Blur are an English rock band formed in London in 1988. The band consists of singer Damon Albarn, guitarist Graham Coxon, bass guitarist Alex James and drummer Dave Rowntree. Their debut album, Leisure (1991), incorporated the sounds of Madchester and shoegaze. Following a stylistic change influenced by English guitar pop groups such as the Kinks, the Beatles and XTC, Blur released Modern Life Is Rubbish (1993), Parklife (1994) and The Great Escape (1995). As a result, the band helped to popularise the Britpop genre and achieved mass popularity in the UK, aided by a chart battle with rival band Oasis in 1995 dubbed "The Battle of Britpop".
Graham Leslie Coxon is an English musician, singer-songwriter, multi-instrumentalist and painter who came to prominence as a founding member of the rock band Blur. As the group's lead guitarist and secondary vocalist, Coxon is featured on all of Blur's studio discography. He has also led a solo career since 1998, producing and playing all instrumentation on his solo albums. As well as being a musician, Coxon is a visual artist: he designed the cover art for all his solo albums as well as Blur's 13 (1999).
Happiness in Magazines is the fifth solo album by Graham Coxon. It was produced by Stephen Street who also produced Blur's first five albums and is Coxon's most commercially successful album to date. Happiness in Magazines reached 19 in the UK Albums chart and was certified Gold.
"Song 2" is a song by English rock band Blur. The song is the second song on their eponymous fifth studio album. Released physically on 7 April 1997, "Song 2" peaked at number two on the UK Singles Chart, number four on the Australian ARIA Singles Chart, and number six on the US Billboard Modern Rock Tracks chart.
"Coffee & TV" is a song by British rock band Blur. It was written by the band's guitarist, Graham Coxon, who also sang lead vocals rather than frontman Damon Albarn. The song appears on Blur's sixth studio album, 13 (1999), and was the second single released from the album on 28 June 1999. The lyrics describe Coxon's struggle with alcoholism and the song's video, featuring a sentient milk carton searching for Coxon, won several awards. Commercially, "Coffee & TV" reached No. 11 in the United Kingdom and No. 26 in Ireland. It was a major hit in Iceland, where it peaked at No. 2 in September 1999.
"Tender" is a song by English rock band Blur from their sixth studio album, 13 (1999). Written by the four band members about Blur frontman Damon Albarn's breakup with musician turned painter Justine Frischmann, the song was released in Japan on 17 February 1999 and in the United Kingdom on 22 February as the album's lead single. "Tender" became Blur's 11th top-10 hit on the UK Singles Chart, debuting and peaking at number two the week after its release. It also reached the top 20 in Greece, Iceland, Ireland, Italy, New Zealand, Norway, and Spain.
"Out of Time" is a song by British band Blur from their seventh studio album, Think Tank (2003). The song was written and produced by band members Damon Albarn, Alex James and Dave Rowntree, with Ben Hillier also serving as a producer. After being premiered via BBC Radio 1 on 3 March, it was released as the album's lead single on 14 April 2003, by Parlophone. The song became the band's first release without guitarist Graham Coxon. It is a pop ballad featuring acoustic guitars and bass, as well as a Moroccan orchestra. Lyrically, it deals with a civilisation that has lost touch, with Coxon's departure being referenced in the lyrics.
"No Distance Left to Run" is a song by English rock band Blur from their sixth studio album, 13 (1999). It was released as the third and final single from the album on 15 November 1999, reaching number 14 on the UK Singles Chart. It is widely understood to refer to Blur vocalist Damon Albarn's split from long-term partner Justine Frischmann.
"Growing on Me" is a song by British rock band the Darkness from their 2003 debut album, Permission to Land. It was released as the second single on 16 June 2003, peaking at number 11 on the UK Singles Chart. It also charted at number 42 and 46 in Ireland and Australia, respectively.
"In the City" is the debut single by English band the Jam from their album of the same title. It was released on 29 April 1977 and reached No. 40 on the UK Singles Chart in May 1977, making it their first Top 40 single and the beginning of their streak of 18 consecutive Top 40 singles.
"Freakin' Out" is a song by Graham Coxon and was released as the lead single from his fifth solo album Happiness in Magazines in 2004. It was released as a very limited 7" and charted at number 37 in the UK Singles Chart. "Freakin' Out" was later re-released as a double A-side with "All Over Me". For many years, it has been used as the theme song in the opening titles of G-Spot, an entertainment/ents programme broadcast by Glasgow University Student Television.
Love Travels At Illegal Speeds is the sixth solo album by Graham Coxon. It was released 13 March 2006 in the United Kingdom, the day after Coxon's 37th birthday. The album was produced by Stephen Street who also produced Coxon's previous album, Happiness in Magazines.
"Standing on My Own Again" is a song by English singer-songwriter Graham Coxon and is the opening track on his 2006 studio album Love Travels at Illegal Speeds. The song was also released as the first single from that album on 27 February 2006, peaking at number 20 in the UK Singles Chart.
"Sunday Sunday" is a song by English alternative rock band Blur, included on their second album, Modern Life Is Rubbish (1993). It was released 4 October 1993 as the final single from that album, and charted at number 26 on the UK Singles Chart. This is the highest-charting single from the album ; the record company thought the original album contained no singles, and had the band write the other two singles specifically for single release. The band's original name, 'Seymour', is credited as guest performer on the CD1 single, due to the B-sides being recordings from that era.
"To the End" is a song by English alternative rock band Blur. It appears on their third studio album, Parklife (1994), and was released as a single in May 1994 by Food Records. The song describes a couple unsuccessfully trying to overcome a bad patch in a relationship, and features full orchestral accompaniment with a choric refrain in French by Lætitia Sadier from Stereolab. The song was produced by Stephen Hague, unlike the rest of the Parklife album, which was produced by Stephen Street. Blur have produced several different recordings of the song.
"I Can't Look at Your Skin" / "What's He Got?" is a limited edition double A-sided single by Graham Coxon, released 17 July 2006. Both songs are featured on Graham Coxon's 2006 album, Love Travels at Illegal Speeds and serve as the third single from the album.
"End of a Century" is a song by English alternative rock band Blur. Released in November 1994 by Food Records, it was the last single to be released from their third album, Parklife (1994). The song reached number 19 on the UK Singles Chart, considered a disappointment by Andy Ross of Food. Damon Albarn later stated that "End of a Century" may not have been the best choice for the album's fourth single, and that "This Is a Low" would have been a better alternative.
On the Leyline is the eighth studio album by Ocean Colour Scene. It was released on 30 April 2007 and entered the UK album charts on 6 May 2007, peaking at No.37, lasting only a single week in the top 75.
Live at the Zodiac is the name of Graham Coxon's first concert DVD and a live EP. It was recorded at the Oxford Zodiac on 3 June 2004 during his first full length UK tour after parting with Blur in 2003.
"Freakin' It" is a song by American rapper Will Smith. It was released as the third and final single from his second studio album, Willennium. The single was released on March 22, 2000. The song was written and composed by Smith with a selection of other songwriters, including those of the Diana Ross chart single "Love Hangover," whose fast-paced bassline it samples, and was produced by two of those others, "Trackmasters" Samuel Barnes and Lennie Bennett. The single peaked at number 15 on the UK Singles Chart.
