The Natural Son is a comedy play by the British writer Richard Cumberland. It was first staged at the Drury Lane Theatre in London in December 1784. The play is notable for the return of the popular character Major O'Flaherty from Cumberland's 1771 play The West Indian.
The Impostors is a comedy play by Richard Cumberland. It was first performed at the Drury Lane Theatre in January 1789. The plot closely resembled that of The Beaux' Stratagem by George Farquhar.
The Battle of Hastings is a 1778 play by the English writer Richard Cumberland. It is a tragedy set around the Battle of Hastings in 1066. It was staged at the Drury Lane Theatre in October 1778 by Richard Brinsley Sheridan. Sheridan later mocked Cumberland's sensitivity to criticism by modelling the character Sir Fretful Plagiary, in his 1779 play The Critic, after him.
The Mysterious Husband is a play by the British writer Richard Cumberland. It is a Domestic drama with a tragic ending, first performed in 1783. Along with several other Cumberland plays it was influenced by the 1768 gothic play The Mysterious Mother by Horace Walpole.
The School for Vanity is a 1783 comedy play by the British writer Samuel Jackson Pratt. It premiered at the Theatre Royal, Drury Lane in London on 29 January 1783. The original Drury Lane cast included Thomas King as Sir Hercules Caustic, John Palmer as Sighwell, James William Dodd as Lord Frolic, William Brereton as Valentine Onslow, Robert Baddeley as Secondhand, William Parsons as Alderman Ingot, Elizabeth Hopkins as Lady Blaze, Mary Bulkley as Widow Wherett and Elizabeth Farren as Ophelia Wyndham.
Five Thousand a Year is a 1799 comedy play by the British writer Thomas John Dibdin.
The School for Widows is a 1789 comedy play by the British writer Richard Cumberland. It premiered at the Theatre Royal, Covent Garden on 8 May 1789. The original Covent Garden cast included William Thomas Lewis as Jack Marmoset, Thomas Ryder as Mr Wordly, John Quick as Sir Wilful Wayward, Alexander Pope as Frederick, Isabella Mattocks as Mrs Wordly, Sarah Wewitzer as Mrs Gayless and Frances Abington as Lady Charlotte Richmore. It was never published.
More Ways Than One is a 1783 comedy play by the British writer Hannah Cowley.
A Word for Nature is a 1798 comedy play by the British writer Richard Cumberland. It is also known by the alternative title of The Passive Husband.
Duplicity is a 1781 comedy play by the British writer Thomas Holcroft.
The School for Arrogance is a 1791 comedy play by the British writer Thomas Holcroft.
He's Much to Blame is a 1798 comedy play by the British writer Thomas Holcroft.
The Man of Ten Thousand is a 1796 comedy play by the British writer Thomas Holcroft.
A Cure for the Heart Ache is a 1797 comedy play by the British writer Thomas Morton.
Knave or Not? is a 1798 comedy play by the British writer Thomas Holcroft.
The World as It Goes is a 1781 comedy play by the British writer Hannah Cowley.
The Duellist is a 1773 comedy play by the British writer William Kenrick. It premiered at the Theatre Royal, Covent Garden on 20 November 1773. The original Covent Garden cast included Henry Woodward as General Gantlet, William 'Gentleman' Smith as Captain Boothby, Edward Shuter as Sir Solomon Bauble, John Quick as Serjant Nonplus, William Thomas Lewis as Counsellor Witmore, Richard Wroughton as Lord Lovemore, John Cushing as Mactotum and Jane Green as Lady Bauble.
The Metamorphosis is a 1783 comedy play by the Irish writer William Jackson.
Percy is a 1777 tragedy by the British writer Hannah More. It was inspired by the French play Gabrielle de Vergy by Pierre-Laurent Buirette de Belloy. The play premiered at the Covent Garden Theatre in London. The original cast included William Thomas Lewis as Percy, Francis Aickin as Earl Raby, Thomas Hull as Sir Hubert, John Whitfield as Edric, Thomas Robson as Harcourt, James Thompson as Servant, Richard Wroughton as Earl Douglas and Ann Street Barry as Elwina. David Garrick wrote both the prologue and epilogue.
The Hypocrite is a 1768 comic play by the Irish writer Isaac Bickerstaffe. It is a reworking of the 1717 play The Non-Juror by Colley Cibber, itself inspired by Molière's Tartuffe.
