Jacques Marie Boutet was a French actor and comic playwright from Lunéville. His pseudonym was Monvel. He was a small, thin man without good looks or voice, and yet he became one of the greatest comedians of his time.
The Royal Dramatic Training Academy, was the acting school of Sweden's national stage, the Royal Dramatic Theatre, and for many years (1787–1964) seen as the foremost theatre school and drama education for Swedish stage actors. It was established in 1787 by the theatre and art loving King Gustav III and was for many years under the protection of the Swedish royal family.
Fredrica Löf, also known as Fredrique Löwen, was a Swedish stage actress. She was the first female star at the newly founded national stage Royal Dramatic Theater, which was founded the year of her debut.
Caroline Frederikke Müller née Halle also known as Caroline Walther, was a Danish and later naturalized Swedish opera singer (mezzo-soprano). She was also active as an instructor at the Royal Dramatic Training Academy. She was a member of the Royal Swedish Academy of Music and a Hovsångare.
Bollhuset, also called Stora Bollhuset, Bollhusteatern, and Gamla Bollhuset at various times, was the name of the first theater in Stockholm, Sweden; it was the first Swedish theater and the first real theater building in the whole of Scandinavia. The name "Bollhuset" means "The Ball House", and it was built in 1627 for ball sports and used in this way for forty years. The name Lejonkulan, however, was, in fact, the name of a different building, which was also used by the same theater in the 17th century.
Marie Louise Marcadet née Baptiste was a Swedish opera singer and a dramatic stage actress of French origin. She was active in the Royal Swedish Opera as a singer, and in the Royal Dramatic Theatre and the French Theater of Gustav III as an actress. She was a member of the Royal Swedish Academy of Music from 1795.
Anne Marie Milan Desguillons née Milan was a French stage actress. She was active in the French Theater of Gustav III in Sweden in 1781-92, and principal of the Royal Dramatic Training Academy jointly with Joseph Sauze Desguillons 1793-98.
Maria Kristina Franck was a Swedish actress and drama teacher. She was a member of the pioneer generation of the Royal Dramatic Theatre, and belonged to the first stars of the theater. She has been referred to as her country's first native dramatic tragedienne. She was the principal of the Royal Dramatic Training Academy from 1819 to 1823. During her last years on stage, she was known under her name as married, Ruckman.
Inga Åberg was a Swedish actress and opera singer. She was engaged as an opera singer at the Royal Swedish Opera, and as a stage actress at the Royal Dramatic Theater, between 1787 and 1810.
Christoffer ChristianKarsten was a Swedish opera singer. He was the maternal grandfather of the ballerina Marie Taglioni.
Lars Hjortsberg was a Swedish stage actor. He belonged to the pioneer generation of elite actors of the Royal Dramatic Theatre and has, alongside Emilie Högquist, been referred to as the most famous Swedish actor of the first half of the 19th-century.
Mariane Theresia Sophie Stebnowska also called Stempkosta was a Swedish opera singer and harpist of Polish origin. She has been referred to as one of the more notable stage artists of the Gustavian era Royal Swedish Opera. She was the maternal grandmother of the famous ballerina Marie Taglioni.
Marie Jeanette Wässelius was a Swedish opera singer. She is referred to as the leading prima donna of the Royal Swedish Opera in the early 19th-century. She was a Hovsångare (1815) as well as an associé of the Royal Swedish Academy of Music (1817). She is also known as Mamsell Wässelia or only Wässelia.
Marie Baptiste née Dumont or Du Mont was a French stage actress and singer. She is most known for her career in Sweden, where she was a leading member of the French Theatre in the mid 18th-century.
Marguerite Du Londel or Dulondel was a French ballerina, actress and singer (soprano). She was active in the French theater in Sweden and at that time attracted great fame. She is also known for her relationship with king Adolf Frederick of Sweden.
The Du Londel Troupe was a French 18th-century theatre troupe. From 1753 to 1771, it was active as the French Theatre of Sweden, where it played a great part in that country's theatre history.
Gustaf Fredrik Åbergsson née Åberg was a Swedish stage actor, theatre director and principal of Dramatens elevskola. He belonged to the leading actors in the Swedish theatre history.
"Ebba" Jeanette Morman was a Swedish stage actress. She was active at the Royal Dramatic Theatre in 1791-1802 and was popular actress, known for her demonic character portraits.
Louis Frossard was an 18th-century French dancer who conducted part of his career in Sweden.
Marie-Renée Frossard, née Malter, was a French ballerina with an international career. She was active in Sweden in 1764–76, where she was regarded as one of the stars of the Royal Swedish Ballet.
