
Loredan is a Venetian surname. The House of Loredan is an aristocratic Venetian family that included various doges of the Republic of Venice, and the surname is almost exclusively associated with the family. The surname most likely originated from the toponym Loreo, which itself originated from its Latin name Lauretum, meaning laurel. Another theory of the origin of the surname, though most likely legendary, is that it comes from the Latin epithet Laureati, given to ancestors of the Loredan family due to their historical glory in ancient Rome and the many victories they achieved in battles. The surname is spelled Loredano or Loredan in Italian, Lauredano or Lauredanus in Latin, and Lorentano (Λορεντάνο) in Greek, though it is also historically found as Lordas (Λορδᾶς) and Lordano (Λορδάνο). The feminine name Loredana, common in Italy and Romania, was likely inspired by the surname.