"FutureSex/LoveSound" | |
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Song by Justin Timberlake | |
from the album FutureSex/LoveSounds | |
Recorded | Thomas Crown Studios (Virginia Beach) |
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Length | 4:01 |
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"FutureSex/LoveSound" is a song recorded by American singer and songwriter Justin Timberlake for his second studio album, FutureSex/LoveSounds (2006). It was written and produced by Timberlake, Timothy "Timbaland" Mosley and Nate "Danja" Hills. The song was produced following Timberlake's two-year hiatus from the music industry, when he felt "burnt out" after the release of his debut solo album Justified in 2002. "FutureSex/LoveSound" incorporates elements of new wave and industrial rock into its production. "FutureSex/LoveSound" peaked at number 13 on the Billboard Bubbling Under Hot 100 Singles chart. It was included on the set list of Timberlake's second worldwide tour FutureSex/LoveShow (2007).
After the release of his debut solo album Justified in 2002, Timberlake thought he "lost his voice" in the sense that he did not like what he was doing. [2] He felt "burnt-out" after Justified; this partly changed his career's direction, and he took a break from the music industry and instead appeared in films. [2] The first role he took during this time was as a journalist in the thriller Edison Force , filmed in 2004 and released on July 18, 2006. [3] He also appeared in the films Alpha Dog , Black Snake Moan , Richard Kelly's Southland Tales , and voiced Prince Artie Pendragon in the animated film Shrek the Third , released on May 18, 2007. [4]
When he felt inspired to compose songs again, he did not choose to reunite with his former band 'NSYNC, although he considered it after his first record. [5] Instead, he went to Justified collaborator Timothy "Timbaland" Mosley's studio in Virginia Beach, Virginia to begin sessions for his second album. [2] [6] However, neither of them had an idea of what the album would be–no plan for it and even a title. [6] "FutureSex/LoveSound" was written and produced by Timbaland, Nate "Danja" Hills and Timberlake himself. [7] The song was recorded by Jimmy Douglas, while its mixing was done by Douglas with Timbaland at The Hit Factory Criteria in Miami. The keys were played by Danja, who also provided the drums with Timbaland. [7] Paul Blake played the guitar and Timberlake sang the background vocals. [7]
"FutureSex/LoveSound" incorporates elements of new wave and industrial rock into its production. [8] Sheet music for the song is set in the key of F# minor, in common time, with a tempo of 104 beats per minute. [9] Timberlake's vocal range spans from the low note of A3 to the high note of G#5. [9] Timberlake sings in a "muted whisper slink" and his distorted voice "drones" over a "very produced" beat. [10] [11] Bernard Zuel of The Sydney Morning Herald stated that Timberlake morphs into "Michael Hutchence at his most lizard-like". [12] According to Spence D. of IGN, the beat is a "throwback from the future past of disco's demented dimension". [11]
The song contains a "rolling" synth bassline and "truncated" percussion, that according to Zuel, comes across as both "alluring and ever-so-slightly sinister". [12] It contains "slow breaks", that according to Jamil Ahmad of musicOMH, "wrap this record round you like walking into an exclusive club with a million dollar sound system – you know you are going to have one of those nights". [13] The pace of the song changes with its chorus, which Mikey MiGo cited as being "a bit off setting". [10]
"FutureSex/LoveSound" is "brimming over with attitude, sharp beats and rhythm", according to Linda McGee of RTÉ.ie. [14] The song, which was described as being "suavely portentous" by Pitchfork Media's Tim Finney, was cited as being a mixture between "the carnal strut" of Nine Inch Nails' "Closer" and the "masochistic flutter" of the Junior Boys. [15] Finney said the song "derives its charm" from its "lofty" aspirations, "like a familiar lover staging an elaborately exaggerated seduction". [15] According to Alexis Petridis of The Guardian , "FutureSex/LoveSound" and the other opening songs of the album are heavily influenced by David Bowie's Diamond Dogs (1974). [16] The song sounds "horny" which can be seen through the lines "Slide a little bit closer to me, little girl / Daddy’s on a mission to please." [17] The chorus of the song reminded 411mania's Mikey MiGo of Prince's "New Power Generation". [10]
Mikey MiGo of 411mania wrote that the song is a "welcomed change" from Timberlake's past work. She stated that the song "has qualities of Prince that I've never seen anyone muster up before". [10] Amanda Murray of Sputnikmusic called the song "musically and melodically great", but criticized its lyrics. [18] She wrote that the lyrics sound like the dialogue of a "low-rent porn film", highlighting the lines: "She's pressed up on me; I think she's ready to blow?" and "All I need is a moment alone, to give you my tongue and get you out of control". [18] According to Murray, "It makes one question exactly what films Timberlake was starring in during his sabbatical." [18] She concluded that "FutureSex/LoveSound" establishes a pattern for the rest of FutureSex/LoveSounds: "infectiously catchy and in many cases accomplished pop music, marred by retardedly retarded lyrics". [18]
In a review of FutureSex/LoveSounds, Ben Williams of New York cited the album's first five tracks, including "FutureSex/LoveSound", as updating the early 1980s Minneapolis sound: "tense drum machines, high-pitched synth squiggles and staccato funk bass lines". [19] While reviewing the album, Stephen Thomas Erlewine of Allmusic noted that the first three songs of the album include the word "sex" in their titles, "as if mere repetition of the word will magically conjure a sex vibe, when in truth it has the opposite effect: it makes it seem that Justin is singing about it because he's not getting it." [20] Lucy Davies of BBC Music stated that it is initially "difficult to listen to the lyrics of the opening tracks and give an objective opinion". She wrote that it is like Timberlake is "trying to find redeemable qualities about some guy who has zero social skills and stares at women on his own from the corner of a bar. Only he seems to have found some similarly unreconstructed creepy friends shouting words of encouragement to his clunky chat-up lines, like Timbaland". [21]
"FutureSex/LoveSound" was used as the opening song on Timberlake's FutureSex/LoveShow in 2007. [22] His performance in New York City is featured on the singer's video album FutureSex/LoveShow: Live from Madison Square Garden (2007). [23] Timberlake performed the song at DIRECTV Super Saturday Night on February 2, 2013, in New Orleans. [24] Prior to the 2013 Grammy Awards, Timberlake held a concert at the Hollywood Palladium in Los Angeles. [25] The singer performed "FutureSex/LoveSound" in a medley with "Need You Tonight" (1987) by INXS and his single "LoveStoned/I Think She Knows" (2007). [25] The song is also featured on Timberlake's The 20/20 Experience World Tour (2013/15), and The Forget Tomorrow World Tour (2024). [26]
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Credits adapted from the liner notes of FutureSex/LoveSounds, Jive Records. [7]
Following the release of the album, "FutureSex/LoveSound" did not enter the US Billboard Hot 100, but peaked at number 13 on the Bubbling Under Hot 100 Singles chart. [27]
Chart (2006) | Peak position |
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US Bubbling Under Hot 100 Singles ( Billboard ) [27] | 13 |
Justin Randall Timberlake is an American singer, songwriter, record producer, and actor. Dubbed the "Prince of Pop", he is regarded as one of the most influential entertainers of his generation. According to Billboard, Timberlake is the best performing solo act on Pop Airplay, and remains one of the best-selling recording artists of all time with sales of over 117 million records worldwide. He has won numerous awards and accolades, including ten Grammy Awards, four Primetime Emmy Awards, three Brit Awards, nine Billboard Music Awards, the Contemporary Icon Award by the Songwriters Hall of Fame, and MTV's Michael Jackson Video Vanguard Award.
Justified is the debut solo studio album by American singer-songwriter Justin Timberlake. It was released on November 5, 2002, by Jive Records. The album was written and recorded in a six-week period as Timberlake's band NSYNC was on hiatus. For his solo album, Timberlake began to adopt a more mature image as an R&B artist opposed to the previous pop music recorded by the group. The majority of the album was produced by the Neptunes and Timbaland, and features guest appearances by Janet Jackson, Clipse, and Bubba Sparxxx. Primarily an R&B album, Justified also contains influences of dance-pop, funk, and soul music.
"Cry Me a River" is a song by American singer-songwriter Justin Timberlake for his debut solo album, Justified (2002). It was thought to be inspired by Timberlake's former relationship with singer Britney Spears. Jive Records released the song to contemporary hit and rhythmic radio in the United States on November 25, 2002, as the album's second single. Accompanied by an electric piano, beatbox, guitars, synthesizers, Arabian-inspired riffs and Gregorian chants, "Cry Me a River" is a pop and R&B song about a brokenhearted man who moves on from his past.
FutureSex/LoveSounds is the second studio album by American singer-songwriter Justin Timberlake, released on September 8, 2006, by Jive Records and Zomba. Following a three-year writing hiatus, Timberlake conceived the album in collaboration with producer Timbaland and the latter's colleague Danja primarily at Timbaland's Thomas Crown Studios. By comparison with Timberlake's debut album Justified (2002), FutureSex/LoveSounds was influenced by a wider range of genres including techno, electro-funk, trance, and rock. It features reprises and interludes interspersed with the album's full songs.
"SexyBack" is a song recorded by American singer-songwriter Justin Timberlake for his second studio album, FutureSex/LoveSounds (2006). It was released on July 18, 2006, to US mainstream and rhythmic radio stations by Jive Records as the lead single from the album. The song was written and produced by Danja, Timbaland, and Timberlake. Discussing "SexyBack", Timberlake revealed that he went "left", singing the song in a rock style, not an R&B style. He described the song as musicians David Bowie and David Byrne "covering" James Brown's 1970 song "Sex Machine". The track features Timbaland on backing vocals while Timberlake's voice is distorted. The instrumentation used in the song includes a pounding bass beat, electronic chords, and drum machine sounds.
"My Love" is a song recorded by American singer-songwriter Justin Timberlake for his second studio album, FutureSex/LoveSounds (2006). It was released on October 24, 2006, by Jive Records as the second single from the album. The song features American rapper T.I. and background vocals from Timbaland and was co-written by Timberlake, Timbaland, Nate "Danja" Hills, and T.I., and produced by Timberlake, Timbaland, and Danja.
"What Goes Around.../...Comes Around (Interlude)" is a song by American singer-songwriter Justin Timberlake from his second studio album, FutureSex/LoveSounds (2006). It was written and produced by Timberlake, Timbaland, and Danja. The song was said by Timberlake to be about betrayal and forgiveness, and was described by some music critics as a psychedelic pop and sophisti-pop "sequel" to his 2002 single "Cry Me a River". The song received generally positive reviews from music critics.
Floyd Nathaniel Hills, known professionally known as Danja, is a producer from Virginia Beach, Virginia. Beginning his career as a co-producer for Timbaland, he has since produced for Britney Spears, Usher, Keri Hilson, T.I., Nelly Furtado, Ciara, Mariah Carey, Madonna, Whitney Houston, Missy Elliott, M.I.A., Justin Timberlake, JoJo, Joe Jonas, Simple Plan, the Clutch, Pink, T-Pain, Diddy, Meek Mill, Björk, Duran Duran and AGNEZ MO.
"LoveStoned" is a song by American singer-songwriter Justin Timberlake from his second studio album, FutureSex/LoveSounds (2006). It was released on June 29, 2007. It was written and produced by Timberlake, Timothy "Timbaland" Mosley and Nate "Danja" Hills. In contrast to the album's theme about sexual innuendos with themes of love, "LoveStoned" contains sexually suggestive lyrics. Musically "LoveStoned" is an upbeat dance song, contrasting with the interlude of "I Think She Knows" which has a more slow, quiet, guitar-driven sound. The song won the Grammy Award for Best Dance Recording at the 2008 ceremony. The official remix by Justice, Tiësto and Kaskade was released later.
"Give It to Me" is a song performed by American producer, songwriter and rapper Timbaland, released as the first single from his second studio album Shock Value (2007). The song features vocals by Canadian singer-songwriter Nelly Furtado and American singer-songwriter Justin Timberlake. All three artists co-wrote the song together with American rapper Attitude and American producer Danja, who co-produced the song with Timbaland. Mosley Music Group, in association with Blackground Records and Interscope Records, serviced the song to contemporary hit and rhythmic radios in the United States on February 6, 2007, and later to urban radios on March 10, 2007. "Give It to Me" is an electro song that embodies the sensibilities of club music. The song features the protagonists addressing their critics about their successes in the music industry.
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"The Way I Are" is a song by American producer Timbaland, released as the second single from his second studio album Shock Value (2007). The song features vocals by singer Keri Hilson, and is included on international editions on her debut album In a Perfect World... (2009). The two artists co-wrote the song with Danja, The Clutch, and Candice Nelson. Timbaland and Danja also produced the song. Mosley Music Group, in association with Blackground Records, Spirit Halloween Entertainment and Interscope Records, serviced the song to contemporary hit and rhythmic radios in the United States on June 15, 2007. "The Way I Are" is an electrohop song with influences of R&B and dance music that help create its futuristic sound. Its lyrics are based on the theme of role reversal and sensuous desires.
"Until the End of Time" is a song recorded by American singer-songwriter Justin Timberlake from his second studio album, FutureSex/LoveSounds (2006), written and produced by Timberlake, Timbaland, and Nate "Danja" Hills. The song was later re-recorded as a duet featuring American singer-songwriter Beyoncé, which was released as a single on November 13, 2007 and included on the Deluxe Edition of the album. It reached the top 20 on the US Billboard Hot 100, being the sixth single from the album to do so, with Timberlake becoming the only male artist in the decade to achieve this. During the concert tour FutureSex/LoveShow, Timberlake performed the song as a piano solo.
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"Filthy" is a song by American singer-songwriter Justin Timberlake. It was released on January 5, 2018, as the lead single from his fifth studio album, Man of the Woods (2018). The electro-funk song was written and produced by Timberlake, Timbaland, and Danja, with additional songwriting from James Fauntleroy and Larrance Dopson. Its music video was released on same day, which is set at a futuristic technology conference and shows Timberlake staging a proof-of-concept demo for a robot. It was serviced to contemporary hit radio on January 9, 2018. "Filthy" debuted at number 9 on the US Billboard Hot 100, becoming Timberlake's 18th top 10 on the chart as a soloist, and reached the top 5 in Canada.
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