Francesco Vicentino (active 16th century) was an Italian painter of the Renaissance period. He was born in Milan, and became a pupil of Cesare Bernazano. He painted for Santa Maria delle Grazie at Milan, and other churches.
Leonardo di ser Piero da Vinci was an Italian polymath of the High Renaissance who was active as a painter, draughtsman, engineer, scientist, theorist, sculptor and architect. While his fame initially rested on his achievements as a painter, he also became known for his notebooks, in which he made drawings and notes on a variety of subjects, including anatomy, astronomy, botany, cartography, painting, and paleontology. Leonardo's genius epitomized the Renaissance humanist ideal, and his collective works compose a contribution to later generations of artists matched only by that of his younger contemporary, Michelangelo.
Monza is a city and comune on the River Lambro, a tributary of the Po in the Lombardy region of Italy, about 15 kilometres north-northeast of Milan. It is the capital of the Province of Monza and Brianza. Monza is best known for its Grand Prix motor racing circuit, the Autodromo Nazionale di Monza, which hosts the Formula One Italian Grand Prix with a massive Italian support tifosi for the Ferrari team.
Donato Bramante, born as Donato di Pascuccio d'Antonio and also known as Bramante Lazzari, was an Italian architect and painter. He introduced Renaissance architecture to Milan and the High Renaissance style to Rome, where his plan for St. Peter's Basilica formed the basis of design executed by Michelangelo. His Tempietto marked the beginning of the High Renaissance in Rome (1502) when Pope Julius II appointed him to build a sanctuary over the spot where Peter was martyred.
Francesco Hayez was an Italian painter. He is considered one of the leading artists of Romanticism in mid-19th-century Milan, and is renowned for his grand historical paintings, political allegories, and portraits.
Gaudenzio Ferrari was an Italian painter and sculptor of the Renaissance.
Francesco Melzi, or Francesco de Melzi (1491–1570), was an Italian painter born into a family of the Milanese nobility in Lombardy. He was one of Leonardo da Vinci’s pupils.
Pellegrino Tibaldi, also known as Pellegrino di Tibaldo de Pellegrini, was an Italian mannerist architect, sculptor, and mural painter.
Vincenzo Foppa was an Italian painter from the Renaissance period. While few of his works survive, he was an esteemed and influential painter during his time and is considered the preeminent leader of the Early Lombard School. He spent his career working for the Sforza family, Dukes of Milan, in Pavia, as well as various other patrons throughout Lombardy and Liguria. He lived and worked in his native Brescia during his later years.
Daniele Crespi was an Italian painter and draughtsman. He is regarded as one of the most original artists working in Milan in the 1620s. He broke away from the exaggerated manner of Lombard Mannerism in favour of an early Baroque style, distinguished by clarity of form and content. A prolific history painter, he was also known for his portraits.
Andrea Appiani was an Italian neoclassical painter.
Marco d'Oggiono was an Italian Renaissance painter and a chief pupil of Leonardo da Vinci, many of whose works he copied.
Camillo Procaccini was an Italian painter. He has been posthumously referred to as the Vasari of Lombardy, for his prolific Mannerist fresco decoration.
Cesare da Sesto (1477–1523) was an Italian painter of the Renaissance active in Milan and elsewhere in Italy.
Giovanni Ambrogio de Predis was an Italian Renaissance painter, illuminator and designer of coins active in Milan. Ambrogio gained a reputation as a portraitist, including as a painter of miniatures, at the court of Ludovico Sforza.
Carlo Francesco Nuvolone was an Italian painter of religious subjects and portraits who was active mainly in Lombardy. He became the leading painter in Lombardy in the mid-17th century, producing works on canvas as well as frescoes. Because his style was perceived as close to that of Guido Reni he was nicknamed il Guido della Lombardia.
Giampietrino, probably Giovanni Pietro Rizzoli, was a north Italian painter of the Lombard school and Leonardo's circle, succinctly characterized by Sidney J. Freedberg as an "exploiter of Leonardo's repertory."
Giuseppe Vermiglio was a Caravaggist painter from Northern Italy, active also in Rome.
Anselmo Bucci was an Italian painter and printmaker.
Arte Informale is a term coined in 1950 by the French critic Michel Tapié to refer to the art movement that began during the mid-1940s in post-World War II Europe. This movement also paralleled the Abstract Expressionism movement that was taking place at the same time in the United States, and had ties to the Arte Povera movement. Sometimes referred to as Tachism, Art Autre or Lyrical Abstraction, it was a type of abstraction in which form became less important than that of the expressive impulses of the artist, and was opposed to the rationalism of traditional abstraction. The qualities of informal art explore the possibilities of gesture, materials, and signage as the basis of communication. Oftentimes art characterized as informal is executed spontaneously and the approach to painting and sculpture are generally gestural, performative, expressionistic and experimental. Certain artists such as Lucio Fontana, Alberto Burri and Emilio Vedova were crucial figures of this movement.
Giuseppe Migneco was an Italian painter of the Novecento Italiano. He often painted scenes of laborers at work in a naïve and expressionist style.