Frans Henry Said (born 16 September 1932) is a Maltese broadcaster and author. His best known work is in Children's Programmes, and Christmas activities for needy children.
The youngest of three surviving children, Frans (Francis) was born to Mary née Brincat and Publio Said, a merchant. His birth took place at the administrative manager's residence of the “Ta’ Braxja” Cemetery. His maternal family had been the owners of the plot and adjacent land where the British had built a cemetery for non-Catholic Christians, mainly British servicemen stationed in Malta. His mother had been staying for a few months with her family.
Brought up in Floriana, Malta, his family had suffered greatly during the Second World War and were impoverished due to enemy actions. It was during the war and still a child that Frans Said started his literary career.
After the war he sat for a competitive examination to enter The Lyceum which at that time was the leading secondary school in Malta. Only a few students could be accepted. From thousands of candidates who sat for the post war examination he placed sixth.
Both in The Lyceum and also in the town association, Frans joined drama groups. At school he used to take part in the yearly Shakespeare production, while in his group, he not only took (a leading) part, but more often than not, also wrote the script of the plays and comedies.
His father died on the 12 February 1948, by which time Frans had already initiated the fledgling children's programme on the local cable radio. He was thus one of the few pioneers in Maltese broadcasting. Even though at a relatively young age he was invariably the producer and planner of those programmes which from once weekly soon developed into a daily production. He soon became known as Uncle Frans (Iz-Ziju Frans). In conjunction with these programmes, he wrote many original works in Maltese, and carried out translations of a number of classical works. With his translations the children of Malta were introduced to many of the great classics.
The radio management noticed his potential and he was sent to study, initially, at the BBC in London, and later on with RAI in Rome and the Happy Station Show in the Netherlands. On his return to Malta, Frans had become the brains and driving force behind the Children's Programmes and what was originally a weekly half hour was eventually extended to a daily afternoon magazine edition.
With the assistance of others he pioneered children's radio drama in Maltese. During the years, the children's drama encompassed a wide spectrum from comedy, adventure, thrillers, musicals, up to pure drama. As a corollary from this he started to organise Christmas Parties, initially for the many children of the drama group and later on for the needy children of the islands.
From a modest 300 needy children in 1952, these parties grew to big proportions, so that after 19 years (the last party was held in 1970) more than 40,000 children had been entertained. (This represents 12% of the population at that time of the Islands). Due to his eventual connections with the British Forces, he managed to obtain assistance from the armed forces. In 1960 the aircraft carrier HMS Ark Royal (R09) was specifically brought to Malta to host 2000 children. In later years, these parties were held under the alternate auspices of the three UK services serving in Malta.
For five years from 1961 onwards he organised and presented a weekly “Round Malta Quiz,” which enjoyed great popularity. He also organised large variety shows, tickets for which were sold within hours. In the sixties he took over the full organisation of the daily Children's Programmes. All this work was done on a part-time basis as he had his own full-time employment. For two years he was also involved in TV productions.
For his work he received a number of awards. He retired from broadcasting in 1979, after nearly 32 years active service.
As secretary to the Floriana Civic Council, he had also been active in civic affairs and was the co-founder of the Confederation of Civic Councils of which he had also been elected Secretary and was the founder of “Midalja tal-Meritu” (The Medal of Merit) (1968) (that preceded the Ġieħ ir-Repubblika award) that for a number of years used to be awarded annually by the Confederation of Civic Councils.
In 1957, Frans met his future wife Enoe (née Calleja) daughter of Maestro Abele Calleja. They were married on 24 January 1960. They had three children, namely Adrian, Giuseppe and Oliver.
In 1952, having passed his matriculation examinations, Frans entered the Royal Air Force in Malta as a junior civilian clerk. Considering that he was Maltese, his progress in the British RAF was rapid. The RAF sent him on a number of courses and training sessions in UK. Within five years he was posted to the RAF Headquarters where he received a number of promotions to senior positions. Eventually he attained the equivalent rank of Squadron Leader. He enjoyed full security clearance and was also awarded, honoured and mentioned in dispatches. He retired from the RAF in 1967 when he joined the fledgling local industry.
With his meticulous approach to life, he had already prepared himself for the positions he hoped to attain having taken a number of specialised courses, invariably obtaining a diploma or certificate of competence.
He held a number of managerial positions reaching the grade of General Manager. Due to various factors, including the political upheaval of the 70's, Frans sought work in Libya. His first position was as Special Projects Manager in Marsa El Bregha (with Exxon); and later, as consultant and advisor with the National Oil Corporation and other oil companies in Tripoli.
In 1989, Frans was invited to return to Malta and offered the position of Chief Executive Officer of Medserv Ltd. (a parastatal company that ran a specialised port and provided support services to the offshore oil industry). He was later also appointed Managing Director. In 1993, the employees of the company nominated him, and a special government committee selected him, as The Worker of Year. During that period he was offered the position of Maltese Ambassador to the UN Agencies in Geneva, Switzerland. Due to many personal commitments he declined but eventually accepted to act as Honorary Consul of Croatia in Malta. In December 1997, due to certain intrigues and political machinations he was accused of corruption and bad management. It took eight years (until 2006) for the Law Courts to reach a decision, in which Frans was completely exonerated and declared fully innocent. The Magistrate stated that all actions had been based on blatant lies and instigated due to jealousy, vindictiveness and intrigue. Eventually, the highest Law Court in Malta under its Constitutional jurisdiction declared that all the actions against Frans Said were frivolous and vexatious and awarded him appropriate damages. This judgement was further confirmed and enforced by The European Court of Human Rights (ECtHR) in Strasbourg which also awarded further damages.
During his tenure of office, Frans represented Malta in many international fora mainly connected with “oil”. He was a fellow and also served on the Council of the UK Institute of Petroleum and on the Permanent Council of the World Petroleum Congresses. He also organised a number of major conferences and exhibitions including MOEX and Clean Seas which also included the Clean Seas International Awards. In partnership with the University of Malta he established The Mediterranean College of Petroleum Studies (MECOPS) which was set up in association with The Petroleum College, Oxford, and P.I.T.S. of Alberta Canada.
On and off, Frans never stopped writing. During his sojourn in Libya he tried his hand at poetry, among other genres. After retirement, Frans wrote five full-length novels in English and was also a member of the team that translated the acquis communautaire (the EU Laws and Court Sentences) of the European Union into Maltese. Frans alone translated more than 40,000 pages (representing 33% of the full task) dealing with every topic under the sun. He is also still active in producing articles for Maltese and foreign newspapers and magazines.
During his sixty-six years of writing, Frans produced more than 1000 pieces of literary works both in Maltese and English. These works have been donated to the people of Malta, and are now kept in the Maltese National Archives in Rabat, Malta.
He has collected all the known Æsop's Fables and similar anecdotes (over 2000 fables), which he translated into Maltese. These started being published on a daily basis on the Maltese Newspaper L-Orizzont from 1 January 2006. He also personally read many of these fables on Radio Malta as part of the programme "Newsline".
In 2018 he started researching and collecting the international famous Panchantantra Indian Fables. It is expected that these will also be published in L-Orizzont on the same basis as happened with Aesop's Fables.
Even at the advanced age of 87 he is currently translating into Maltese the complete work by Jeoffrey Chaucer, a 455 page marathon, namely The Canterbury Tales. The work is still in progress.
At the age of 82 years and a career extending to 67 years, Frans received the Maltese National Honour for services rendered to the Republic. The investiture was made by the President of Malta on Republic Day, 13 December 2014. Eventually his portrait was included in the National Portrait Gallery housed in Imdina, Malta's historic old capital. The inauguration was part of further presentation of his works, including the collection of Aesop and other fables to the National Archives.
Ivan Andreyevich Krylov is Russia's best-known fabulist and probably the most epigrammatic of all Russian authors. Formerly a dramatist and journalist, he only discovered his true genre at the age of 40. While many of his earlier fables were loosely based on Aesop's and La Fontaine's, later fables were original work, often with a satirical bent.
Gaius Julius Phaedrus was a 1st-century CE Roman fabulist and the first versifier of a collection of Aesop's fables into Latin. Few facts are known about him for certain and there was little mention of his work during late antiquity. It was not until the discovery of a few imperfect manuscripts during and following the Renaissance that his importance emerged, both as an author and in the transmission of the fables.
Aesop's Fables, or the Aesopica, is a collection of fables credited to Aesop, a slave and storyteller believed to have lived in ancient Greece between 620 and 564 BCE. Of diverse origins, the stories associated with his name have descended to modern times through a number of sources and continue to be reinterpreted in different verbal registers and in popular as well as artistic media.
The Boy Who Cried Wolf is one of Aesop's Fables, numbered 210 in the Perry Index. From it is derived the English idiom "to cry wolf", defined as "to give a false alarm" in Brewer's Dictionary of Phrase and Fable and glossed by the Oxford English Dictionary as meaning to make false claims, with the result that subsequent true claims are disbelieved.
"The Tortoise and the Hare" is one of Aesop's Fables and is numbered 226 in the Perry Index. The account of a race between unequal partners has attracted conflicting interpretations. The fable itself is a variant of a common folktale theme in which ingenuity and trickery are employed to overcome a stronger opponent.
The Fox and the Grapes is one of Aesop's fables, numbered 15 in the Perry Index. The narration is concise and subsequent retellings have often been equally so. The story concerns a fox that tries to eat grapes from a vine but cannot reach them. Rather than admit defeat, he states they are undesirable. The expression "sour grapes" originated from this fable.
The Frog and the Ox appears among Aesop's Fables and is numbered 376 in the Perry Index. The story concerns a frog that tries to inflate itself to the size of an ox, but bursts in the attempt. It has usually been applied to socio-economic relations.
The Ant and the Grasshopper, alternatively titled The Grasshopper and the Ant, is one of Aesop's Fables, numbered 373 in the Perry Index. The fable describes how a hungry grasshopper begs for food from an ant when winter comes and is refused. The situation sums up moral lessons about the virtues of hard work and planning for the future.
The lion's share is an idiomatic expression which now refers to the major share of something. The phrase derives from the plot of a number of fables ascribed to Aesop and is used here as their generic title. There are two main types of story, which exist in several different versions. Other fables exist in the East that feature division of prey in such a way that the divider gains the greater part - or even the whole. In English the phrase used in the sense of nearly all only appeared at the end of the 18th century; the French equivalent, le partage du lion, is recorded from the start of that century, following La Fontaine's version of the fable.
A bedtime story is a traditional form of storytelling, where a story is told to a child at bedtime to prepare the child for sleep. The bedtime story has long been considered "a definite institution in many families".
Reverend George Fyler Townsend (1814–1900) was the British translator of the standard English edition of Aesop's Fables.
The Lion and the Mouse is one of Aesop's Fables, numbered 150 in the Perry Index. There are also Eastern variants of the story, all of which demonstrate mutual dependence regardless of size or status. In the Renaissance the fable was provided with a sequel condemning social ambition.
Robert Samut was a Maltese doctor and musician. He is best known for writing the music for "L-Innu Malti", the Maltese national anthem.
Charles "Charlie" Clews was a Maltese comic actor and script writer. Clews was one of the first contributors to the local Maltese radio. He found solace in his mother-in-law about whom he used to joke constantly, depicting her as a monster when in fact she had been an angel. He married in 1943 and had eight children; Hilary (deceased), Miriam, Jane, Irene, Norman, Kenneth, Alan and Kevin. He was born in Senglea, Malta.
The Fox and the Crow is one of Aesop's Fables, numbered 124 in the Perry Index. There are early Latin and Greek versions and the fable may even have been portrayed on an ancient Greek vase. The story is used as a warning against listening to flattery.
Aesop was a Greek fabulist and storyteller credited with a number of fables now collectively known as Aesop's Fables. Although his existence remains unclear and no writings by him survive, numerous tales credited to him were gathered across the centuries and in many languages in a storytelling tradition that continues to this day. Many of the tales are characterized by animals and inanimate objects that speak, solve problems, and generally have human characteristics.
The Cock and the Jewel is a fable attributed to Aesop. It is one of a number that feature only a single animal. As a trope in literature, the fable is reminiscent of stories used in zen such as the kōan. It presents, in effect, a riddle on relative values and is capable of many interpretations, depending on the point of view from which it is regarded.
The Crow or Raven and the Snake or Serpent is one of Aesop's Fables and numbered 128 in the Perry Index. Alternative Greek versions exist and two of these were adopted during the European Renaissance. The fable is not to be confused with the story of this title in the Panchatantra, which is completely different.
The Fox and the Weasel is a title used to cover a complex of fables in which a number of other animals figure in a story with the same basic situation involving the unfortunate effects of greed. Of Greek origin, it is counted as one of Aesop's Fables and is numbered 24 in the Perry Index.
Hercules and the Wagoner or Hercules and the Carter is a fable credited to Aesop. It is associated with the proverb "God helps those who help themselves", variations on which are found in other ancient Greek authors.