The Language poets are an avant-garde group or tendency in United States poetry that emerged in the late 1960s and early 1970s. The poets included: Bernadette Mayer, Leslie Scalapino, Stephen Rodefer, Bruce Andrews, Charles Bernstein, Ron Silliman, Barrett Watten, Lyn Hejinian, Tom Mandel, Bob Perelman, Rae Armantrout, Alan Davies, Carla Harryman, Clark Coolidge, Hannah Weiner, Susan Howe, James Sherry, and Tina Darragh.
Charles Bernstein is an American poet, essayist, editor, and literary scholar. Bernstein is the Donald T. Regan Professor, Emeritus, Department of English at the University of Pennsylvania. He is one of the most prominent members of the L=A=N=G=U=A=G=E or Language poets. In 2006 he was elected a Fellow of the American Academy of Arts and Sciences. and in 2019 he was awarded the Bollingen Prize from Yale University, the premiere American prize for lifetime achievement, given on the occasion of the publication of Near/Miss. Bernstein was David Gray Professor of Poetry and Poetics at SUNY-Buffalo from 1990 to 2003, where he co-founded the Poetics Program. A volume of Bernstein's selected poetry from the past thirty years, All the Whiskey in Heaven, was published in 2010 by Farrar, Straus, and Giroux. The Salt Companion to Charles Bernstein was published in 2012 by Salt Publishing and Charles Bernstein: The Poetry of Idiomatic Insistences, edited by Paul Bovê was published by Duke University Press and boundary 2 in 2021.
Jerome Rothenberg is an American poet, translator and anthologist, noted for his work in the fields of ethnopoetics and performance poetry.
Jackson Mac Low (1922–2004) was an American poet, performance artist, composer and playwright, known to most readers of poetry as a practitioner of systematic chance operations and other non-intentional compositional methods in his work, which Mac Low first experienced in the musical work of John Cage, Earle Brown, and Christian Wolff. He was married to the artist Iris Lezak from 1962 to 1978, and to the poet Anne Tardos from 1990 until his death.
Zaum are the linguistic experiments in sound symbolism and language creation of Russian Cubo-Futurist poets such as Velimir Khlebnikov and Aleksei Kruchenykh. Zaum is a non-referential phonetic entity with its own ontology. The language consists of neologisms that mean nothing. Zaum is a language organized through phonetic analogy and rhythm. Zaum literature cannot contain any onomatopoeia or psychopathological states.
Tiziano Fratus is an Italian poet and publisher.
UbuWeb is a web-based educational resource for avant-garde material available on the internet, founded in 1996 by poet Kenneth Goldsmith. It offers visual, concrete and sound poetry, expanding to include film and sound art mp3 archives.
Nikolay Alekseyevich Zabolotsky was a Soviet and Russian poet and translator. He was a Modernist and one of the founders of the Russian avant-garde absurdist group Oberiu.
Marjorie Perloff is an Austrian-born poetry scholar and critic in the United States.
Kenneth Goldsmith is an American poet and critic. He is the founding editor of UbuWeb and since 2020 is the ongoing artist-in-residence at the Center for Programs in Contemporary Writing (CPCW) at the University of Pennsylvania, where he teaches. He is also a senior editor of PennSound at the University of Pennsylvania. He hosted a weekly radio show at WFMU from 1995 until June 2010. He has published 32 books including ten books of poetry, notably Fidget (2000), Soliloquy (2001), Day (2003) and his American trilogy, The Weather (2005), Traffic (2007), and Sports (2008), 'Seven American Deaths and Disasters (2011), and 'Capital: New York Capital of the Twentieth Century (2015). He also is the author of three books of essays, Uncreative Writing: Managing Language in the Digital Age (2011), Wasting Time on The Internet (2016), and Duchamp Is My Lawyer: The Polemics, Pragmatics, and Poetics of UbuWeb (2020). In 2013, he was appointed the Museum of Modern Art's first poet laureate.
Kent Johnson was an American poet, translator, critic, and anthologist. His work, much of it meta-fictional and/or satirical in approach, has provoked a notable measure of controversy and debate within English-language poetry circles.
Bob Perelman is an American poet, critic, editor, and teacher. He was an early exponent of the Language poets, an avant-garde movement, originating in the 1970s. He has helped shape a "formally adventurous, politically explicit poetic practice in the United States", according to one of his chroniclers. Perelman is professor of English emeritus at the University of Pennsylvania.
The SoundEye Festival of the Arts of the Word is an annual festival of poetry and other related art forms. It is held annually in Cork City over several days in either late-June to mid-July, with over 20 poets reading at the 2017 event. Events take place in venues such as the Guesthouse and Firkin Crane within the city.
Jane Joritz-Nakagawa (中川ジェーン), born in 1960, is an avant-garde, expatriate American poet and essayist who resides in Japan. She is the author of volumes of poetry, poetry chapbooks, and a poetry broadside. Her poems have appeared in print and online journals and anthologies published in Japan, the United States, United Kingdom, Canada, Australia and a number of other countries. Her work is archived in the University of Chicago library's special collection of poetry from Japan.
Amy Catanzano is an American poet from Boulder, Colorado. She is the author of Multiversal, which won the PEN USA Literary Award in Poetry. Michael Palmer describes her work as "a poetic vision of multiple orders and multiple forms, of a fluid time set loose from linearity, and an open space that is motile and multidimensional." Since 2009 she has published writing on a theory and practice called "quantum poetics," which explores the intersections of poetry and science, particularly physics. Her other interests include cross-genre texts and the literary avant-garde.
The film-poem is a label first applied to American avant-garde films released after World War II. During this time, the relationship between film and poetry was debated. James Peterson in Dreams of Chaos, Visions of Order said, "In practice, the film poem label was primarily an emblem of the avant-garde's difference from the commercial narrative film." Peterson reported that in the 1950s, overviews of avant-garde films "generally identified two genres: the film poem and the graphic cinema". By the 1990s, the avant-garde cinema encompassed the term "film-poem" in addition to different strains of filmmaking. Film-poems are considered "personal films" and are seen "as autonomous, standing apart from traditions and genres". They are "an open, unpredictable experience" due to eschewing extrinsic expectations based on commercial films. Peterson said, "The viewer's cycles of anticipation and satisfaction derive primarily from the film's intrinsic structure." The film-poems are personal as well as private: "Many film poems document intimate moments of the filmmaker's life."
Felix Bernstein is a performance artist, video artist, writer, and cultural critic. Bernstein was born in New York City to poet Charles Bernstein and artist Susan Bee, and attended Bard College, graduating in 2013.
Helen Hajnoczky is a visual poet, who currently resides in Calgary, Alberta, Canada.
Rachel Levitsky is a feminist avant-garde poet, novelist, essayist, translator, editor, educator, and a founder of Belladonna* Collaborative. She was born in New York City and earned an MFA from Naropa University in Boulder, Colorado. Her first poems were published in Clamour, a magazine edited by Renee Gladman in San Francisco during the late 1990s. Levitsky has since written three books, nine chapbooks, and been translated into five languages.
Poetism was an artistic program in Czechoslovakia which belongs to the avant-garde; it has never spread abroad. It was invented by members of the avant-garde association Devětsil, mainly Vítězslav Nezval and Karel Teige. It is mainly known in the literature form, but it was also intended as a lifestyle. Its poems were apolitical, optimistic, emotional, and proletaristic, describing ordinary, real things and everyday life, dealing mainly with the present time. It uses no punctuation.
